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Watchmen Trailer

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watchmen.jpg
 
Inflammable Slinky said:
Um, well, that's true and all but
you kinda gloss over the whole if Rorschach did go and tell then the war would just start again killing millions more people? I mean, there is a huge sense of moral outrage and Veidt does deserve to die for what he did, but isn't it a little bit selfish for Dan, Laurie, and Rorschach to value their moral outrage over all those lives? Is justice really worth millions upon millions of death? And they couldn't kill Veidt because the investigation into his death would risk bringing down the conspiracy.
This kind of debate is exactly why the ending is perfect as it is in the comic.

Neither side can truly declare themselves correct, and you can talk endlessly about it!
 
The Lamonster said:
trailer wallpaper

Did the scale seem off to anyone else in that shot?
If you watch it again, it doesn't look like he's towering above. It looks like he's standing right behind him.
 
Son of Godzilla said:
What's with the watch imagery in the trailer? Is this movie coping something from that bad guy in Heros?
Dohohoho


Next you'll say something silly like
watchmen copied heroes with the blowing up new york to save the world or something

we all saw that /co/ post duder
 
This might be an entertaining revision for the moving pictures. I wish I could say I really loved Watchmen the graphic novel but I just didn't, suppose I'm not really smart enough to appreciate it. Though when I did read it it was a couple of years ago when I was just getting into comics/graphic novels and here was the whole basis of taking apart the stereotypical superheroes genre I loved cause I guess I read so many of the DC classics archives. I guess I just didn't appreciate it enough and what it did, I might read it again to refresh myself a second time but I don't know. Guess I'm the odd one out cause I still have mixed feelings about it.
 
Son of Godzilla said:
What's with the watch imagery in the trailer? Is this movie coping something from that bad guy in Heros?
From what I've read so far of the comic, there are a number of watch references. There's the doomsday clock which is set to five minutes till midnight (indicating nuclear war is imminent). There's the fact that Doctor Manhattan (the blue guy) was originally a watch maker. Etc.
 
ckohler said:
From what I've read so far of the comic, there are a number of watch references. There's the doomsday clock which is set to five minutes till midnight (indicating nuclear war is imminent). There's the fact that Doctor Manhattan (the blue guy) was originally a watch maker. Etc.
Also, that fortress Dr. M builds on mars is in the skeleton of a clock, something they changed for the movie
 
I hate bolding too, especially in something that's supposed to be a serious literary work. Is Absolute edition free of those boldings?
 
Frog said:
They completely fucked up Nite Owl, Silk Spectre, and Ozymandias. Owl and Spectre should look retarded.


You mean they don't? Silk Spectre is basically fighting for justice in some random fetish gear. Doesn't that seem a bit silly to you?
 
Marconelly said:
I hate bolding too, especially in something that's supposed to be a serious literary work. Is Absolute edition free of those boldings?

Of course not. This book was hand lettered by Dave Gibbons himself. And like all comics that aren't lettered by their writer, this bolding is written into the script.

But feel free to pass it up because of that and sit back and enjoy a completely butchered film version that spits in the face of the work's entire original moral compass. Because you can guarantee that Denny Duquette will be bringing the very opposite of boldness to his performance.

Bolding exists in lettering because comics are a "live" performance. Are movies not serious works of art because people yell? And an artist can't capture every single moment of emphasis in a comic book. That would take pages with hundreds of panels.

It's comics. Ultimately if one of their core constructs bugs you in such a fashion, they may not be for you.
 
Whoa whoa, movie changes spoilers:


There is no more monster, just a flash of light???? IMO thats OK, no need to spend few mil$ on a 1 minute scene.

Veidt dies im movie??? ZOMG NOOOOOO! The whole point of comic is that he sacrificed few milion american lives to save the world, and he did it, and he was not punished for it. If they kill him, this movie will fuckin epic fail!!!


Also, judging by the trailer, i think that they will make Night Owl II total badass. I hope that will not come to pass. He's a fat old ex vigilante.
 
DieH@rd said:
Whoa whoa, movie changes spoilers:


There is no more monster, just a flash of light - IMO thats OK, no need to spend few mil$ on a 1 minute scene.

Yeah, that sounds like it won't be a problem at all, especially since there are no key scenes regarding
the monster's genesis
throughout the entire book that contribute greatly to the ending's thematic resonance.

And that justification of it is pretty strange. If something so critical isn't worth the money, turn around, take your money, and make something else. There are literally hundreds of other movies you could be making and/or more suitable things you could be adapting.
 
BenjaminBirdie said:
Of course not. This book was hand lettered by Dave Gibbons himself. And like all comics that aren't lettered by their writer, this bolding is written into the script.

