Rekwest
Member
It was a fantastic show, but I'm not going to pretend that as a man, I probably wasn't the prime target this show was being directed at.
I am a man and i don' care if the lead is a woman a man or a robot.
It was a fantastic show, but I'm not going to pretend that as a man, I probably wasn't the prime target this show was being directed at.
Does this show have enough going on to be able to intrigue male viewers? Are there any signs of any male protagonists in this show to balance things out?
The book took place in the mid 2000s right?I read this for a college class about 8 years ago so my memory is a little fuzzy.
Watched the first two episodes and thought they were pretty damn good.
It somehow feels more...contemporary than how I felt when I read the book. Like I guess when I was reading the book I just imagined a completely alternate universe and this TV adaptation feels a little too close to reality.
I'm not 100% sure about the use of flashbacks. I feel like it works way better than the movie adaptation of the Road but maybe seeing the actor that plays Poussey is giving me way too much Orange is the New Black vibes
This is a tough one to answer. I'd say that there is definitely some unsettling material but no nudity or anything like that. That being said, there are certainly moments I could imagine would stress someone out. Not vicious but the scenario is incredibly horrifying.
It was a fantastic show, but I'm not going to pretend that as a man, I probably wasn't the prime target this show was being directed at.
Yas Queen!Nothing has managed to grind down Mosss career so far (except for, perhaps, a recent gaffe during a discussion of Handmaids and feminism, but more on that later). Her first real job came two years out of high school (she graduated at 15) for this show called The West Wing, where she spent seven seasons speaking Aaron Sorkin dialogue as President Bartletts daughter, Zoey. After that, she did seven seasons on Mad Men as Peggy, a character who just happened to get the most interesting evolutionary arc, from meek secretary to badass copy chief, on a show that just happened to define the Golden Age of TV.
How did Moss wind up on not one, but two, canonical shows? She says she just looked for good writing, and I think that enabled me to say yes to some television things perhaps before everyone was saying yes to television things. In other words, she had good timing, and she wasnt a snob who would only do movies. Moss points out that The West Wing and The Sopranos both debuted in 1999, before the popular notion of prestige TV existed. And even when she did Mad Men in 2007, she says, We were still in a world where, as an actor, you werent really supposed to do television. It was kind of like the lesser group of people. But because I never put those parameters on things, and I was just like, This is an amazing script and an amazing project; of course Im going to do this, it became part of one of the greatest things that has ever happened to me.
I mean if you're trying to parse out how many years exactly it would take for a full on patriarchal takeover of our government, you're missing the point.
Also that was ~literally~ the Iranian Revolution.
Just finished episode 3. Thatscene was insane. I'm shook.execution
I'm legit confused as to the point of all of this. All the above reads like a TV executive who gives god-awful notes about a show he doesnt understand or wants to understand.
One of the argument against Handmaid's Tale is that it portrays the subjugation of women at the expense of others
To which you should say "human rights are women's rights and women's rights are human rights".
Though I don't think that'll help with conservatives.
Book readers: would you recommend I read the novel first? If a book is worth reading (this one certainly is) my usual M.O. is to read the book before viewing an adaptation.
I have plenty of time, as I tend to wait until TV seasons are fully released before watching.
I would. The novel is honestly fantastic and the TV show has deviated in really interesting ways so far that make it worth it.
Did the National Review even publish an actual review of the series? I searched and only found some articles whining about the reaction to the series, how liberals are comparing the setting to Trump's America and how we're not actually living in a society close to what's depicted in the show. If conservatives are cranky that the show depicts a Christian theocratic society, well, tough shit. I think they're kind of missing the point.Sorry. When I'm drained and exhausted, I tend to come off half engaged. I haven't seen this show yet. I'm looking forward to seeing this show. I want it to succeed, for both entertainment and for reasons that are a bit more deep seated than other shows. That being said, I hope it's able to deflect the predictable backlash it's going to get from conservative leaning viewers who will dismiss it out of hand. I've already seen this with a review from the National Review. One of their biggest complaint in their article is that the show depiction of a dystopian America is hamfisted, and that they should have centered it on the Muslim model -- as if the viewer is supposed to accept a Christian theocracy is superior and benevolent to that of an Islamic theocracy. One of the argument against Handmaid's Tale is that it portrays the subjugation of women at the expense of others, so I hope the producers of this show had the foresight to line their ducks up in a row to dispel that notion.
