Let me just touch on this topic a little bit. Now, I don't plan on seeing this movie, but for some people they may feel robbed. When they watch a movie they expect to be entertained. They want to feel happy, sad, scared, excited, or whatever and a lot of people want to feel those emotions with their friends in a movie theater. Knowing Tony is going to take his suit before even seeing the film robs them of the feeling they could have shared with their friends (I'm assuming). Sure there will be other things happening, but the lose one surprise or emotion because it was "spoiled" in the trailer. You could point the blame at them and say they should have skipped the trailer but that doesn't void their right to be upset I think.
I think their "right to be upset" is largely artificial and unearned, though. Primarily beacuse, again, they don't actually
know what the fuck they're talking about, especially in regards to the "experience" they're attempt to protect.
(nevermind that the protection of this experience is immediately put in jeopardy the second you decide you're voluntarily seeking out all the fuckin' marketing that's being made available)
You end up with a situation where people who automatically presume there is
nothing the movie could do in its remaining
two hours of in-context storytelling that could
possibly surprise them (as if surprise is the only worthwhile emotion to be gleaned from a story) voluntarily seek out marketing partially to "get hyped" but mostly as an excuse to complain to whoever is listening that a thing they never actually owned, was never actually given to them, and is still 100% a hypothetical (the aforementioned "experience") was rudely and unduly
taken away from them by the carelessness of the marketing team who put together this soulless trailer that
nobody made them fucking watch.
So you've got a whole bunch of people presuming to know exactly what experience they're going to get from a movie, getting mad when that presumption is (presumably) reinforced by 2 minutes of out-of-context imagery and sound that may or may not contain the basic plot skeleton.
(of course even the basic shape of the plot skeleton isn't
known, because they haven't actually
watched the movie yet.)
If people actually cared as much about
experiencing things as they did protecting against the purity of hypothetical experiences
they never actually have, they'd probably enjoy more stories.
