Is that what those are? My ignorance of bee keeping has just made me for a fool.
Eheh, my father is a bk, so I had a clue.
Is that what those are? My ignorance of bee keeping has just made me for a fool.
Eheh, my father is a bk, so I had a clue.
What would the put in the feeders btw? Could sugar from alcohol as suggested earlier work to feed bees?
Artificial bees that aren't also used to pollinate AND feed on artificial feeders sound like the most pointless, wasteful invention. Geez, Wally, just make a honey toaster already.
Pollinate what? There isn't anything to pollinate anymore. So why not use them to make honey?
AbsolutelyAnyone get Big O vibes from this? The event that wiped out all the records, certain beats about the way that K searches for the truth about his identity...I expected Gosling to reach for a tomato at some point.
Is that what those are? My ignorance of bee keeping has just made me for a fool.
Just watched the NYT video, posted by N7.Angel. https://www.nytimes.com/2017/10/02/movies/denis-villeneuve-interview-blade-runner-2049.html
I have a few issues with the director here. He describes this as trying to be scene where you aren't sure what's real. It's meant to be a dream line state, but it's never hinted at before hand this was a possibility. That maybe we shouldn't trust what we are seeing. Secondly he talks about he significance of the bee, but the character we're meant to be experiencing all this with, gives no significance to this either. The music gives significance via the fog horn, but I felt nothing from this scene, because the character I was meant to connect with acted as if he was feeling nothing in the scene.
Just to pick up on this. You don't need to be told this. The first Blade Runner does the same thing with the music and a lot of the direction because certain things are meant to seem ethereal and dream-like.I have a few issues with the director here. He describes this as trying to be scene where you aren't sure what's real. It's meant to be a dream line state, but it's never hinted at before hand this was a possibility.
Its a massive world and one we're only given a glimpse into through the mind of someone who hasn't been born for all that long, has a fake past and a very limited world-view.
Why would the dream-like feeling need to be hinted at before hand? Blade Runner is to me first and foremost a mood piece movie. It's about evoking non-verbal moods, feelings, atmospheres. The world of 2049 is already surreal enough but at that point in the story, K's journey has gone so deep outside his comfort zone that the lines between reality and dream start to blur. It's very appropriate for a story about not taking for granted what the word real means. You're not literally meant to question if the scene is an actual dream, merely to subconsciously evoke the feeling.
I also can't relate with your necessity for the actor to telegraph what he's feeling. What exactly would that look like?
I just tried picturing that in my head and the result reminded me of some of the problems I have with anime. "Uh... what's this... huh... BEES??!"
Just to pick up on this. You don't need to be told this. The first Blade Runner does the same thing with the music and a lot of the direction because certain things are meant to seem ethereal and dream-like.
I don't know if its meant to literally be 'a dream' or 'dream like state' but its the feeling that the movie is supposed to evoke within you.
There's a theme in Blade Runner, more so in this movie of unreliable narration. The Replicants, by their nature and their memories are somewhat unreliable in their perception of the world.
Yeah, if the term was meant literally then that's fine, I'm agreeing with you. However I feel like its likely more of what the movie attempts to achieve in the way it frames some of the more wondrous aspects of itself.
On the note of replicant animals. They're most definitely a thing in both movies and not that subtle either. You may wonder why the dealer, on discussing the wood, was saying 'you're a rich man' and started bartering, he offered a horse or a goat. Now, this was framed not just alongside the 'you're rich' and offering an off-world pass.
This is because real, non-replicant, animals are a massive status symbol because most of them died off.
Sure, you don't get this from the movie but the Blade Runner movies don't honestly have the time to dig into the finer details of this world. I mean, throughout the films they reference 'taking back' off-world areas that we'll never seen, have no context of or anything.
Its a massive world and one we're only given a glimpse into through the mind of someone who hasn't been born for all that long, has a fake past and a very limited world-view.
I can understand the frustration in that.
Tell me the story of that scene and what it adds?
What do the bees mean? What is the story trying to be told and how do bees factor in? Are we meant to be wondering if the bees are real or not? Are we meant to associate bees in a desert as the same miracle as a replicant giving birth? If so what logic means the Bees should be there? If they are real what on earth are the using to feed off and why are they being kept in the first place? Is Harrison Ford keeping them because they represent a subconcious need to be found? Does he keep them because they remind him in someway to his daughter or Rachel? Why doesn't he every mention it, why doesn't K?
