Hobbestetrician
Member
You could tell the budget for Season 5 was like $100/episode because they got a lot of use out of that hotel lobby set.Wait for Season 5
Crying Man 4 Life, though.
You could tell the budget for Season 5 was like $100/episode because they got a lot of use out of that hotel lobby set.Wait for Season 5
I will never get over that one episode wherethey actually get back to their original timeline, but the little gate in the yard doesn't creek anymore so they assume it's another parallel world. Then when they leave you find out that they just fixed the fucking gate.
That shit made me SO angry, even as a kid.
Yeah, that guy sounds like cancer.When Peckinpah was brought in, it was basically over.
I am not sure why you spoilered that. However, that kind of stunt casting was common in the mid-to-late 90s.I stopped watching at some point, can't remember exactly when- but I do remember getting a pretty good laugh out of the acting ofRoger Daltrey. What the heck was the lead singer of The Who doing on Sliders?
Okay well this was amazing! Thanks for posting.Find this on Netflix and watch...
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Modern day Sliders style show - but no one will fund a full series - so this extended pilot is all we got.
It is pretty good (second half is amazing!)
Came in to defend White Castle.
I will never get over that one episode wherethey actually get back to their original timeline, but the little gate in the yard doesn't creek anymore so they assume it's another parallel world. Then when they leave you find out that they just fixed the fucking gate.
That shit made me SO angry, even as a kid.
http://io9.com/george-r-r-martin-answers-our-toughest-song-of-ice-and-886133300You almost made a show with the same premise as Sliders, and then Sliders came out a year later. Do you ever watch Sliders, and what do you think of it?
Doorways, which was my [unaired] show, was basically the same idea, but it was better-written, better-cast, better in every regard. The only episode of Sliders I ever saw was the pilot. I did watch the pilot, and I thought it terrible. But that’s prejudice, I recognize my prejudice. Put that in if you’re going to write about Sliders here, all right? I realize I don’t have an objective consideration of this because I worked on that show for over a year.
But I do know a little of the subsequent history of Sliders, and it occurs to me that I may have dodged a bullet with Doorways. Because I don’t think I would have been able to do as good a show as I wanted to do. The conception of Doorways was this alternate-world show, where they would have gone through, and every week they would have gone to a different world and had an adventure there. So we would have seen all of these wonderful alternate worlds. I developed like 40 ideas for worlds, and we had six backup scripts written.
But to really do it right, you have to create a whole world. If you’re in the world where the Roman Empire never fell, which was one of our [ideas], it’s still 1993. It’s not a time-travel show. So you have to think about it about it, you have to think of the whole look for the show. That’s very demanding for the set designers and the costume designers. Okay, it’s 1993 — how much has technology progressed from the Roman Empire? Did they have an Industrial Revolution? What are they wearing now? Are they still wearing togas, like they wore in 44 BC? You know, but they’re not dressed like modern 20th Century Americans, either, they’re dressed in some toga-equivalent as it would be 2,000 years later. You have to think about every issue like that.
But what are they driving? Well, they’re not driving Buicks and Chevrolets. They’re driving – do they have cars? Do they have cars based on chariots? You know, the cars would be different, the trains would be different. You know, so it requires a lot of work. But then you have to build that. And at the point where I thought Doorways was gonna go, when I was going to be showrunner, I was looking at pattern budgets, and I was having a horrible feeling that weren't going to be able to do this on that budget. We were going to have a budget equivalent to any other show on television at that time, a million and a half per episode. You can't built a whole world for that amount.
And of course, that's what happened to Sliders. They didn't go to a world where the Roman empire never fell, or any of these worlds — they went to a lot of worlds where, "Gosh, it's just like our world, except that Pete Best is still in the Beatles." So the costumes were the same and the cars were the same. I know they had a big thing — in one world, the traffic lights were different, [so] red means go and green means stop. And that was the big difference.
And, you know, I sneer at that, because it's bad science fiction and it's stupid. You don't want to do an alternate-world show, if that's the best you can do. But we might have been forced to do the exact same thing, simply because of budgetary reasons. And then I would have had this show, that would have been a bad show, on my resume. So maybe I dodged a bullet there, by not having it picked up.
That being said, we had a terrific cast. I think our writing would have been better. Our characters were very much better. But we still would have faced the same limits of budget and storytelling. What I was trying to do at that time was say to the network, "We have to do arcs. That's the only way we can make this work. They have to go to Roman world, and they have to stay there for six episodes. You can't do a world a week. They have to stay, because then we can amortize the costumes and the architecture." You have to build sets and have Greek architecture for Roman world, or Arabian Nights world, or whatever world they're going to. But the networks don't like to do arcs, especially back in the 90s. Now they're more open to them. But back then, they wanted strictly episodic shows, where you could run them in any order. You always return to the original [status at the end of each episode].
Haha, yeah.
They uh, they pulled a "SeaQuest DSV."Enjoyable scifi show goes to shit right in front of your eyes