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Movies You've Seen Recently |OT| April 2015

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BrightLightLava

Unconfirmed Member
What We Do In The Shadows: Really funny vampire mockumentary thing starring Jemaine Clement. They have fun with the vampire concept, and take it somewhere a bit original. It's only about 90 minutes, which helps it feel light and fun, but it still drags a bit toward the end.

Great small part for Rhys Darby.
 

Blader

Member
Short Cuts
Magnolia, but without the coke. Tim Robbins and RDJ are kind of hard to watch here, their characters are just so despicable, but otherwise I liked it. I guess I was assuming there'd be more of an interconnected plot between the vignettes and there mostly isn't, but that's fine. Feels much in the vein of MASH, and even though there's basically no ending, I liked the breezy nature of how the film moves and develops its characters. Enjoyed it.

While We're Young
I hated Frances Ha and was not looking forward to this one at all, but surprisingly enjoyed it. The plot is basically just one long protracted joke, but it works more or less. Stiller was fun to watch here and Charles Grodin is always a nice touch. At the end of it, I wasn't really sure what to take away from the message other than young people are going to be young and old people are going to be old, but even that doesn't seem like it fits completely well with the film. Eh, whatever. This was fine, I liked it.
 

rude

Banned
Broken Embraces - Everyone, watch this film immediately. For some reason I'd been avoiding it for so long despite being a big fan of Almodovar's - it's truly superb in every sense of the word.
 
Broken Embraces - Everyone, watch this film immediately.

Why?

Almodovar

Oh.

gPtetTL.png


Even when I don't like his movies (Wasn't a fan of the plane one whose name I'm forgetting), they're still unique enough where I still kind of like them.
 
Swoon, this might interest you: French publisher Carlotta is releasing Out 1 and NOLI ME TANGERE on blu-ray at the end of the year. I wouldn't hope for English subs but another publisher might release them on your side of the pond?

Strike that. Just got confirmation that Carlotta is releasing OUT1 on blu-ray in the US as well, with English subs.

Also in theaters.
 

SpaceHorror

Member
Event Horizon 5/10 - A decent sci-fi horror flick that would be much better with a tighter script, stronger characters, and less silly moments, though I will forever appreciate the infamous Cooper scene. The characters won't shut up, never quite grasping when silence is better than some freshman level one liner. Which is something it could have learned from Alien, a film it clearly took inspiration from. They also seem to pull ideas about what's going on in the ship out their ass rather than coming to conclusions naturally, which makes me think the writer confused bad writing with mystery. Some characters, like Starck, get lost in the background, vanishing for a while doing god knows what, only to pop up later with a bit of exposition to clear things up. Others have a quirk in place of development, like Smithy the paranoid Englishman. That's something that works in larger casts with peripheral characters, not here, but maybe the Lewis and Clark needs one or two less crew members. Still, it's easily Paul WS Anderson's best film (an achievement, I know), with able direction, decent acting, and great visuals. There are a few genuinely creepy moments, even though sometimes they show too much.
 

UrbanRats

Member
Breaking News is very devious fun. It manages to undercut the normal HK-style gunfight with a more grounded depiction that has a lot more property damage than an actual body count while still feeling incredibly stylish, thanks to the wonderful camerawork that feels inspired by the likes of Michael Mann while doing its own uniquely Johnnie To thing, particularly in the case of some rather impressive single-take shots. It also does a great job of making you question who the real antagonist is, as the media manipulation angle raises far more ethical conundrums than any robber on the run does, and for its part, the film does follow through with keeping those waters murky when it comes to the sympathy you may or may not feel for the people responsible for putting on a show at the risk of endangering a lot of innocent lives. It's not the most realistic film, but it's a very effective one, and at a blistering 90 minutes, you can bask in the precision it has for its content and be very satisfied in watching how it all plays out. A somewhat limp ending spoils a bit of the excitement, but considering what came prior to it, it's hard to fault it that much for it.

I liked it, but i never bought the deepness of the friendship sparked between the hitman and the main robber.
Which made the finale a bit weird for me.
 

Ridley327

Member
I liked it, but i never bought the deepness of the friendship sparked between the hitman and the main robber.
Which made the finale a bit weird for me.

