While the great complaint about Nolan is that hes too cold, too clinical, too unemotional, hes over-corrected here to such a degree than instead of drifting a little from one side to the next, he plows, swiftly, and disastrously, into a ditch of his own makingor, rather, of his and co-writer Jonathan Nolans making. A film where any character says maybe love
transcends time and space
is not exactly an exciting prospect for a moviegoer interested in characters, ideas, and plot more than, or even as much, as they are in IMAX-sized visual wonder and all of the feels. [...] Christopher Nolan's "Interstellar" spends hundreds of millions to take the audience on a journey to the farthest parts of the cosmos ... so they can be told sentiments as close, and as cheap, as any of the offerings at your local Hallmark card retailer.