YOU ARE A BIG MANemacs said:complaining about any changes is rather pointless. like i said, those who whine about the edits should either accept it or continue living life as a bitter, angst-ridden child who feels entitled.
and we are so small
YOU ARE A BIG MANemacs said:complaining about any changes is rather pointless. like i said, those who whine about the edits should either accept it or continue living life as a bitter, angst-ridden child who feels entitled.
emacs said:Lucasfilm Limited is the sole production company that made the films. George Lucas is the chairman, CEO and founder of the production company. Copyright law dictates he and Lucasfilm Limited can do they want with their intellectual properties. George Lucas is executive producer of the Star Wars film franchise so he was responsible for the overall production as well as all legal and business issues. George Lucas can do whatever he wants with the films. accept it or continue living in denial, angst and childish bitterness.
emacs said:complaining about any changes is rather pointless. like i said, those who whine about the edits should either accept it or continue living life as a bitter, angst-ridden child who feels entitled.
DrForester said:Once again, it's not so much the changes as it's him trying to not even acknowledge the original cuts.
Anth0ny said:Complaining got us a release in 2006. A shitty release, but a release nonetheless.
So I'll keep complaining until we get a good release.
emacs said:... and his not wanting to acknowledge the original cuts does nothing adverse to humanity. those who reject what Lucas has done with his intellectual property can perform a singular action with guaranteed results: don't watch the recent editions of the Star Wars films.
emacs said:... and his not wanting to acknowledge the original cuts does nothing adverse to humanity. those who reject what Lucas has done with his intellectual property can perform a singular action with guaranteed results: don't watch the recent editions of the Star Wars films.
emacs said:... and his not wanting to acknowledge the original cuts does nothing adverse to humanity.
My name is George Lucas. I am a writer, director, and producer of motion pictures and Chairman of the Board of Lucasfilm Ltd., a multi-faceted entertainment corporation.
I am not here today as a writer-director, or as a producer, or as the chairman of a corporation. I've come as a citizen of what I believe to be a great society that is in need of a moral anchor to help define and protect its intellectual and cultural heritage. It is not being protected.
The destruction of our film heritage, which is the focus of concern today, is only the tip of the iceberg. American law does not protect our painters, sculptors, recording artists, authors, or filmmakers from having their lifework distorted, and their reputation ruined. If something is not done now to clearly state the moral rights of artists, current and future technologies will alter, mutilate, and destroy for future generations the subtle human truths and highest human feeling that talented individuals within our society have created.
Anth0ny said:I think George Lucas would disagree!
mrkgoo said:Ok, maybe I'm being a bit melodramatic ...
emacs said:although i understand that people can be attached to films and books they hold very dear, it's important to acknowledge and respect that people who have intellectual property rights to their own creations can do whatever the wish.
KittenMaster said:emacs, I think you're failing to consider that some of us actually enjoy discussing why Lucas is a recent failure.
The first problem here is that you assume we think Lucas has no right to alter the films. Of course he does, they're his property. That's an established fact and right by every means possible.emacs said:it seems you are not aware of the context of that speech.
Lucas is opposed to people modifying films in which they don't have the intellectual property rights. Lucas, under copyright law, has every legal right to do what he wants with the Star Wars film franchise.
You really think you've introduced anything worthwhile that hasn't been said dozens of times already?emacs said:in truth, i did not consider that. for the other folks, however, i figured i introduce a different perspective on the whole matter.
It seems you are not aware of the content of the speech.emacs said:it seems you are not aware of the context of that speech.
Lucas is opposed to people modifying films in which they don't have the intellectual property rights. Lucas, under copyright law, has every legal right to do what he wants with the Star Wars film franchise.
These current defacements are just the beginning. Today, engineers with their computers can add color to black-and-white movies, change the soundtrack, speed up the pace, and add or subtract material to the philosophical tastes of the copyright holder. Tommorrow, more advanced technology will be able to replace actors with fresher faces, or alter dialogue and change the movement of the actors lips to match. It will soon be possible to create a new original negative with whatever changes or alterations the copyright holder of the moment desires. The copyright holders, so far, have not been completely diligent in preserving the original negatives of films they control. In order to reconstruct old negatives, many archivists have had to go to Eastern bloc countries where American films have been better preserved.
DrForester said:it's still hypocritical for him to make the changes at the expense of ignoring the originals.
Tobor said:It seems you are not aware of the content of the speech.
