SCULLIBUNDO
Banned
http://www.youtube.com/watch?v=K6auDCAGJgE
Oh the dark movie that could have been. Somebody get Fiedel out of the surfboard shop.
Oh the dark movie that could have been. Somebody get Fiedel out of the surfboard shop.
Gary Whitta said:Okay so I got this on BD for Christmas and I just started re-watching it because there have been plenty of times for me in the past where I didn't really spark to a film first time in theaters but subsequently came to love it on DVD (The Hunt For Red October being one example).
Right off the bat I've got one big question I'd love to ask McG: why the fuck did you ditch the original theme music? It's absolutely one of the best and most iconic elements of the whole franchise and pretty much the easiest way to get a skeptical audience onside right from the opening credits because no-one can resist the FUCK YEAH awesomeness of that classic theme. But instead you go with some bullshit new generic theme? I cannot even for one second begin to fathom the thinking behind this decision, it just seems staggeringly wrong-headed and indefensible to me.
Anyone?
There's a brief sting of it at the end of the credits. It's just that both of the Cameron movies opened on full, epic renditions of that original score, so it seems like it would have been a no-brainer here. Struck me as typical of all the ways in which this movie felt off-key.jett said:I thought that classic cue was repeated a couple during the movie...maybe I'm imagining things. Even in T2 it is used sparingly. That score is mostly like clashes and bangs of metal.![]()
black_13 said:I guess they could've done much worse but it's still terrible as a sequel. Sam Worthington was the only good thing I remember from it.
And I think it would've been more interesting at least if they had gone with the alternative ending in which...
John Conner actually dies at the end from his wound, and Sam Worthington's character goes under face surgary to look like John Conner so he could continue the fight.
Scullibundo said:If you look at the film in context of it being a Terminator movie, that really is one of the biggest slights against it - John Connor. At no point did he come across as the sort of man that Kyle Reese would give his life for. I always imagined John Connor as being ruthless only to the point of doing what needed to be done. I imagined him to command respect like Ender.
Gary Whitta said:Okay so I got this on BD for Christmas and I just started re-watching it because there have been plenty of times for me in the past where I didn't really spark to a film first time in theaters but subsequently came to love it on DVD (The Hunt For Red October being one example).
Right off the bat I've got one big question I'd love to ask McG: why the fuck did you ditch the original theme music? It's absolutely one of the best and most iconic elements of the whole franchise and pretty much the easiest way to get a skeptical audience onside right from the opening credits because no-one can resist the FUCK YEAH awesomeness of that classic theme. But instead you go with some bullshit new generic theme? I cannot even for one second begin to fathom the thinking behind this decision, it just seems staggeringly wrong-headed and indefensible to me.
Anyone?
TacticalFox88 said:What I don't understand is how the FUCK DID all these Helicopters/A-10's survive the Nuclear blast. If Skynet has patrolling waters, how the hell didn't they discover a damn nuclear submarine. And how did they train the A-10 pilots? Do they have access to the military's simulation training? And the scene where Ashdown relieve Connor of his command, why the HELL are all those planes out in the fucking opening. A single HK could've wiped them out. How did Skynet build these crisp office like buildings? How did it after destroying the world get a "factory" of machines. It can't build it on it's own. GAH this movie makes me upset.![]()
Insertia said:I thought the movie was amazing tbh; just as good as T1 and T2. Conner's intro was amazing and the Marcus character was fascinating.
I never understood the hate. Maybe it sucked in theaters or people were expecting something completely different (i'm not to deep in the story), but seeing it on DVD was excellent.
MrPing1000 said:Better than Star Trek.
MrPing1000 said:Better than Star Trek.
WickedAngel said:Not by any metric known to mankind.
Count Dookkake said:McG is a better director of action scenes.
Better cinematography.
Better sound design.
Also, much less abuse of artificial lens-flare.
Gary Whitta said:One thing I will say they got right in this movie was the sound design, the sounds the machines made were great.
Gary Whitta said:What exactly did they put back into the director's cut? Aside from the gratuitous boob shot I didn't really notice anything else.
AniHawk said:I don't know where else to put this. I know the Avatar thread is full of Cameron movie talk but this seems a better place:
Keeping in mind the first two movies only (so no shifting/moving Judgment Day future stuff that T3 and T4 have), wouldn't sending the Terminator back in time in the first place completely alter the timeline? The Resistance wouldn't have time to react since to them the change had happened decades ago, unless they got word what was going on and both Kyle Reese/T800 and T800/T1000 were sent through at the same exact moment in time to different locations. The weren't traveling in a DeLorean together. It's like 2029 and 1984/1995 existed at the same time.
WickedAngel said:I think that's where the divergent-streams theory comes along.
In Timeline A, you can never change what has happened. You can send someone back in time to try to spare others your misery but Timeline A will always exist; your actions may cause a Timeline B, C, or D though.
The Resistance couldn't undo Judgment Day for themselves so they sent one of their own back to hopefully prevent it from happening in an alternate reality. If sending a person back would change their timeline, it would mean that the person is never sent back at all because the events leading up to the time travel would have never taken place.
No, because the first Terminator had to kill several Sarah Connors because Skynet didn't know which Sarah Connor to kill. If he went and killed every Connor in the past, he risks the fact that some descendant of one of these Connors was instrumental in inventing technologies necessary to create Skynet (Of course if you want to take this fixed timeline seriously, it should not be possible for Skynet to kill itself this way).LCfiner said:If were attempting to take the fiction seriously, I have to wonder why Skynet doesnt send Terminators further back in time. Instead of sending them to kill Sarah, then her son, then her son again when hes older and knows about the future, why not send back Terminators to kill Sarahs parents or grandparents?
You go back to the turn of the 20th century and get Sarahs great-grandparents. Are they gonna escape in their car? no, cuz theyre driving a friggin horse carriage.
BAM, series over. Skynet wins.
LCfiner said:If were attempting to take the fiction seriously, I have to wonder why Skynet doesnt send Terminators further back in time. Instead of sending them to kill Sarah, then her son, then her son again when hes older and knows about the future, why not send back Terminators to kill Sarahs parents or grandparents?
You go back to the turn of the 20th century and get Sarahs great-grandparents. Are they gonna escape in their car? no, cuz theyre driving a friggin horse carriage.
BAM, series over. Skynet wins.
numble said:No, because the first Terminator had to kill several Sarah Connors because Skynet didn't know which Sarah Connor to kill. If he went and killed every Connor in the past, he risks the fact that some descendant of one of these Connors was instrumental in inventing technologies necessary to create Skynet (Of course if you want to take this fixed timeline seriously, it should not be possible for Skynet to kill itself this way).
I noticed a couple extra VERY BRIEF robot shots... I think all the added footage was just scraps.Gary Whitta said:What exactly did they put back into the director's cut? Aside from the gratuitous boob shot I didn't really notice anything else.
Gary Whitta said:What exactly did they put back into the director's cut? Aside from the gratuitous boob shot I didn't really notice anything else.
McG tells our friends at Collider that the Terminator Salvation DVD will likely have 30 to 40 minutes of deleted scenes. We know about the now infamous Moon Bloodgood topless scene, and after the jump, well talk about the alternative ending, but McG also says There are great long takes of Connor giving speeches, evoking Sarah Connor that we ultimately lifted because I didnt want it to feel that he was dependent on the voice of his mother to find his leadership.