Pimpwerx said:
Will Smith's kid could have starred in a random karate movie, and earn reviews on the merits of his performance and the story. Instead, they're gonna slap The Karate Kid on it, b/c the movie probably isn't good enough to sell on its own, and to help push his career forward. Are you ok with this creatively bankrupt approach to movie-making...nay, story-telling? Movies cost $10 a pop now. Is this the sort of shit the viewing public is willing to co-sign to? I stand by my outrage, I don't think it's misplaced at all. We're being sold the same old shit in a smelly wrapper, and some are actually supporting it. Bologna. This says that the people behind Star Trek can't make a good enough movie (or show) to sell on its own merits, so they're relying on the strength of the brand (in particular, it's marquee characters) to sell what is MOST LIKELY a substandard movie. PEACE.
I'd agree, if not for the fact that the Trek franchise has been in decline for years. Also, your disgust at the replacement of guys like Nimoy and Shatner in roles that they created is not dissimilar to when I first heard Starbuck would be a woman in the new Battlestar Galactica. I nearly sold the series short before it had even begun. However, the one thing that sets modern remakes on the right path is if they truly are re-imaginings. If the director and the scrip-writer have the guts to follow a specific vision that is in keeping with the spirit of the original, but is still their own.
That's the reason why things like The Dark Knight and BSG are such big successes. They each offered something new to the visual story of their characters and world.
TDK brought the dark, realistic questions that had simply not been followed in previous Batman films on what it meant to be a vigilante, and its villain brought across what real evil is like - ordered chaos on an unimaginable scale. Battlestar took the storyline of humanity fleeing generational enemies across the cosmos, in itself an origin story of ourselves, that further links to real-world origin stories such as the Jews escaping the Egyptians through Sinai into Canaan, and used that mythological base to create a realistic vision of what that would have been like for those undergoing that journey.
I'm not saying that more remakes/continuations of dead franchises is needed, but that if the creative team behind it are offering a unique and specific vision that justifies the need for new stories, then go ahead and do it. It's the remakes like Poseidon or the Schumacher Batman movies that need to die, not the ones attempting to give life to staggering old franchises with a breath of fresh air and good story craft. Basically, the more original films the better, I'm not arguing with you there, but sometimes delving back into old franchises is justified.
I do agree that Hollywood has latched on to this more than it should, watering-down the quality and expectations of new versions of old things and taking away the potential of producing completely new great things, but that does not mean that this film should be pre-judged as a result of those unfortunate circumstances.