Zabka said:You really think you've introduced anything worthwhile that hasn't been said dozens of times already?
emacs said:yes.
emacs said:in truth, i did not consider that. for the other folks, however, i figured i introduce a different perspective on the whole matter.
What is the score? I am a hater myself but it's highly likely that people are down rating it by voting the lowest score.Prologue said:I barely remember the older films but damm look at that amazon score >.>. Are the changes really that bad?
KittenMaster said:What is the score? I am a hater myself but it's highly likely that people are down rating it by voting the lowest score.
alr1ghtstart said:dvdactive has updated with the bluray changes (well for ANH)
http://www.dvdactive.com/editorial/a...-part-one.html
MC Safety said:Anakin is evil way before he kills Windu. As for the alignment shift, it's just a choice.
Sanjuro Tsubaki said:Breaking News: George Lucas frequented prostitutes.
Jarmel said:Indeed, it's a gradual shift and which point you acknowledge the change.
However Anakin killing the younglings a scene later was way over the top and way too dramatic of a change.
Sanjuro Tsubaki said:Breaking News: George Lucas frequented prostitutes.
radioheadrule83 said:Great article. Covers the good and the bad of the changes, most of which were introduced by the Special Editions... I'm glad to see that they fixed the audio mix in the final battle of ANH.
I think those amazon reviews are fucking sad -- I honestly don't know why Amazon allow customer reviews before a products release, they should wipe them all on release day.
I'm sick of all the pre-emptive bitching, I had to stop following G Whitta and a couple of other people on Google+ because of him going on about it...
Did you even bother to read what Lucas said?emacs said:no.
Lucas was opposed to edits once the original holders of copyrights had no legal right or were not active to protecting those rights.
Lucas used "foreign owners" and "gangsters" as some sort of boogiemen. If Da Vinci was alive today and foolishly sold the Mona Lisa to some rich freak who took a dump on it just to get a rise out of people, there would be legally nothing anybody could do to stop this man, and there really should be. That doesn't mean that Lucas supported the idea of Da Vinci taking a shit on the Mona Lisa. It means that the idea of Da Vinci doing that is generally unthinkable, so he needed a substitute to get his point across."My name is George Lucas. I am a writer, director, and producer of motion pictures and Chairman of the Board of Lucasfilm Ltd., a multi-faceted entertainment corporation.
I am not here today as a writer-director, or as a producer, or as the chairman of a corporation. I've come as a citizen of what I believe to be a great society that is in need of a moral anchor to help define and protect its intellectual and cultural heritage. It is not being protected.
The destruction of our film heritage, which is the focus of concern today, is only the tip of the iceberg. American law does not protect our painters, sculptors, recording artists, authors, or filmmakers from having their lifework distorted, and their reputation ruined. If something is not done now to clearly state the moral rights of artists, current and future technologies will alter, mutilate, and destroy for future generations the subtle human truths and highest human feeling that talented individuals within our society have created.
A copyright is held in trust by its owner until it ultimately reverts to public domain. American works of art belong to the American public; they are part of our cultural history.
People who alter or destroy works of art and our cultural heritage for profit or as an exercise of power are barbarians, and if the laws of the United States continue to condone this behavior, history will surely classify us as a barbaric society. The preservation of our cultural heritage may not seem to be as politically sensitive an issue as "when life begins" or "when it should be appropriately terminated," but it is important because it goes to the heart of what sets mankind apart. Creative expression is at the core of our humanness. Art is a distinctly human endeavor. We must have respect for it if we are to have any respect for the human race.
These current defacements are just the beginning. Today, engineers with their computers can add color to black-and-white movies, change the soundtrack, speed up the pace, and add or subtract material to the philosophical tastes of the copyright holder. Tommorrow, more advanced technology will be able to replace actors with "fresher faces," or alter dialogue and change the movement of the actor's lips to match. It will soon be possible to create a new "original" negative with whatever changes or alterations the copyright holder of the moment desires. The copyright holders, so far, have not been completely diligent in preserving the original negatives of films they control. In order to reconstruct old negatives, many archivists have had to go to Eastern bloc countries where American films have been better preserved.
In the future it will become even easier for old negatives to become lost and be "replaced" by new altered negatives. This would be a great loss to our society. Our cultural history must not be allowed to be rewritten.
There is nothing to stop American films, records, books, and paintings from being sold to a foreign entity or egotistical gangsters and having them change our cultural heritage to suit their personal taste.
I accuse the companies and groups, who say that American law is sufficient, of misleading the Congress and the People for their own economic self-interest.
