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PROMETHEUS Full Theatrical Trailer (2:32) + International UK trailer (2:47)

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Well, I know it's not going to happen in every case. I'm just saying I think it should.

But I don't think it should be used as a dismissive point to ignore the fact that an improved version was subsequently released. Don't you agree? If we're talking about the full value of a film, and the talent of the filmmaker involved, the most complete version of what is offered should be used as a benchmark for that. The theatrical version might only indicate the compromises the director was willing to make to get the film out initially, and that is a different argument in itself.
 
I'm sorry, but I'm kinda confused. I'm not sure what you're arguing against me anymore. What exactly are you disagreeing with?

That Cameron could have easily had those scenes inserted if it wasn't for his monetary greed. FOX was still footing the bulk of the bill and whether you believe it or not, when your budget is over $300m, they have a big say in whether or not things need to get cut down.

Then after it made money, Cameron did appeal to them for extra money to finish scenes for the extended edition. He pushed that amount of money ($20m or so) to finish the scenes he could, but asking for another $50m for a specialty home release is asking a bit much.

My point is it isn't like Cameron didn't shoot those scenes. He shot ALL of them. You can watch them in their unfinished, rough-rendered and stage-acted form on the Extended Edition extras. He wanted them as part of the film. Unfortunately it would have just cost too much.
 
But I don't think it should be used as a dismissive point to ignore the fact that an improved version was subsequently released. Don't you agree? If we're talking about the full value of a film, and the talent of the filmmaker involved, the most complete version of what is offered should be used as a benchmark for that. The theatrical version might only indicate the compromises the director was willing to make to get the film out initially, and that is a different argument in itself.

Sure, I just think, if Cameron thought that scene was important, he should have kept it in, and cut out every scene with Michelle Rodriguez to even things out. Kill two birds with one stone.
 
I mean, at the end of the day, when youre looking at a film that without a doubt cost more than 400 million dollars, theres no doubt going to be sacrifices made, regardless of the supposed clout the director has.

Like I said, Titanic made almost 2 billion dollars, but not even that is enough for a major studio (who had to dragged kicking and screaming it seems to even be involved) to indulge a director to release a 200+ minute blue movie that is essentially a drug influenced geek fantasy trip brought to life
 
Well, I can't imagine after Avatar, Cameron doesn't have the power to do just about anything he wants with Avatar 2, so I guess we'll finally see the power of "unleashed" Cameron, lol.
 
Sure, I just think, if Cameron thought that scene was important, he should have kept it in, and cut out every scene with Michelle Rodriguez to even things out. Kill two birds with one stone.
He actually did cut out a significant portion of her role.

lolz.
 
Speaking of Cameron any word on Promethei yet? I hear its all out war with 100 space jockeys and the space jockey queen
 
Her role in the movie was honestly the least offensive thing she ever did. Cameron even got her to smile!
 
She's still in the movie, IT'S NOT ENOUGH. It's impossible to cut too much of Michelle Rodriguez from something.

I actually thought this was the one instance where she was tolerable. She was even smiling throughout most of the film. It wasn't that bullshit bravado chick/B-grade Vasquez that she usually plays.

Edit - Dead, my man!
 
Since the thread went on an Extended cut tangent...


If there is an R rated cut of Prometheus, I wonder if it will simply be the reinsertion of the cuts in violence and language, or if Ridley will leave out some subplots for it like hes done recently.
 
Since the thread went on an Extended cut tangent...


If there is an R rated cut of Prometheus, I wonder if it will simply be the reinsertion of the cuts in violence and language, or if Ridley will leave out some subplots for it like hes done recently.

This reminds me that if FOX had put out the Avatar that Cameron shot, it would have been R. If you watch the B-rolls, you can see Grace saying 'You need to muzzle your fuckin' dog.' and in the movie where Quaritch says to Jake 'What the matter? You find yourself some local TAIL and forget which team you're playing for?', the cut away from his face comes on tail because he originally said pussy.
 
This reminds me that if FOX had put out the Avatar that Cameron shot, it would have been R. If you watch the B-rolls, you can see Grace saying 'You need to muzzle your fuckin' dog.' and in the movie where Quaritch says to Jake 'What the matter? You find yourself some local TAIL and forget which team you're playing for?', the cut away from his face comes on tail because he originally said pussy.
The way you can twist everything back to JC is really impressive. I mean really, not even I can do that. lol.
 
Unbelievable how much people analyze the shit out of these trailers. Can't do you any good for your ultimate enjoyment of the actual movie.
 
That Cameron could have easily had those scenes inserted if it wasn't for his monetary greed. FOX was still footing the bulk of the bill and whether you believe it or not, when your budget is over $300m, they have a big say in whether or not things need to get cut down.

Then after it made money, Cameron did appeal to them for extra money to finish scenes for the extended edition. He pushed that amount of money ($20m or so) to finish the scenes he could, but asking for another $50m for a specialty home release is asking a bit much.

My point is it isn't like Cameron didn't shoot those scenes. He shot ALL of them. You can watch them in their unfinished, rough-rendered and stage-acted form on the Extended Edition extras. He wanted them as part of the film. Unfortunately it would have just cost too much.

But I never said anything about monetary greed. I said the problem with Cameron is that his pursuit of pushing the boundaries to technology in his films is what limits what he can do because they end up being too expensive to do "right" as you put it, because scenes are simply too expensive sometimes. If he actually felt that the actual material was that important, and that telling the best story he could was the most important point, he would find a cheaper way to make his films. Clearly, that is not his preference.

