... RE: Jericho
That series was just so compelling. Ill never forget: It was right around the fourth episode, maybe, when we see the missiles launched across the sky, and North Korea was testing missiles two days prior to that. Now its nothing new, but at the time it was kind of unheard of. Kim Jong-il didnt test that many, so the timing involved was really eerie.
Unfortunately, it wasnt a show that was a CBS-type show. Now they have their summer miniseries that are sort of similar to it, but they had never really stepped outside of cops and lawyers and doctors, and they were scared of it. Lennie [James] and I spent a couple of hours every night rewriting it, and fortunately we were all on the same page: the producers and Carol Barbee, Lennie and I, and really, the whole cast.
Ive done a lot of stuff in my career, and you hope you make friends while youre doing things, and you hope youll keep in touch with a lot of people, but the way careers go, one person goes this way, another goes that way, and its hard to keep in touch. In fact, Alicia [Coppolas] husband was over here yesterday. We talk, all of us, all the time. Tim Omundson just recently suffered a stroke, and producers and actors and everybody were showing up at the hospital and showing up at his house. That became a real family, that group of people, and I think it was felt from an audience perspective. You could feel that connection somehow. But plotwise it was just a really interesting notion of what this world could become and what do we do if it does?
We were close [to a third season] about four or five years ago. Karim Zreik, one of the producers, called me and said, Netflix has a schedule, they have budget, they have locations. Are you in? I said, Absolutely, with one proviso: That first script back has to time-jump five years, and the world has devolved way lower than we could ever have imagined. And they were on board with it. And CBS wouldnt sell it. The deal wouldnt work for them...
Its so frustrating. Because the thing that killed that show was the marketing strategy that they had for it. Lost was in its fourth season when they split it into basically two 11-episode half-seasons, with a three-month hiatus in between the 11th and 12th episodes. But they had four seasons, and they had a following, and they did a massive amount of marketing when they broke between the 11th and 12th to let people know when it was coming back. And CBS wanted to use that model of marketing for Jericho. And it killed it.
I mean, we had a big fan base, but they didnt do the marketing to let people know when it came back, and then when the numbers dropped, they blamed us. So it was really frustrating. I think, because we were such a family unit, we all wanted to come back and do those seven episodes [for a second season], but we were bitter about it. I mean, they cut our budget in half to do those seven. Our D.P. and most of the people thatd helped tell that story had gone off to other jobs. We typically shoot an episode in eight working days, and they made us do it in seven. So they brought us back, but they didnt. It left a bad taste in my mouth, that whole experience. It seems like every series Ive been a part of, theres been some sort of frustration, business-wise.