Kojima Productions' first game will be "Death Stranding," an open-world action game featuring Hollywood actors Norman Reedus and Mads Mikkelsen, as well as an appearance by director Guillermo del Toro.
The game remains shrouded in mystery, but Kojima said it will make players feel "the connective power of the 'strand'," in contrast to previous games that were all about "sticks."
Drawing on Japanese writer Kobo Abe's short story "Nawa" (Strand, or Rope), Kojima explained that a strand is a tool for attracting things that are good for you, while a stick is for beating back enemies.
"It is true that the internet has evolved, and people are more connected through social media," Kojima said. "But they are still using sticks."
On the surface, at least, Kojima prioritizes the "connectivity of strands" in how he runs his operation. His aim isn't to expand Koji-Pro or take it public -- in other words, wielding a stick in typical corporate fashion. "We are not a company. We are a studio. I won't hire more people for the sake of developing multiple games at the same time. We will dedicate our efforts to a single title at a time."
But Kojima also has much bigger ideas. He believes that gaming, as we know it, will change drastically. Rather than having players sit in front of a TV, clutching a controller, "fiction and reality will merge, and there will be gaming in every aspect of life."
"Boktai," an action game series Kojima produced for Nintendo's portable Gameboy Advance in the early 2000s, offers a sneak peek into his thinking. A solar sensor was embedded into the game cartridge, and the amount of sunlight the cartridge received affected the virtual world of the game. This was Kojima's answer to the fact that, even with a handheld device, children were sitting inside and playing rather than venturing outside.
Just as Sony's Walkman ushered in the era of music on the go, the games and technologies Kojima envisions could lead to entirely new lifestyles, and liven up the mundane.
"If you look at the way you buy a [train] ticket from a vending machine, it hasn't changed at all," he said. "But we can make it much more entertaining. Games, music, films, attractions, education -- all of these will 'dissolve' through the use of digital in the future."
He added: "We are not an organization just for games. ... We are the Starship Enterprise that leads us to a new world, a new dimension through technology."
Koji-Pro, he said, will look to "collaborate with industries and companies outside of gaming."
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He has little patience for those who lack initiative. "Those who say, 'I want to make games, so please teach me after I start working for your company,' won't be able to survive in this day and age. We wouldn't hire that sort of person at Kojima Productions. If they wanted to make a game, they would have already made it."
"Ludens," the mascot of Koji-Pro, embodies Kojima's worldview. The name is taken from the book "Homo Ludens," by the Dutch historian and cultural theorist Johan Huizinga, who claimed that the act of playing (ludus ) is what makes human beings human -- and that it predates culture.
"There will be people who see something they have not seen before [in a game], and are compelled to create something of their own," Kojima said. Those who play become the creators, who then devise new forms of ludus. In Kojima's eyes, that is how society moves forward.
A message on Kojima Productions' website, titled "From Sapiens to Ludens," reads:
We are Homo Ludens (Those who play).
From the moment we enter this world,
We instinctively invent ways to have "fun,"
and share our inventions with those around us.
We are not asked to do this,
nor do we need reasons to create. It is simply who we are.
...
"Playing" is not simply a pastime,
it is the primordial basis of imagination and creation.
Truth be told, Homo Ludens (Those who Play) are.
simultaneously Homo Faber (Those who Create).
...
Through the invention of play, our new evolution awaits.