But feel free to pass it up because of that and sit back and enjoy a completely butchered film version that spits in the face of the work's entire original moral compass. Because you can guarantee that Denny Duquette will be bringing the very opposite of boldness to his performance.

Bolding exists in lettering because comics are a "live" performance. Are movies not serious works of art because people yell? And an artist can't capture every single moment of emphasis in a comic book. That would take pages with hundreds of panels.

It's comics. Ultimately if one of their core constructs bugs you in such a fashion, they may not be for you.

I think you missed the part where some of us believe the bolding is incoherent, inconsistant, and basically there for seemingly no reason. It's merely a question of taste and I and others were wondering if we could get a version without it. Don't get all high and mighty because we don't "get it."

When Laurie
leaves Jon/Dr. Manhattan, it was very difficult for me to understand her emotional process because the bolding took away the nature of what she was saying
.
 
joshcryer said:
I think you missed the part where some of us believe the bolding is incoherent, inconsistant, and basically there for seemingly no reason. It's merely a question of taste and I and others were wondering if we could get a version without it. Don't get all high and mighty because we don't "get it."

No. I didn't miss that.

Moore wrote it that way, as plain as stage directions. Beckett can get pretty incoherent and inconsistent too, but I don't see his stuff getting called out as being unserious or non-literary.
 
joshcryer said:
When Laurie
leaves Jon/Dr. Manhattan, it was very difficult for me to understand her emotional process because the bolding took away the nature of what she was saying
.

I just read those pages a few times to try and figure out what the problem is and I can't. Moore is directing her performance like any other director would. It's not like she's inflecting words that have no business being inflected in that situation.
 
For the record I think the problem is you're not supposed to read the bolding as emphasis but rather remember the bolded parts as important aspects of the narrative. That's where the confusion comes in.

And as I said I can read past the bolding, it's just an unfamiliar relationship with text and takes getting used to, I am not a serious comic reader (V for Vendetta, Y: The Last Man, and The Watchman are the only comics I have read).
 
joshcryer said:
For the record I think the problem is you're not supposed to read the bolding as emphasis but rather remember the bolded parts as important aspects of the narrative. That's where the confusion comes in.

And as I said I can read past the bolding, it's just an unfamiliar relationship with text and takes getting used to, I am not a serious comic reader (V for Vendetta, Y: The Last Man, and The Watchman are the only comics I have read).

Well, that makes sense. It's being utilized completely differently. I know a lot prose dialogue uses italics in the same way but Bold Italics is used in comics because it kind of needs two tiers of that kind of emphasis to different levels of inflection.
 
I've never read the graphic novel, but I still watch this trailer every once in a while. So awesome?
 
ok this has got me interested in the comic, where can I get the best version at the lowest price? I don't need no collector's edition but I want something is is durable in case I wanna keep it for years to come
 
Zyzyxxz said:
ok this has got me interested in the comic, where can I get the best version at the lowest price? I don't need no collector's edition but I want something is is durable in case I wanna keep it for years to come

The regular trade is the only other option but it's definitely sturdy. It's a big book.
 
Zyzyxxz said:
ok this has got me interested in the comic, where can I get the best version at the lowest price? I don't need no collector's edition but I want something is is durable in case I wanna keep it for years to come
There are only two versions, IIRC. Regular TPB one and absolute edition. Just get the paperback.
 
I've just read ending of the original 2003 David Hayter script (link), and yeah, he changed the ending. I reccomend reading the script from page 124, dont read this spoilers if you want to read end of the script...


- Veidt destroyed NY
- Jon kills Rorshnach [he removes mask before death]. Dan see it and screams [scene from trailer]
- Veidt told Dan&Laurie that they may live if they leave costumes forever
- Jon leaves this galaxy
- That night Dan takes his Nightvission gogles, and kills Veidt
- he sends the message from Veidt computer to world leaders, that peace must be maintained
- sometime later Sally jupiter is in NY, she comes to Laurie and Dan's appartment to see her grandshild. There is one hint that Dan is still doing his masked Night Owl thing.
- end scene, intern at that news company puts his hand on the pile of letters, with Rorsnach's journal on top of it.

END.
 
DieH@rd said:
- Jon kills Rorshnach [he removes mask before death]. Dan see it and screams [scene from trailer]
Because Rorschach is that ugly, AMIRITE?

Edit - lol, nvm. I misread that as Nite Owl screaming because Rorschach took off his mask.
 
Greatness Gone said:
Because Rorschach is that ugly, AMIRITE?

Edit - lol, nvm. I misread that as Nite Owl screaming because Rorschach took off his mask.

shouldn't this be spoiler tagged? I remember most readers were surprised at his...less than appealing appearance :D
 
Uncle said:
You mean they don't? Silk Spectre is basically fighting for justice in some random fetish gear. Doesn't that seem a bit silly to you?