Yeah, that was the biggest reason why the finale fell flat for me. It's a shame, since I really liked the wrinkle the hitmen added to the situation, since it was a variable that Rebecca didn't consider when she was shaping the situation to her own ends.

That being said, I really did like the scene where they did bond in the first place, since it was such an unexpected and light moment in a fairly serious film. Nothing like food porn to shake things up a bit.
 

big ander

Member
Strike that. Just got confirmation that Carlotta is releasing OUT1 on blu-ray in the US as well, with English subs.

Also in theaters.
Oooh nice this one's intrigued me for a minute. I wonder, are theatrical runs of it broken up into those 8 movie-length episodes?
 
Oooh nice this one's intrigued me for a minute. I wonder, are theatrical runs of it broken up into those 8 movie-length episodes?

No idea at this point. A guy working for Carlotta who posts on a French forum I frequent just confirmed the release in US and French territories both in blu-ray and in theaters.

I hope for some kind of intermission at least : )

I'll let you know when I know more.
 
Big Trouble in Little China - My god, you lot were right. It's just pure entertainment from start to close, never a dull moment. Kurt Russell knocked it right out the park, Jack was such a loveable asshole it was difficult to not be 100% on his side, even with a villain as amazing as Lo Pan. The production design was insanely good, the sets and costumes in particular were amazing to look at. Jesus christ, the fight scenes were incredibly stupid, but they just work so well. Such a fantastic film.
 

faridmon

Member
What We Do In The Shadows: Really funny vampire mockumentary thing starring Jemaine Clement. They have fun with the vampire concept, and take it somewhere a bit original. It's only about 90 minutes, which helps it feel light and fun, but it still drags a bit toward the end.

Great small part for Rhys Darby.

I am sold at that part.

We just don't get those anymore.

Sad stuff.
 

big ander

Member
Just wanted to poke in here because I saw there was some Hal Hartley talk. I am big fan of Hartley, particularly his early stuff (Trust is probably in my top 5 favorite movies) but I didn't even know of Ned Rifle's existence until about a week ago.

I actually hadn't seen anything he's done since No Such Thing, so I rewatched Henry Fool first and then Fay Grim for the first time. I hadn't heard the best things about Fay Grim, but it really seemed to wander about aimlessly and seemed entirely preposterous. Storywise, it kind of took a crap on Henry Fool. I have no idea what Hartley was trying to accomplish with it.

Ned Rifle is kind of like the "anti-Fay Grim". It is compact and direct, and it seems to want to try and clean up some of the mess. It's also very funny and is filled with a who's who of Hartley vets. Made me very sad about Adrienne Shelly again. I definitely recommend it to Hartley fans.

Oh yeah, I guess people with Aubrey Plaza obsessions might want to give it a go too. :p
Fay Grim is definitely weird in how it
turns Henry's writing into a code--that should heavily impact how Simon was influenced by him, so on.
But it doesn't for some reason? Anyway I thought it was kinda fun as a spy sendup, being so complicated and mocking Bourne-type espionage films, though Ned Rifle fits much better along side Fool and is a superior film.
No idea at this point. A guy working for Carlotta who posts on a French forum I frequent just confirmed the release in US and French territories both in blu-ray and in theaters.

I hope for some kind of intermission at least : )

I'll let you know when I know more.
cool, thanks.
Big Trouble in Little China - My god, you lot were right. It's just pure entertainment from start to close, never a dull moment. Kurt Russell knocked it right out the park, Jack was such a loveable asshole it was difficult to not be 100% on his side, even with a villain as amazing as Lo Pan. The production design was insanely good, the sets and costumes in particular were amazing to look at. Jesus christ, the fight scenes were incredibly stupid, but they just work so well. Such a fantastic film.
It wasn't until rewatching that I really adored Jack Burton. He's a complete idiot and a perfect skewering of American action heroes, and Russell knows just how much to clue you in.
 

Divius

Member
Jupiter Ascending - A beautiful, gorgeous, viscerally tantalizing mess of a movie.
The Silence of the Lambs - Top tier thriller. Great across the board.
Barbarella - Lots of fun and very groovy~ Thanks to Ridley for mentioning it a few weeks ago.

Probably rewatching Avengers tomorrow and seeing the sequel on Thursday.
 
It wasn't until rewatching that I really adored Jack Burton. He's a complete idiot and a perfect skewering of American action heroes, and Russell knows just how much to clue you in.

