lightskintwin
Banned
Pun Bandhus training at the prestigious Yale School of Drama didnt help much with the skill he needed for so many auditions after graduation the Asian accent.
The Thai American actor who has appeared in a wide range of TV shows and films over the last 15 years said he was once told that an accent he used for a Thai character, modeled after his parents, was not working for an American ear. Instead, the director went with a Chinese accent.
While much of the recent debate around Asian representation in Hollywood has centered on whitewashing when white actors are cast to tell Asian stories working actors said a lack of opportunity was only one part of the problem. Asian American actors said they rarely, if ever, got auditions for leading roles, and when they did get parts, they were frequently secondary to the plot or portrayed offensive tropes.
Asian men said they were often relegated to roles as tech nerds, assistants, doctors sometimes highly emasculated, desexualized characters. Asian women, meanwhile, regularly go up for parts as masseuses and sex workers or characters described as submissive, fragile or quiet.
Were the information givers. Were the geeks. Were the prostitutes, Bandhu said. Were so sick and tired of seeing ourselves in those roles.
Asian American actors said there had been an increase in diverse roles in recent years, though, and some were hoping that the recent controversy surrounding Ghost in the Shell which starred Scarlett Johansson in the remake of an anime classic would inspire directors and producers to stop whitewashing Asian characters. The film flopped, earning only $19m in the US in its opening weekend, a small sum relative to its $110m budget. One Paramount executive said the casting backlash was partly to blame.
Emma Stone, Matt Damon and Rooney Mara have all faced whitewashing criticisms for their roles in films that ultimately performed badly at the box office. But improving diversity and representation in film and television goes far beyond avoiding casting blunders in commercial movies.
Were so desperate for opportunities, said Kanoa Goo, a mixed-race actor who is Chinese, Hawaiian and white. Often its pretty one-dimensional. Its the tech computer analyst who doesnt have much to say. His role is really just in service of the leads.
Goo, who appeared in the 2016 film Other People, said most of his auditions were for parts specified for Asians or non-white actors, and sometimes those roles could feel tokenized designed to check off the diversity box.
Within the sort of marginalized group of diverse actors, Asian American actors are still at the very bottom. They are still the underdog, he said.
Asian characters made up only 3%-4% of roles in scripted broadcast and cable shows in the 2014-15 season, according to a recent University of California, Los Angeles (UCLA) report. Of the top 100 films of 2015, 49 had no Asian characters, and zero leading roles went to Asians, according to another study.
In addition, the quality of roles is problematic, said Darnell Hunt, a UCLA professor who co-authored the diversity report.
Lynne Marie Rosenberg, an actor who runs a Tumblr called Cast and Loose, which publishes offensive character breakdowns from auditions, said she frequently saw casting calls that listed nearly all ethnicities except Asian.
The number one problem is invisibility, she said.
There is also sometimes a comical overgeneralization of Asians. Rosenberg provided an example of an Asian character described as an artist who remained focused while he composes his drawing. The breakdown added: Makes you wonder what kind of life he had back in Asia.
Vinny Chhibber, an Indian American actor, said when he first started acting, he often went up for terrorist #1 or socially incompetent emasculated Asian stereotype with an accent.
As a writer and producer, Chibber said he also often heard prejudices emerge in casting meetings, where someone might say: Well, if you cast a Chinese girl, itll change the story.
Chibber said he now turned down auditions for roles that promote stereotypes, in part because he understood how damaging those characters could be: The work we do has such a profound impact on the way people see the world.
The lack of three-dimensional Asian characters makes the whitewashing choices all the more painful for actors and audiences, Bandhu said.
When a white actor gets the role, it denies us our bodies and it denies us our voices.
https://www.theguardian.com/world/2017/apr/11/asian-american-actors-whitewashing-hollywood
It pretty much sucks to be an Asian American actor, unfortunately I don't see change happening fast enough until we start seeing more Asian American screenwriters and directors who primarily focus on Asian American narratives so they can create three dimensional Asian American characters and cast accordingly.
Here's a link to Cast and Loose Tumblr account that curates collection of cast breakdowns that showcases the very serious issues in the Entertainment Industry: misogyny, racism, ageism, body shaming, heteronormativity, and objectification to name a few.
Here's an example that shows exclusion in casting that affects Asian Americans.
#NotAsian #NotMiddleEastern
[ RACHEL, THE BRIDE ] Female, 20s, Caucasian, Black/African American, Hispanic. Always in command. English accent, must be good with farce.
[ BILL , THE GROOM ]
Male, 20-30, Caucasian, Black/African American, Hispanic
Rarely in command. English accent. Must be good with farce
[ TOM. THE BEST MAN ]
Male, 20-30, Caucasian, Black/African American, Hispanic
Solid, dependable English accent. Must be good with farce
[ JUDY ]
Female, 20-30, Caucasian, Black/African American, Hispanic
Very attractive, English accent. Must be good with farce
[ JULIE, A CHAMBERMAID ]
Female, 20-30, Caucasian, Black/African American, Hispanic
The chambermaid, kooky, volitile. English accent. Must be good with farce