I accuse the corporations, who oppose the moral rights of the artist, of being dishonest and insensitive to American cultural heritage and of being interested only in their quarterly bottom line, and not in the long-term interest of the Nation.
The public's interest is ultimately dominant over all other interests. And the proof of that is that even a copyright law only permits the creators and their estate a limited amount of time to enjoy the economic fruits of that work.
There are those who say American law is sufficient. That's an outrage! It's not sufficient! If it were sufficient, why would I be here? Why would John Houston have been so studiously ignored when he protested the colorization of "The Maltese Falcon?" Why are films cut up and butchered?
Attention should be paid to this question of our soul, and not simply to accounting procedures. Attention should be paid to the interest of those who are yet unborn, who should be able to see this generation as it saw itself, and the past generation as it saw itself.
I hope you have the courage to lead America in acknowledging the importance of American art to the human race, and accord the proper protection for the creators of that art--as it is accorded them in much of the rest of the world communities."
emacs said:yes. just like you assuming you've introduced anything worthwhile.
And yet the National Film Registry (United States National Film Preservation Board's selection of films for preservation in the Library of Congress) selected ANH in 1989 to be preserved. Prior to any changes. Fucking Lucas can't even give them an original copy now.emacs said:Lucasfilm Limited is the sole production company that made the films. George Lucas is the chairman, CEO and founder of the production company. Copyright law dictates he and Lucasfilm Limited can do they want with their intellectual properties. George Lucas is executive producer of the Star Wars film franchise so he was responsible for the overall production as well as all legal and business issues. George Lucas can do whatever he wants with the films. accept it or continue living in denial, angst and childish bitterness.
jaxword said:You guys DO realize when Lucas dies, there will be even MORE changes done so facilitate his kids making 7, 8, 9.
jaxword said:You guys DO realize when Lucas dies, there will be even MORE changes done so facilitate his kids making 7, 8, 9.
I'm keeping my fingers crossed for an extended pod racing sequence.jaxword said:You guys DO realize when Lucas dies, there will be even MORE changes done so facilitate his kids making 7, 8, 9.
Maklershed said:I'm keeping my fingers crossed for an extended pod racing sequence.
Well, Shia has the "no" parts down. It's just instead of one steady "Nooooooooooo!" they'll dub in Shia's trademarked "no no no no no no!"neorej said:James Earl Jones will get replaced by Shia Lebouef. Believe it.
ruby_onix said:Did you even bother to read what Lucas said?
Lucas used "foreign owners" and "gangsters" as some sort of boogiemen. If Da Vinci was alive today and foolishly sold the Mona Lisa to some rich freak who took a dump on it just to get a rise out of people, there would be legally nothing anybody could do to stop this man, and there really should be. That doesn't mean that Lucas supported the idea of Da Vinci taking a shit on the Mona Lisa. It means that the idea of Da Vinci doing that is generally unthinkable, so he needed a substitute to get his point across.
Lucas has become the unthinkable boogieman. He, more than anyone, currently fits the description of the monster he himself described. The distinction you latched onto (being an "original" copyright holder) is something he even dismissed in this text.
Not really. It would improve the movie, and as it is right now the scene actually undermines the threat and character of Jabba the Hutt. the only thing of any (questionable) worth in that scene is the Boba Fett tease, which isn't really necessary.mrklaw said:- remove entire scene with Jabba (would that mess up anything?)
The Mos Eisley entrance isn't a huge deal, and I'd actually keep all of it except for that Jawa moment (which is actually fixed by just cutting before the Jawa actually falls off) and maybe the pointless robot smash at the beginning.- remove most of the Mos Eisley entrance (stupid Jawa falling off dinosaur thing).
ESB is pretty much fine. I don't actually like that Lucas replaced Boba Fett's original voice with Temura Morrison's, but it sort of has to be that way thanks to the Fett story in the prequels (unfortunately).ESB - dont' know whats been changed but I watched the DVD recently and nothing was that jarring.
Here's the original dance scene.ROTJ
- remove stupid dance scene in Jabbas palace. Don't think it'd affect much in the flow of things
Yep.- remove 'nooo' - should be doable by replacing the audio somehow with the DVD soundtrack.
http://www.youtube.com/watch?v=hKISJoNLJFE- do something with Anakin's ghost. This is possibly the most tricky one, not sure how I'd do it.
There are things that don't make sense about the celebrations everywhere, but I think it's okay to leave them in.- possibly shorten the ending with all the flypasts of other worlds
(I don't mind the new soundtrack at the end of ROTJ)