Exterminieren
Banned
Inside Out has screened at Cannes, and the buzz is positive. VERY positive.
Robbie Collins, The Telegraph
Peter Debruge, Variety
Peter Bradshaw, The Guardian
Edward Douglas, Comingsoon.net
Gregory Ellwood, hitfix.com
Robbie Collins, The Telegraph
Pixars early work was heavily influenced by the films of the Japanese animator Hayao Miyazaki, and the fact that Inside Outs plot is set in motion by a removal, with a pre-teen girl in the back of her familys car apprehensively weighing up the fresh start shes about to make, immediately connects it to Miyazakis 2001 masterpiece Spirited Away, which began with an identical set-up.
And its far from the only thing they have in common: both films are about the last days of childhood, the point at which our inner lives must be broken and rebuilt if were to flourish as adults and both describe this chaotic, terrifying process by plunging their heroines into fantastical, Jungian wonderlands of fairies, monsters and waking dreams.
This is a humane and heart-wrenchingly beautiful film from Docter; even measured alongside Pixars numerous great pictures, it stands out as one of the studios very best.
Peter Debruge, Variety
On paper, Inside Out sounded like another lunatic gamble: an adventure that takes place entirely within the head of an 11-year-old girl, featuring her Emotions as characters although if anyone could pull off a logline like that, it would be the team who made us care about rats who cook, toys that bond, and robots who fall in love. Sure enough, in execution, Pixars 15th feature proves to be the greatest idea the toon studio has ever had: a stunningly original concept that will not only delight and entertain the companys massive worldwide audience, but also promises to forever change the way people think about the way people think, delivering creative fireworks grounded by a wonderfully relatable family story.
Peter Bradshaw, The Guardian
Pete Docters new animation Inside Out does not deliver that shock of the new which was so stunning in the Pixar heyday of the last decade all the dazzling technical spectacle of detail, colour and light which had us gobsmacked, and which we now take utterly for granted. This movie is a sweet-natured coming-of-age comedy, a kind of tween-transition crisis, though with a fundamentally sunny Disneyfied worldview. It hasnt anything as genuinely emotionally devastating as Up, or the subtlety and inspired subversion of Monsters Inc. and the Toy Stories which it certainly resembles at various stages. But it is certainly a terrifically likeable, ebullient and seductive piece of entertainment, taken at full-throttle. There is that sheen of pure professionalism that I associate with its executive producer and presiding deity, John Lasseter.
Edward Douglas, Comingsoon.net
As weve come to expect from Pixar, Inside Out is another gorgeous, colorful film that often makes you forget youre watching animation. Inside Out is a bittersweet look at childhoods end that might be Pixars most layered and complex film since Ratatouille.
Gregory Ellwood, hitfix.com
What truly makes Inside Out remarkable, however, is how incredibly creative it is. Once Joy and Sadness are stuck in Long Term Memory you can see the story beats laid out in front of you, but Docter and his animators constantly surprise with the inhabitants they have populated throughout Rileys mind. From her abandoned imaginary friend Bing Bong (Richard Kind) to the eye-popping realization of Abstract World, there is a wealth of new ideas here that put recent Pixar and Walt Disney Animation Studios films to shame.
The dramatic elements of Inside Out will stick with you, but dont fear. The humor is palpable. Sure, the shtick of having an intense and loud comedian such as Black voice Anger is painfully obvious, but its in the emotional control rooms of Rileys parents where, again, the films creativity and the laughs really come in to play. And when Docter depicts the emotions in people outside Rileys family? It only serves to answer the main question we asked at the beginning of this review. You can make a coherent, entertaining and moving experience out of this concept as a feature length film and it can be very, very good.