Yeah, I love how he was all bark and no bite really. I thought it was a really cool contrast with Snake Plissken, especially how they wield a slightly similar gun.
 

Ridley327

Member
Armour of God II: Operation Condor doesn't quite hit the same batshit insane heights as its predecessor, but the bigger budget and far greater amount of polish allows Jackie Chan to pull off some really impressive set pieces and stunt work that shows off his prowess as a director as much as his ability as a performer. When throwing someone off of a mountain in a giant inflatable hamster ball is the first thing you throw at the audience and it's not even close to being the most impressive thing the movie pulls out, you're in for a good time.
 
Finally caught Into the Wonder.

I actually really enjoyed it up until the initial departure of Olga. Not a keeper, but better than I was led to believe.
 

Apt101

Member
Noah, pretty good. It was far more imaginative and visually interesting than the trailers led me to believe, at times, though still somewhat drab overall. I enjoyed the setting, a pre-flood world that's somewhat alien and closer to god. Good acting and pacing and all that, just not terribly engaging.
 

Toothless

Member
While We're Young started as I feared, with being pretentious hipster crap ("Hey, have you heard of this movie called Strike!?" Yes, Adam Driver, literally anyone past first semester in film school has heard of Strike.), but after about a half hour, sets into a nice groove with an interesting take on documentary filmmaking. It had a really good ending too, and even though she was in the least of the main four, I really enjoyed Amanda Seyfried's presence here, which surprised me because I don't usually even notice her. Happy I saw it.
 

big ander

Member
Down Terrace - eh. Sightseers being my favorite Wheatley movie, it looks like he's best when he's not writing. so I'm looking forward to High Rise still. wanna get around to A Field in England before then.
Last time I went to a theater, I lost my fucking gloves, and they never ended up in the Lost and Found of either the AMC or the stupid yuppie bowling alley restaurant that's also in that building. Fuck theaters.
I've sworn them off entirely since my local multiplex barred me from bringing bottles to shows so I could take popcorn butter home for cooking.
ive never heard of strike
yknow, that bowling comedy. Woody Harrelson, farrelly brothers.
 
Breaking News is very devious fun. It manages to undercut the normal HK-style gunfight with a more grounded depiction that has a lot more property damage than an actual body count while still feeling incredibly stylish, thanks to the wonderful camerawork that feels inspired by the likes of Michael Mann while doing its own uniquely Johnnie To thing, particularly in the case of some rather impressive single-take shots. It also does a great job of making you question who the real antagonist is, as the media manipulation angle raises far more ethical conundrums than any robber on the run does, and for its part, the film does follow through with keeping those waters murky when it comes to the sympathy you may or may not feel for the people responsible for putting on a show at the risk of endangering a lot of innocent lives. It's not the most realistic film, but it's a very effective one, and at a blistering 90 minutes, you can bask in the precision it has for its content and be very satisfied in watching how it all plays out. A somewhat limp ending spoils a bit of the excitement, but considering what came prior to it, it's hard to fault it that much for it.

I think To after the first scene started to think about his next movie. The first 8 minutes are already better than most action movies , time to think about something else.
 

SpaceHorror

Member
They Drive by Night 8/10 - Working class drama with a noir feel typical of Warner’s fare at the time. George Raft and Humphrey Bogart play trucker brothers who want to bust out of the racket after they see a friend killed from falling asleep at the wheel. Raft works hard to overcome the harsh conditions of his job and the lure of high society and easy living to do things his own way and become his own boss, with tinges of tragedy pushing him to work even harder. Raft is good as the rough and tumble Joe and Bogart is at his weary best as Paul, who just wants enough money to start a family with his wife. Director Raoul Walsh elevates what could have been a clumsy affair which moves from hard nosed every-man drama, to comedy, to romance, to murder, and back again. Under his skilled, no-nonsense hand it unfolds as a gritty parable of the American dream with high entertainment value.
 