His desire to sacrifice runtime for IMAX is not out of greed, as I already stated in another post, but one of fiscal responsibility. He has to ensure that the movie makes tons of money because of the heavy amount of trust the investors of his film has put in him. I don't think that is a bad thing, it is a good thing and a realistic approach.

I'm simply saying that if telling the best story with the narrative and writing alone is Cameron's most valued aspect of the work, he would not be making movies like this. But he is, and that's neither entirely a good or bad thing, just a conscious choice. But that choice can be criticized.
 
But I never said anything about monetary greed. I said the problem with Cameron is that his pursuit of pushing the boundaries to technology in his films is what limits what he can do because they end up being too expensive to do "right" as you put it, because scenes are simply too expensive sometimes. If he actually felt that the actual material was that important, and that telling the best story he could was the most important point, he would find a cheaper way to make his films. Clearly, that is not his preference.

His desire to sacrifice runtime for IMAX is not out of greed, as I already stated in another post, but one of fiscal responsibility. He has to ensure that the movie makes tons of money because of the heavy amount of trust the investors of his film has put in him. I don't think that is a bad thing, it is a good thing and a realistic approach.

I'm simply saying that if telling the best story with the narrative and writing alone is Cameron's most valued aspect of the work, he would not be making movies like this. But he is, and that's neither entirely a good or bad thing, just a conscious choice. But that choice can be criticized.

Ah, okay. I misunderstood you.

Anyway, you really should rent the extended edition and check out all the crazy stuff that was cut from the film. Some of it is really great and makes the exclusion of these scenes really disappointing. There actually is a scene that was pretty much finished which has no good reason for not being in the film. It is where Selfridge sees that Quaritch has gone off the deep end and is turning the entire mining workers force into a militia and tries to stop him, before Quaritch threatens to kill him.
 
Ah, okay. I misunderstood you.

Anyway, you really should rent the extended edition and check out all the crazy stuff that was cut from the film. Some of it is really great and makes the exclusion of these scenes really disappointing. There actually is a scene that was pretty much finished which has no good reason for not being in the film. It is where Selfridge sees that Quaritch has gone off the deep end and is turning the entire mining workers force into a militia and tries to stop him, before Quaritch threatens to kill him.

Dude, I own the 3 disc blu-ray. I bought it when it first came out. I've watched it once, liked it quite a bit, but it was kinda weird seeing it in 2D for the first time. I haven't seen all the unfinished deleted scenes though. Some day.
 
Dude, I own the 3 disc blu-ray. I bought it when it first came out. I've watched it once, liked it quite a bit, but it was kinda weird seeing it in 2D for the first time. I haven't seen all the unfinished deleted scenes though. Some day.

Oh, cool. Well yeah, definitely check out those deleted scenes. You have a treasure trove waiting for you.


I haven't re-watched Avatar in like 2 years (contain your horror Sculli!). Might be time for another go-around.

Theatrical or Extended Edition?
 
Can I say that I absolutely love the ship design of the Prometheus? Wildly different to the behemoth that is the Nostromo. I doesn't look nearly as big.
 
I think what I like most about the set design in Prometheus so far is that everything looks and feel real. It's hard to describe exactly why they feel that way, because the designs can be pretty far out, but I have no issues believing that somewhere on a planet there are these structures, and this ship, and so on. It's very consistent and believable. District 9 was the same way.
 
I really like the suit designs

Duckroll, have you ever seen the Art of District 9 book? You would love it, the amount of mech related stuff that never made it to the movie would make you teargasm
 
So I pulled out my CED copy of Alien to show my wife what the space Jockey ship looks like because she saw the promo spot that aired during Walking Dead and wanted to know what this film is about and I realized the ship pictured, the one that gets explored in Alien, is nicely parked out in the open yet the previews show it lifting out of the ground and then getting blown up mid air. Pretty much means thats not the same ship and/or not the same planet.
 
I really like the suit designs

Duckroll, have you ever seen the Art of District 9 book? You would love it, the amount of mech related stuff that never made it to the movie would make you teargasm

Yep. Ever since the first pictures I've been in love with them. The Bubble-domes are my favourite part. 360 viewing that also lends itself to that pulpy 1950s hard sci-fi look.
 
Ridley Scott goes for the old school (meheh) love of practical sets as opposed to CGI in many cases, and this tends to not only give his films a striking verisimilitude, but they tend to age very well. Alien still looks stunning and its visuals have a nice air of realism to them.
 
I think what I like most about the set design in Prometheus so far is that everything looks and feel real. It's hard to describe exactly why they feel that way, because the designs can be pretty far out, but I have no issues believing that somewhere on a planet there are these structures, and this ship, and so on. It's very consistent and believable. District 9 was the same way.

It's called a perfect marriage of production design and cinematography choices. Everything needs to have just the right amount of texture for the light to play off of, and the lighting needs to be visually interesting without being so flashy that it feels unrealistic. When the prawn in D9 stepped from his shack doorway into the harsh african sunlight for the first time, I couldn't quite fathom how seamless he looked next to a real actor. All the props were top notch work done by Weta Workshop.

Just as an example, the amount of colored lighting on display in this trailer is incredible looking. The yellow lights in the cryo tubes and necks of the space suits, the red lasers playing off the cave walls, blue light of the star map on fassbender, all of it feels like those photons actually exist in the same environment as the actors. It's not just orange/blue contrast added in with post processing color correction like Transformers or something.
 
I really like the suit designs

Duckroll, have you ever seen the Art of District 9 book? You would love it, the amount of mech related stuff that never made it to the movie would make you teargasm

No, I've never seen it. Is any of that shit going to be in Elysium?
 
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