Did the National Review even publish an actual review of the series? I searched and only found some articles whining about the reaction to the series, how liberals are comparing the setting to Trump's America and how we're not actually living in a society close to what's depicted in the show. If conservatives are cranky that the show depicts a Christian theocratic society, well, tough shit. I think they're kind of missing the point.
I'm honestly still thinking about (ep3 end).the female circumcision
Fuck, I need the next episode.
The reason why I'm hoping for a male protagonist is so that it can attract men on the fence for this show. I have a feeling that if there's a backlash from the usual suspects, a male protagonist(s) can help to counter this accusation.
tfw you realize the Handmaid's Tale is actually part of the Gilmore Girls Cinematic universe
I'd nope out of life if that happened IRL I'd sure as hell episode 1:As an atheist who respects women, this is one of the most terrifying, disturbing, fucked up dystopian futures I've seen depicted.
Elisabeth Moss' performance is spectacular as usual.
I'd hope out of life if that happened IRL I'd sure as hell episode 1:shot like a minority on a mostly white show like this
Don't bring logic in this fight. It's set up to want ANYONE that is fertile, so naturally it would be 95% white..../sI know it's realistic the commander would probably only want white girls but it'd be nice if there was some more diversity.
This is an accurate assessment.Finally watched episode 3 -fuck everything. D:
This is basically where I'm at. The use of "pop music" is used to reinforce the connection between the dystopia and our reality.I actually like the music choices. It's supposed to feel a bit jarring and a out of place -- a reminder that these are modern people who not too long ago lived in a modern society. Something that's is easy to forget moment-to-moment in this bleak Puritanical hellscape that's seen most of the technology, art, and flare of contemporary culture stripped away.
This is definitely my favourite new show of the year so far.
I actually like the music choices. It's supposed to feel a bit jarring and a out of place -- a reminder that these are modern people who not too long ago lived in a modern society. Something that's is easy to forget moment-to-moment in this bleak Puritanical hellscape that's seen most of the technology, art, and flare of contemporary culture stripped away.
You don't own me
I'm not just one of your many toys
And don't tell me what to do
Don't tell me what to say
So just let me be myself
That's all I ask of you
Don't you forget about me
It just seems kind of amateurish to pick songs that are so on the nose, even if their use is still effective.
Just finished episode 3 and oh boy, if Alexis Bledel does not win an Emmy for this performance The Emmy's will lose the last bit of credibility they had left. What a stellar actress, I am a huge Gilmore Girls fan, but I would not have expected this from her. Amazing.
As an atheist who respects women, this is one of the most terrifying, disturbing, fucked up dystopian futures I've seen depicted.
Elisabeth Moss' performance is spectacular as usual.
It's not just prescient, it's already happened in Syria. It wasn't as modern as the US, but it was still a functioning country before ISIS took over and imposed a fundamentalist theocracy.This is my visceral reaction to the whole thing. Man, fuck all these fundamentalist "christians" in this country, and fundamentalist religion in general.
This is what people in modern secular civilization fought so hard to get away from. Not to go back to. But we are taking baby steps towards it again right now in real life. It's fucking bullshit, and this show is all the more prescient.
It's not just prescient, it's already happened in Syria. It wasn't as modern as the US, but it was still a functioning country before ISIS took over and imposed a fundamentalist theocracy.
It's not a perfect match by any means, but I find it hard to ignore the parallels.this is kind of a weird example. it was run by an illegally installed despotic minority who gassed his own people. and the parts that were taken over by isis were inevitably worse, but syria wasnt exactly 1950s iran either.