Ridley327

Member
I haven't had much exposure to Donnie Yen as an actor, outside of seeing Iron Monkey ages ago, so I decided to reacquaint myself by watching one of his more recent films in Flash Point. It's definitely not going to win any awards in the story department, being a rather simple war of attrition between hardened cops and gangsters, but I did like that they weren't afraid to throw some unexpected casualties along the way to keep you on your toes and generate a good amount of suspense to the proceedings. It runs the risk at times of taking too long to get to the good stuff, but when it does come, it's well worth the wait. The more realistic fights pack a hell of a lot of punch, thanks to how well each of the actors sell the hits, as well as the strong editing that keeps the fights fast and brutal, particularly the rather exemplary final fight between Yen and Colin Chou, which must qualify as a modern classic of the genre. Yen finds a good balance between being a supremely gifted athlete and being a solid acting draw himself, and even though his role doesn't ask much of him other than to be determined and stern, he works it really well. The rest of the cast put in solid work; if not quite award-winning quality, then they are certainly likable and charismatic enough to enjoy it when they're on the screen. It's an agreeable film with its modest ambitions, but it's made much more memorable with the great care put into the action scenes. Armbar takedowns and suplexing goons through tables should always look this good.
 
Bless Interstellar for trying, but lord was that ever a dumb and incredibly over-long movie. I think I started to tune out after the fourth or fifth time a conversation was held entirely in speeches and platitudes traded back and forth about shallow observations on the immutability of love or gravity or whatever. So maybe around the time Matt Damon and Matt McConaughey had a hobo fight in space suits on a distant frozen wasteland. Feel free to discount my opinion because of this, if you wish, but rest assured that I stuck with it to the end. May as well make those three hours count!

At least it looked nice, and the plot had some interesting twists and a vague originality about it, but goodness that music was so insistent and obnoxious about wanting to make me feel things I wasn't feeling and care for characters whom I had little to no reason to hold in any sort of regard. You can't really pull the constant manipulative string music thing on me in general, but especially not with such vapid dialogue and flat characterization.

I guess if I learned one thing from this movie, it's that gravity is not the only force that crosses all the dimensions of time and space.
IT'S LOVE, OKAY. GRAVITY AND LOVE.
 
kinda love that soundtrack tbh. the track that played
when matt damon went crazy on the ice planet
was like zimmer's attempt at a dario argento/goblin soundtrack with his added flavor of bombastic noise.

dude went full retard with the organs, and it made for his most interesting work in years. i can see why many would find it obnoxious tho
 
Clouds of Sils Maria - After the death an accomplished playwright and director, Maria becomes conflicted with deciding to take on a remake of his play which she performed in 20 years ago that launched her famed acting career. She's wanted for the opposite role but her inability to relate to the character and her identity with the younger role makes her question her willingness to do the role. This film was a bit different than I initially thought it was going to be. I have to admit that I wasn't really feeling the beginning of the film but as it moved along, I really started to enjoy it. All the leads are great and the cinematography is breathtaking. This certainly isn't for everyone as it is very slow paced but I've been akin to more of these types of films and could draw parallels to more recent stage adaptation films (like recent Polanski and Cronenberg offerings). I'd say it's worth checking out if you find the trailer of any interest but I could see some people believing the film is a snooze. 7/10
 
I think the real question is who Nolan was the directorial beard for on Memento. Was there like a brilliant janitor that filmed some great takes while Nolan was in the can, Good Will Hunting Style?
 

El Topo

Member
Might as well post my thoughts here as well.

Ex Machina
Beautifully shot, great acting, but unfortunately very predictable and uninspired. It's a good movie nonetheless and I'd recommend it, at least to people not too familiar with similar stories. I was the only one at the screening. This movie deserves better.
 

Caode

Member
Avengers: Age of Ultron

Not going to go in to much detail since it hasn't come out everywhere yet but it wasn't all that impressive. Pretty disappointed, the more I think about it, the more I'm finding to dislike about it. I think it suffer's under the need to plant the seeds for the future of the cinematic universe.

I scored it slightly higher originally but it's gone down a bit at this stage.

2.5/5
 

Divius

Member
Agreed, big disappointment. The first Avengers was better. Ultron is a silly bad guy.

Highlight of this theater visit was the MAD MAX trailer in IMAX3D. That movie looks like a blast.

dude went full retard with the organs, and it made for his most interesting work in years.
I love this
 

overcast

Member
Two completely different flicks, but some thoughts.

