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How does PopGAF deal witht the fact that...

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Being a professional performer is a serious business.

Why listen to that shitty music? Better listen to other genres with actual artist and musicians.

I feel so sorry for musicians that play with pop artist. True talent wasted.

no one cares that you feel your taste in music is being oppressed

literally no one
 
Right, but the presentation of the singer in popular music is much different that in musical theatre, where the creative teams (director, playwrights, composers, choreographers, etc.) are much more a part of the popular discussion, akin to cinema. They both can be lauded or criticized by individual performances by the musicans/actors/etc, but theatre (in most cases, I feel) is much less centralized around a single participating artist that pop music. I guess, to sort of simplify my point, my opinion is that pop artists have songs written for them, but in theatre the singers/performers are hired to portray the songs already written.



Did I say it wasn't? I meant the differences in the expectations between the two different types of performers by the general public is different because of differences in their mediums.

This also describes pop musicians. Pop music is about identity and personas. Like someone said, these are team efforts to create an aesthetic and creative "product" not unlike classical theatre.

The similarities between the two fields are striking and many, yet nobody seems to want to admit this.
 
Being a professional performer is a serious business.

Why listen to that shitty music? Better listen to other genres with actual artist and musicians.

I feel so sorry for musicians that play with pop artist. True talent wasted.

literally nobody else quote this post or respond to it. please

known troll in music threads

for a new page. this is important, y'all. please refrain from quoting user 'faux'

Aretha Franklin sucks.

Etta James sucks too and Frank Sinatra sucks.

Motown acts really suck.

preach sis
 
This is not mutually exclusive to pop artist and they know that. Everyone knows. This isnt a recent music trend either . We've been doing this for YEARS. Decades among tons of different genres. But anyone who does think their artist are sole writers for their music is foolish
 
This also describes pop musicians. Pop music is about identity and personas. Like someone said, these are team efforts to create an aesthetic and creative "product" not unlike classical theatre.

The similarities between the two fields are striking and many, yet nobody seems to want to admit this.

Uhh, there's a lot of bands that are really focused on their identity and personas to go along with doing that themselves and writing their own music. I don't have anything against pop music, but this strain of argument feels like it is trying to focus on a strength for pop compared to other forms of music that doesn't actually exist.
 
People try coming for Pop stars when Whitney Houston didn't write "I will always love you", but somehow made it her own. It's what lots of popstars do, they write some, they don't write some, but they make the song their own. Like Rihanna, her voice and accent make every song she's on sound so unique, in a way that the demo version doesn't sound (if she's recording from a demo).
 
This also describes pop musicians. Pop music is about identity and personas. Like someone said, these are team efforts to create an aesthetic and creative "product" not unlike classical theatre.

The similarities between the two fields are striking and many, yet nobody seems to want to admit this.

There are similarities, of course, but I feel the creative teams are held in much more open regard and criticism than the teams behind pop acts. The balance between the two is different. And even then, excluding a few minor exceptions, there are very few actors that write and direct their own stage productions (at least from my view as an outsider), but pop acts, as recording artists, are always going to be rubbing elbow with recording artists that do write their own stuff, so our expectations as the general public are going to be different.
 
Motown acts really suck.

I'd argue that there's a difference between Motown, where the songwriters were in-house and often writing song with the specific performers in mind, and the modern mainstream pop act that has songwriters that might be picked by the performer's management, label, or producer.
 
literally nobody else quote this post or respond to it. please

known troll in music threads

Why are you so affected by my comments. If you wanna be a Pop Queen, just be by all means.

Dumb people just show their weakness and self steem by being affected by internet dudes with different opinions.
Moron.
 
What's sad is that pop stars hardly do anything. Bad enough not to write your own stuff. Even worse that many of them don't even sing live. It's sad really, but people will enjoy whatever the hell they want.
 
Why are you so affected by my comments. If you wanna be a Pop Queen, just be by all means.

Dumb people just show their weakness and self steem by being affected by internet dudes with different opinions.
Moron.

18122_600.gif
 
There are similarities, of course, but I feel the creative teams are held in much more open regard and criticism than the teams behind pop acts. The balance between the two is different. And even then, excluding a few minor exceptions, there are very few actors that write and direct their own stage productions (at least from my view as an outsider), but pop acts, as recording artists, are always going to be rubbing elbow with recording artists that do write their own stuff, so our expectations as the general public are going to be different.

Enthusiasts definitely know the ins-and-outs of the production efforts and will criticize elements of it, despite the focus being on the performer themselves. It's not so apparent to outsiders, which I think explains a lot of the negative or inaccurate perspectives on pop music.
 
Why are you so affected by my comments. If you wanna be a Pop Queen, just be by all means.

Dumb people just show their weakness and self steem by being affected by internet dudes with different opinions.
Moron.

You realize the irony of your post, right?

As long as the song is good I dont care who wrote it. All about the end product to me really.

I also agree with this. It doesn't matter if fifteen people wrote on one song, if the end product is good, then I'm a happy camper.
 
Why are you so affected by my comments. If you wanna be a Pop Queen, just be by all means.

Dumb people just show their weakness and self steem by being affected by internet dudes with different opinions.
Moron.
Bye sir
18122_600.gif
 
Enthusiasts definitely know the ins-and-outs of the production efforts and will criticize elements of it, despite the focus being on the performer themselves. It's not so apparent to outsiders, which I think explains a lot of the negative or inaccurate perspectives on pop music.

This.

If people take more than a quick glance in the PopGAF OT, you'll find that who an artist is working with on a new album is usually a big deal, as big as the fact that they're working on a new album at all. This is especially true to of mainstream pop acts, who are more likely to shake up their list of collaborators.
 