Nah, she looked like some super-hip Tarantino character, esp with the slow-mo walk toward the camera. I assume the slow-motion is part of the movie and not just a trailer edit since this is Zack Snyder.
 
Rorschach said:
Not even in the face of Armageddon. Never compromise.


it's not so easy to answer, actually. Which was one of the highest points of the book: it makes you think about a whole lot of topics


oh, and does
Veidt really die in the movie? This must be the most fucking retarded thing ever. Him being spared by Dr Manhattan is another really controversial fact, and makes you think as well: why Manhattan lets him live? Probably because Manhattan wants him to think about what he's done, and yes, because Manhattan has lost interest in human life a long time ago. DUMB, DUMB, DUMB, DUMB decision
 
Anasui Kishibe said:
it's not so easy to answer, actually. Which was one of the highest points of the book: it makes you think about a whole lot of topics


oh, and does
Veidt really die in the movie? This must be the most fucking retarded thing ever. Him being spared by Dr Manhattan is another really controversial fact, and makes you think as well: why Manhattan lets him live? Probably because Manhattan wants him to think about what he's done, and yes, because Manhattan has lost interest in human life a long time ago. DUMB, DUMB, DUMB, DUMB decision

And because it would pretty useless.
Veidt dead or not, shit hit the fan. Plus he realize that plan Veidt has succeed, dude surely knows the future from that point on
 
Mistouze said:
And because it would pretty useless.
Veidt dead or not, shit hit the fan. Plus he realize that plan Veidt has succeed, dude surely knows the future from that point on

He does. It's strongly implicated that he's effectively
aware of all time and its intricacies at that point, able to rewind and foresee with a large degree of accuracy, which perfectly ties in with the main theme of the book - time. Manhattan represents our ability to read a comic book, to stop, flick back, flick forward and traverse through time as we wish at any speed we wish. He sees life, much like we see Watchmen - as a book to go through at his own pace, knowing that he may observe it, but is unable to ultimately change the events that unfold because even he's part of a grander scheme. And like us, at the end, he leaves that world in the knowledge of his power and powerlessness. As Rich Johnston smartly pointed out, "who watches the Watchmen? We do."

It's brilliant. Something that encapsulates the whole book from its title, represented through who? A former watchmaker. Turned God, after he realises that control over time is impossible and ultimately irrelevant (remember, he throws his watch pieces away in the realisation of his career change).
Wonderful, wonderful storytelling, and one of the many reasons why Moore's book remains one of my favourite, if not favourite pieces of fiction.

(And I'm still not fussed about it becoming a bad movie - I got over League of Extraordinary Gentlemen, I'll get over this regardless of its quality. Yes, it's the ultimate comic book, as far as I can see it - much like Lone Wolf and Cub in terms of influence - but no film can change or alter my perception of the book).
 
cbrotherson said:
He does. It's strongly implicated that he's effectively
aware of all time and its intricacies at that point, able to rewind and foresee with a large degree of accuracy, which perfectly ties in with the main theme of the book - time. Manhattan represents our ability to read a comic book, to stop, flick back, flick forward and traverse through time as we wish at any speed we wish. He sees life, much like we see Watchmen - as a book to go through at his own pace, knowing that he may observe it, but is unable to ultimately change the events that unfold because even he's part of a grander scheme. And like us, at the end, he leaves that world in the knowledge of his power and powerlessness. As Rich Johnston smartly pointed out, "who watches the Watchmen? We do."

It's brilliant. Something that encapsulates the whole book from its title, represented through who? A former watchmaker. Turned God, after he realises that control over time is impossible and ultimately irrelevant (remember, he throws his watch pieces away in the realisation of his career change).
Wonderful, wonderful storytelling, and one of the many reasons why Moore's book remains one of my favourite, if not favourite pieces of fiction.

(And I'm still not fussed about it becoming a bad movie - I got over League of Extraordinary Gentlemen, I'll get over this regardless of its quality. Yes, it's the ultimate comic book, as far as I can see it - much like Lone Wolf and Cub in terms of influence - but no film can change or alter my perception of the book).

EXCELLENT post, man, much better than anything I coulda said about the matter

Mistouze said:
And because it would pretty useless.
Veidt dead or not, shit hit the fan. Plus he realize that plan Veidt has succeed, dude surely knows the future from that point on


Definitely, killing Veidt would be completely pointless. But why, for example, doesn't Manhattan travel back in time and stop the whole thing? Because, as cbrotherson has just pointed out with great exactness, he has seen things in a much grander scheme. He already lost a lot of interest in human lives, he's the ultimate being, he doesn't care about the incident at all.
And when Veidt asks him if he did the right thing, and if it all worked out in the end, Manhattan says that nothing ever ends, and Veidt realizes that what he's done will become useless because there will be more wars, more conflicts. The clock has reached the zero, and it's ready to start running again. This is the grander scheme Manhattan has foreseen. Veidt is just human.
 
