Ebert had some weird interests. Like big boobs. I don't agree with him all the time, but man did he write some things that I did agree with.
Ebert the god. Usual Suspects is one of the most overrated films of my lifetime.
I love playing games, but he was right when he said that.
Disappointed not to see Pink Flamingos on the list, given the RT blurb from his review.
I am required to award stars to movies I review. This time, I refuse to do it. The star rating system is unsuited to this film. Is the movie good? Is it bad? Does it matter? It is what it is and occupies a world where the stars dont shine
Who gives a fuck. Die Hard is super overrated.
I guess Christmas is overrated too you stupid communist.
Well he ain't wrong. These are universally reviled films.
16. Tommy Boy, one star.
No one is funny in Tommy Boy. There are no memorable lines. None of the characters is interesting, except for the enigmatic figure played by Rob Lowe, who seems to have wandered over from Hamlet. Judging by the evidence on the screen, the movie got a green light before a usable screenplay had been prepared, with everybody reassuring themselves that since they were such funny people, inspiration would overcome them.
This kills me, as a few lines were said pretty regularly said by me, my extended family, and most of my classmates when I was still in elementary school when it came out.
"Holy Shnikies."
"Shut up Richard."
"Fat guy in little coat."
"If you want me to take a dumb in a box and mark it guaranteed, I will. I've got spare time."
"Housekeeping..."
"Him too afwaid... Him just a wittle guy."
We would even occasionally slip in a Niner when we could if it fit into conversation.
Which is basically the premise of all movies. I'm actually surprised that he didn't like that part of it.The Usual Suspects is basically a bunch of bullshit spewed by a character for two hours.
I love playing games, but he was right when he said that.
Ebert said:The movie created a spot of controversy last February. According to a story by Larry Carroll of MTV News, Rob Schneider took offense when Patrick Goldstein of the Los Angeles Times listed this year's Best Picture Nominees and wrote that they were "ignored, unloved and turned down flat by most of the same studios that ... bankroll hundreds of sequels, including a follow-up to 'Deuce Bigalow: Male Gigolo,' a film that was sadly overlooked at Oscar time because apparently nobody had the foresight to invent a category for Best Running Penis Joke Delivered by a Third-Rate Comic."
Schneider retaliated by attacking Goldstein in full-page ads in Daily Variety and the Hollywood Reporter. In an open letter to Goldstein, Schneider wrote: "Well, Mr. Goldstein, I decided to do some research to find out what awards you have won. I went online and found that you have won nothing. Absolutely nothing. No journalistic awards of any kind ... Maybe you didn't win a Pulitzer Prize because they haven't invented a category for Best Third-Rate, Unfunny Pompous Reporter Who's Never Been Acknowledged by His Peers."
Reading this, I was about to observe that Schneider can dish it out but he can't take it. Then I found he's not so good at dishing it out, either. I went online and found that Patrick Goldstein has won a National Headliner Award, a Los Angeles Press Club Award, a RockCritics.com award, and the Publicists' Guild award for lifetime achievement.
Schneider was nominated for a 2000 Razzie Award for Worst Supporting Actor, but lost to Jar-Jar Binks.
But Schneider is correct, and Patrick Goldstein has not yet won a Pulitzer Prize. Therefore, Goldstein is not qualified to complain that Columbia financed "Deuce Bigalow: European Gigolo" while passing on the opportunity to participate in "Million Dollar Baby," "Ray," "The Aviator," "Sideways" and "Finding Neverland." As chance would have it, I have won the Pulitzer Prize, and so I am qualified. Speaking in my official capacity as a Pulitzer Prize winner, Mr. Schneider, your movie sucks.
He's 100% right with The Village. It's probably the worst movie i have ever seen.
Who gives/gave a shit? I thought his argument was valid: playing video games is not time well spent. I don't completely agree with it, but there is a small part of me that wishes I could roll some of those hours of my youth into other endeavours.
LI think you need the full context of the Schneider Pulitzer own to really appreciate it:
You need to see a lot more movies lol. The Village isn't anywhere near the worst movie of all time.He's 100% right with The Village. It's probably the worst movie i have ever seen.
Who gives a fuck. Die Hard is super overrated.
Who gives a fuck. Die Hard is super overrated.
I think you need the full context of the Schneider Pulitzer own to really appreciate it:
Which is basically the premise of all movies.
I tried to watch Armageddon recently. I had forgotten how cheesy and bad it was.
Ebert had some weird interests. Like big boobs. I don't agree with him all the time, but man did he write some things that I did agree with.
I liked Tommy Boy. I liked Black Sheep.
The problem is I can't remember which was which.
How so?
No he wasn't, unless he's only speaking for himself. I'm a huge Ebert fan too. I firmly believe art is in the eye of the beholder. I don't think a girl dumping a can of spaghettio's all over herself while 20 people watch is art, but some of those people may see it that way. I do however consider a lot of games to be very artful, games like journey, firewatch, even the new Doom and Uncharted games. I love the art design of those games, so I consider them artistic. I'm cool with people not agreeing with me though, because it just comes down to how the individual views it.
There's this weird fixation on him because gaming culture as a whole has this ridiculous perpetual inferiority complex, desperately searching for validation from "higher" mediums, and Ebert's status as a film critic came to symbolize that.
I think you need the full context of the Schneider Pulitzer own to really appreciate it:
That blurb for Spice World is brutal.
Ebert calling Armageddon "The first two-hour trailer" not only perfectly describes the movie, but also EVERY Michael Bay movie every made (except maybe The Rock).
Screw you, Robert.
Evert was the greatest critic ever because he was a great writer, not because he was right about every movie (see Usual Suspects blurb for evidence).
I mean... I quote The Room all the time