Why are you so affected by my comments. If you wanna be a Pop Queen, just be by all means.

Dumb people just show their weakness and self steem by being affected by internet dudes with different opinions.
Moron.

Dude, I can't believe you let popgaf bait you into this. I'm out of here... too much slime.
 
What's sad is that pop stars hardly do anything. Bad enough not to write your own stuff. Even worse that many of them don't even since live. It's sad really, but people will enjoy whatever the hell they want.
there's like literally one popstar that doesnt sing live, this isnt the 90s anymore

although i can think of one or two who really should start lipsyncing
 
Why are you so affected by my comments. If you wanna be a Pop Queen, just be by all means.

Dumb people just show their weakness and self steem by being affected by internet dudes with different opinions.
Moron.

okay, let me channel my inner pop queen and drag a bit.

fake edit: actually, most of these don't even need to be commented on. they kind of speak for themselves. your ignorance of the music industry and music in general is kind of astounding.

Today's music is very much oriented to generate income. Forget about artistic risk in music. If is not going to generate rapid buzz is shit.

Today's artists are merely puppets of their music labels, self centered in vanal and vulgar ways to live.

where are the true musicians? Where are the true composers?

It is more visible because there are more tools people can use to mainstreaming it. What you don't see here is true musicians are hardly supported by labels.

What are the requirements to be an artist now?
- Zero knowledge in music theory
- Zero knowledge in musical instruments
- Zero knowledge in audio and recording
- Been handsome or pretty
- Naked yourself in front of other people
- Knowledge on dancing in suggestive ways
- Love money to fill your empty life
- being a slut or idiot would work

Profit...

I think the same way about videogames. I still miss the days of Snes era when there were true and talented people that love games before money.

LOL How I love angry GAF!

Admitting to trolling:

But you are so full of yourself criticizing my "dumb" opinion? Who feel superior here?

If you don't like my opinion just close the thread. I wasn't being serious when I posted the list that offended you. I'm serious telling you music nowadays is centered in money. You should go to sleep.

literally admitting to trolling a thread:

Did you see you all the buzz I created on this thread with my narrowed view of music?

That's exactly how nowadays music acts. Just Buzz. Enjoy yourselves. Good night!

so yeah, go and listen to your real music, and stop letting pop queens get under your skin. your weakness, ignorance and low self esteem are showing.
 
The band Chicago wrote "After the long is gone" for Earth Wind and Fire, and i think vice versa too. And they're two of some of the best bands thats ever come out of music.
The music industry works the way it does.
If you know an artist that writes something amazing, why wouldnt you want them to make you music?
Did The Beatles write their own songs? Nope. But they also ( or at least some of the members) also wrote for other people too. Good artist stick with and help write good music for others
 
Once again these "what's up with pop gaf?" threads are kinda hilarious considering this a hobby forum primarily dedicated to video games.
 
Their talent isn't writing. There are some people whose only talent is writing songs. There is a need for both
 
Apparently Faux is a great troll.

"Don't quote or respond to him, known troll."

PopGAF proceeds to quote and respond, then gives everyone else a history lesson at how good he is at trolling you all.

PopGAF really is as bizarre as I imagined.
 
Am I the only one who doesn't care about the lyrics of songs like at all? I just care that it sounds catchy and whoever sings it sounds good whether it is via the power of their vocal talent or by autotune (though I much prefer the vocal talented ones, being a singer myself)
 
Enthusiasts definitely know the ins-and-outs of the production efforts and will criticize elements of it, despite the focus being on the performer themselves. It's not so apparent to outsiders, which I think explains a lot of the negative or inaccurate perspectives on pop music.

Fair enough, but enthusiasts are always going to know the in-depths workings of their respective interests. We're not really focusing on enthusiasts here though, unless I'm mistaken? Because they will always be the minority when it comes to the consumers of the performance/product/whatever. Even to the general public, things like directors and executive producers and playwrights are much more touted in cinema and live theatre than compared to film. Think about all the ads out there for upcoming movies. "From the studio/director that brought you..." or "A Micheal Bay/M. Night Shamalan/Guillermo del Toro" or "Neil Simon's Rumors" or "Stephen King's The Shining" or whatever. I guess what I'm trying to say is stage and film performers are more like cogs in the machine, pop artists are the machine themselves, so the responsibilities of authorship are going to be different.

Additionally, productions can continue with different performers in the roles in live theatre. A performer can of course become synonymous with a role, but that's all it is: a role. When they stop, others will fill the exact same role to perform the exact same stuff, lead actor or minor. Aside from covers (which are then usually and explicitly labeled as covers), pop songs are almost always tied to the original artist it was recorded by. If another artist covers that song and they get popular with it, it can sometimes get tied to them, but it's still usually tied explicitly to the original performer.
 
I don't really care who writes the song...

Yet I was bothered a bit by Rihanna's songwriting CAMPS. Just sounded...diabolical
 
People try coming for Pop stars when Whitney Houston didn't write "I will always love you", but somehow made it her own. It's what lots of popstars do, they write some, they don't write some, but they make the song their own. Like Rihanna, her voice and accent make every song she's on sound so unique, in a way that the demo version doesn't sound (if she's recording from a demo).

Except for Jennifer Lopez, who often keeps vocals from her demo version

Like in Jenny From The Block (by Natasha Ramos)

Or Ryde Or Die (by Brandy)

this ain't no shade by the way, I actually have quite a fascination for J-Lo and how she got famous with so little talent, plus most of her singles have been amazing (except for those with Pitbull)
 
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