Screaming Meat
Unconfirmed Member
Also, I don't really know how you can "stomp" an entity that can't be killed. I suppose one could argue that Ozymandias stomped Dr. Manhattan intellectually (and that other villains could perhaps do the same) but I kinda doubt that's what the OP meant.
I thought "stomped" meant badly beaten not deaded? No one dies in comics but people get "stomped" all the time. I think a good ol' fashion non-brute force stomping is the best kind. Sue me for thinking outside the box.
As has been pointed out, Manhattan is an analogue of another character that already exists in DCU, and is far from unkillable.
Atom was a jumping off point for an entirely different character. They are world's apart in character. Manhattan embodies a far broader array of tropes and is more of a comment on character's like Atom.
Manhattan is positioned in Watchmen as a God, Captain Atom is still a man (as far as I know XD).
I disagree that it is as clean as you put it, at least that's certainly not how I remember it. He does influence events (from a flat, human perspective) in a way that is influenced by his ability to see the future. So the future, as seen by him, is taking an active part in influencing the past (which the future (and present) he saw/continues to see was always based on). I would instead describe it as being both at the same time, a paradox, though not so much for the god living it. Struggling to explain my perspective, but maybe the best way to put it is that he's self-aware he is a character in a story, although that fact and any fallout of it is just apart of the story.
By story do you mean he's aware he's part of a comic (Animal Man style) or just the flow of events? I never picked up on him directly breaking the fourth wall (doesn't mean it didn't happen), although the story pointedly makes a big deal out of one instance in the last panel. I think it being the only time it really happens makes it a more powerful closing.
Manhattan has, as far as I can tell, absolutely no control over events, at least not any more than any other character. It can't be emphasised how essential that is to his character and his arc.
Time is laid out before him, a series of events that always remain the same. Osterman becoming Manhattan and having those powers is a part of those events.
Time in Watchmen is strictly deterministic (is that the right word?) and we as a reader explore different attitudes to it throughout the story (the fatalism of nuclear war, the optimism of a better future, looking back at the past through a different lens etc). We are never given variables or alternate timelines. He can't change anything, he can just see it coming (and going... and as it's happening...). The Fatman always steps on the watch and the photograph always hits the sand.
His knowledge of future events comes from the fact that he views time at all points at the same time. Past, present and future is all one and the same to him. It's a subject Moore broached in From Hell. It's based (or so the stuff in the back of From Hell said) on Charles Hinton's 'What is the Fourth Dimension' and it posits that our experience of time is an illusion and that something like the Doc sees is closer to the objective truth. Here's the bit in From Hell (
*note to self: read panels properly before posting.