The Boxtrolls- Left me feeling cold. Some okay moments, and the boxtrolls were kind of fun but this is another disappointment on the poor year for animated films that was 2014. I haven't seen Song of the Sea or Kaguya though. This movie wasn't bad though, just not up to what I expect from the studio given how much I enjoyed Paranorman and especially Coraline. Main character was a huge drag.

Persona- Jesus, I don't know where to begin. This one left me feeling a lot of things. Incredibly disturbing movie. The beginning fucked me up a bit, which seemed like a proper reaction. I know there is an unpacking of that in the special features. I feel like I should have penned thoughts down while watching it. I don't know if the movie was made to be analyzed or to just be felt honestly. Random side note: I did like how much this scene reminded me of a stage play.
 
Avengers: Age of Ultron

Not going to go in to much detail since it hasn't come out everywhere yet but it wasn't all that impressive. Pretty disappointed, the more I think about it, the more I'm finding to dislike about it. I think it suffer's under the need to plant the seeds for the future of the cinematic universe.

I scored it slightly higher originally but it's gone down a bit at this stage.

2.5/5
Agreed, big disappointment. The first Avengers was better. Ultron is a silly bad guy.
Oh dear. Curious how much I will dislike it given how burnt out I've been on Marvel.
 
Mad Max - Well, it's not exactly what I was expecting. I was unaware the first one was like a dystopian road/revenge film. It was still enjoyable, it's got a great restless energy about it with the rapid editing and the pure speed on show. The music was kinda shitty, and the revenge felt seriously rushed, literally left to the last 20ish minutes, but it wasn't boring because of the energy. So it's clearly a low budget Australian B Movie, but it was fun as hell and I can't wait to see the next one.
 
kinda love that soundtrack tbh. the track that played
when matt damon went crazy on the ice planet
was like zimmer's attempt at a dario argento/goblin soundtrack with his added flavor of bombastic noise.

dude went full retard with the organs, and it made for his most interesting work in years. i can see why many would find it obnoxious tho

I mean, I think I would probably enjoy it outside of the context of the film as listening accompaniment for a particularly insistent session of showering or something, but within the movie all it did was to accentuate the other flaws.

I think the real question is who Nolan was the directorial beard for on Memento. Was there like a brilliant janitor that filmed some great takes while Nolan was in the can, Good Will Hunting Style?

I liked Batman Begins and The Prestige and I sort of want to like this just for the fact of it being an original IP and a big budget work of science fiction, considering how rare both of those things are in modern Hollywood, but man, Interstellar was pretty bad in most of the ways that count. The fact that Nolan has been so repeatedly successful with this kind of stuff makes me fairly sure that he's falling into the trap of becoming too big for anyone close to him to really properly criticize or say no to, so good luck on ever getting another Memento out of that secret janitor stand-in again.
 
Mad Max - Well, it's not exactly what I was expecting. I was unaware the first one was like a dystopian road/revenge film. It was still enjoyable, it's got a great restless energy about it with the rapid editing and the pure speed on show. The music was kinda shitty, and the revenge felt seriously rushed, literally left to the last 20ish minutes, but it wasn't boring because of the energy. So it's clearly a low budget Australian B Movie, but it was fun as hell and I can't wait to see the next one.

I just watched this for the first time last week and I felt exactly the way. I heard Road Warrior is where it's at though. Gotta borrow the Blu-Ray from my friend so I can watch the others before Fury Road comes out.
 

lordxar

Member
Mad Max - Well, it's not exactly what I was expecting. I was unaware the first one was like a dystopian road/revenge film. It was still enjoyable, it's got a great restless energy about it with the rapid editing and the pure speed on show. The music was kinda shitty, and the revenge felt seriously rushed, literally left to the last 20ish minutes, but it wasn't boring because of the energy. So it's clearly a low budget Australian B Movie, but it was fun as hell and I can't wait to see the next one.

Saw the Mad Max movies as they came out when I was a kid and was like five when the first came along. So I thought the first would be like Thunderdome. Imagine my surprise years later when I go to watch the original. Thought I had the wrong movie for a minute. Wasn't as much desert apocalypse as my young mind remembered.
 
I just watched this for the first time last week and I felt exactly the way. I heard Road Warrior is where it's at though. Gotta borrow the Blu-Ray from my friend so I can watch the others before Fury Road comes out.

Fury Road is looking more in line with road warrior than the other two films going by the trailers
 
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