The Video: Sizing Up the Picture
'Blade Runner' has suffered over the years in various tape and disc incarnations. Although I didn't hate the two previous standard-def DVD releases as much as some, Ridley Scott's masterpiece has certainly never received the definitive video release fans that fans have long been clamoring for. So when Warner announced last year that -- at last -- 'Blade Runner' would be given a full-bore restoration (complete with the original film elements scanned in at 4k archival resolution), it was clearly call to rejoice.
Even better, Warner has not skimped on any version of the film presented on the different Blu-ray and HD DVD editions. The studio offers 1080p/VC-1 encodes of not only 'The Final Cut,' but also the original 1982 domestic and International versions of the film, the 1992 'Director's Cut.' As 'The Final Cut' forms the centerpiece of the package, I'll focus on that presentation, and then offer some additional thoughts on the other versions.
Simply put, 'The Final Cut' looks stunning. Although again I didn't despise the earlier DVD editions, this restoration is nothing short of a revelation. I've seen the film at least 50 times over the years (seriously), and was absolutely floored by how many visual elements I'd simply never seen before. The detail, texture and depth of the image are spectacular. The original elements have clearly been rehabbed from the ground up, with a flawless print that has had all dirt and blemishes removed, (which is doubly impressive considering how many optical effects there are in the film). But lest purists fear that Warner has overdone it, I was thrilled to see that there is still some legitimate grain to the image, which retains a film-like and natural look entirely appropriate to the vintage of the film.
Colors are also fantastic. This new restoration corrects the overly reddish tint from the previous DVDs, and the subtle and striking blue-green casts are now far more apparent. Fleshtones are also far more consistent, despite all the stylized lighting. Blacks are perfect, and contrast expertly modulated. Jordan Cronenweth's trend-setting cinematography can now be fully appreciated -- particularly his stunning use of light and shadow. Delineation in even the darkest areas of the picture is dead-on, so fine subtleties previously lost in the murk are now readily visible.
Lastly, Warner has delivered a terrific encode. The image retains its sharpness without being overly edge enhanced. Noise is not a problem (even on the darkest areas of the picture, as well as the numerous effects shots). There is also no apparent banding, macroblocking or other nagging artifacts -- simply put, this is beautiful compression work. Warner has absolutely hit it out of the park with this one, and it's easily a five-star presentation up there with the best.
As for the other versions of the film, they almost match 'The Final Cut.' Warner provides three versions of the film on disc three -- the 1982 domestic and International cuts, and the 1992 Director's Cut. As these versions are accessible via seamless branching they share much of the same material, and appear to utilize a master identical to 'The Final Cut.' As such, the video quality boasts the same wonderful colors, jaw-dropping depth and excellent black levels. However, since 'The Final Cut' has been spiffed up in terms of its visual effects and other slight digital tweaks, there are segments of these three other versions that suffer slightly by comparison. Grain can be slightly exacerbated, and contrast sometimes wavers in consistency during effects shots. It's pretty minor, and of course, 'The Final Cut' is where Ridley Scott and Warner appropriately focused most of their attention. Even fans who come to this release most interested in the older versions of the movie are unlikely be disappointed.