Just finished reading chapter 3 (Dr. Manhattan's origin) I gotta say, I hope it gets better as of right now I'm not seeing the 'zomg best thing evar!' vibe this book has been hyped to be.
 
Kletian said:
Just finished reading chapter 3 (Dr. Manhattan's origin) I gotta say, I hope it gets better as of right now I'm not seeing the 'zomg best thing evar!' vibe this book has been hyped to be.
Give it some more time. I'm actually re-reading the book now, and I'm loving those early chapters a lot more than my first go-through. Probably because I notice the subtle intricacies more. When I read it the first time, I wasn't really "hooked in" until Chapter V. From there on out it's Crazy Train to Awesometown.
 
DieH@rd said:
Also, judging by the trailer, i think that they will make Night Owl II total badass. I hope that will not come to pass. He's a fat old ex vigilante.

Yeah, what the hell is the deal with this. That part in the trailer with the epic music and him landing on the street, I thought..."That's a little too bad ass for an impotent, washed up superhero."
 
Regarding the movie ending, I think we should clear it up 100% before people go crazy forming extreme opinions.

In the Snyder interview linked in this thread he says he didn't want to do The Watchmen because it was too daunting but when he heard that it was going to be done he petitioned hard to get it and to scrap the existing scripts. He wanted to stay true to the original including the original ending. Apparently he got his way.

It is said he changed (updated) the final catastrophy but the Moore ending remains.

Anyway this is what I remember. We should confirm.
 
Mr. Snrub said:
Yeah, what the hell is the deal with this. That part in the trailer with the epic music and him landing on the street, I thought..."That's a little too bad ass for an impotent, washed up superhero."
Well, in the comic, he has flashes of greatness. Hopefully the movie will space those out.
 
Okay, I found the Snyder interview. It wasn't already in the thread but I linked it from the Moore interview.

VERY IMPORTANT TO PEOPLE WHO ALREADY HATE THE MOVIE BASED ON THE SUPPOSED ENDING.

http://www.ew.com/ew/article/0,,20213067_20213068_20213273,00.html

Snyder was working on 300 for the studio at the time, and he was alarmed when he heard about the deal. After some soul-searching, his fear of seeing a bad Watchmen movie trumped his fear of trying to make a great one. ''They were going to do it anyway,'' he says. ''And that made me nervous.'' Over many months, and many meetings, Snyder persuaded Warner Bros. to abandon the Greengrass/Hayter script and hew as faithfully as possible to the comic.
The key battles: retaining the '80s milieu, keeping Richard Nixon (Moore did consider using an era-appropriate Ronald Reagan, but worried it would alienate American readers), and preserving the villain-doesn't-pay-for-his-crimes climax.

Looks like the original ending is in. Please stop hating the movie you haven't seen yet for this reason and kind find another reason to hate instead.
 
Viewt said:
Give it some more time. I'm actually re-reading the book now, and I'm loving those early chapters a lot more than my first go-through. Probably because I notice the subtle intricacies more. When I read it the first time, I wasn't really "hooked in" until Chapter V. From there on out it's Crazy Train to Awesometown.

Yeah the opening chapters are a writer's lesson in foreshadowing.
 
Evlar said:
Some recent posters should consider spoiler tags.

Spoilers on a twenty-two year old comic book? Oi yoi yoi! Can't there be a Statute of Limitations on this stuff, especially when trying to dispel false information?
 
Dyno said:
It is said he changed (updated) the final catastrophy but the Moore ending remains.

Anyway this is what I remember. We should confirm.
Markster said:
There's more.
I read both the Hayter 2003 script, and the Tse 2005(?) script, and (honest-to-goodness spoiler even if you read the book)
Dan kills Veidt in both versions.
We hope this is no longer the case. But it is unlikely that there will be proof one way or another for months.

[edit]Ah, you found the interview you reference. That sounds hopeful. We shall see.

(I'm seeing the movie day one regardless, I'm just prepared for the worst now)
 
Dyno said:
Spoilers on a twenty-two year old comic book? Oi yoi yoi! Can't there be a Statute of Limitations on this stuff, especially when trying to dispel false information?
I don't personally care- I've read the book- but those who haven't read the book would probably appreciate not seeing hints dropped about the ending, and there are people in the process of reading it the first time posting on this page.

Typing
isn't difficult.
 
Evlar said:
Some recent posters should consider spoiler tags.
agreed.


And yes, doesn't matter how old the content is. We tagged LOTR shit in '99 for chrissakes.


I know next-to-nothing about this story and I'd like to keep it that way...but I still want to visit the thread to soothe my anticipation of the incoming wave of awesomeness.
 
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