You answered your own question:
I can see why Nolan is so popular. Films are just a cypher meant to be decoded.
What's the logic behind the monolith? I get the story importance of the object but why a monolith? What's the with bedroom near the end of the film?
What's the logic behind the monolith? I get the story importance of the object but why a monolith? What's the with bedroom near the end of the film?
Sure, film theory is about deconstruction of meaning and semiotics but that doesn't mean that answers are immediately available. A film is deliberately constructed but that doesn't mean that there is a single key to unlock the meaning behind every single frame. Intent and interpretation are different things.
I do not appreciate the implication that I'm not thinking about what I've been watching.
There is a distinction between world building and plot importance. That said the monoliths are probably a visual representation of humanities worship of technology.
I don't think there was a bedroom towards the end of the movie, unless you are talking about the one that K wakes up in and meets the resistance. In this case the griminess of the bedroom is to help indicate that this is a place for the downtrodden. It's a bedroom which is meant to represent a safe place to sleep, but the dirty room he wakes up in, indicates necessity rather than comfort. The plight of the replicants is such that comfort cannot be afforded.
Here is my question to you. When you saw the film did you think that this was meant to indicate K reality was twisting, or are you basing this on what the director said in his NYT video?
Sure, film theory is about deconstruction of meaning and semiotics but that doesn't mean that answers are immediately available. A film is deliberately constructed but that doesn't mean that there is a single key to unlock the meaning behind every single frame. Intent and interpretation are different things.
I do not appreciate the implication that I'm not thinking about what I've been watching. I also do not consider film or art to necessarily be a learning experience (in the traditional sense). Film first and foremost is a visceral experience and sensation from which one must form coherent thoughts. But that happens later.
I was referring to the bedroom in 2001. As for the monolith as a representation for technology, glad to find somebody else who agrees and doesn't just think of it as an alien being. Not sure why you're trying to explain world building vs plot to me, I don't see how that's relevant to what I asked.
What if Ford said that there were no bees, hinting at the unreliable narrator? Or if he said he likes the company? Then I could have drawn the connection between his daughter loss to the bees? Instead it's completely isolated and adds nothing to the films story.
Do the bees belong to Deckard? Sounds reasonable, he has to keep busy somehow in a ghost town. They provide honey, It's a fun hobby, like the dog they give him some company.
I must be terrible at conveying my thoughts because I do not think I suggested any such thing. I don't know if I can do any better but...I was trying to say that trying to decipher meaning or the intent behind something is not an easy process and an answer does not always present itself immediately.I think you're saying that I should ease up and just accept that something are in a movie, because movie.
I must be terrible at conveying my thoughts because I do not think I suggested any such thing. I don't know if I can do any better but...I was trying to say that trying to decipher meaning or the intent behind something is not an easy process and an answer does not always present itself immediately.
Since you seem so hung up on bees and sand and their apparent randomness maybe consider that K is performing two actions set out in the Voigh-Kampff test from the original
"You're in a desert, walking along in the sand .." to Leon
"Suddenly you realize there's a wasp crawling on your arm." to Rachel
Is K living out a Voigh-Kampff test? Is Deckard? Are they possibly questioning they're own nature? I doubt this will serve as a satisfactory answer though. I'm sure there's other valid ways to look at that scene.
In this scenario Karnee is Leon asking irrelevant questions and getting Holden annoyed LOL
My immediate take was that, given the heat sensing vision K was using on the drone, the bees also might have provided a bit of camouflage to Deckard. But that's just a guess, and there is no definitive answer, and that is by design.
I just don't get this bee thing.
Deckard is making honey.
K is searching Vegas for Deckard.
K finds the bee's.
K heard the piano playing near by.
K investigates piano.
Either Deckard is luring him into a trap or is drunkenly playing the piano.
I just don't get this bee thing.
Deckard is making honey.
K is searching Vegas for Deckard.
K finds the bee's.
K heard the piano playing near by.
K investigates piano.
Either Deckard is luring him into a trap or is drunkenly playing the piano.
You are asking for things to be explicitly stated or called back to, which is not what BR is about. There is no immediate meaning to the scene. That's the point. You managed to come up with a dozen questions in your mind as a result of the scene. That is the entire purpose of the scene and what it adds to the movie. It's no different than the dancing holographic ballerina.
My immediate take was that, given the heat sensing vision K was using on the drone, the bees also might have provided a bit of camouflage to Deckard. But that's just a guess, and there is no definitive answer, and that is by design.
I must be terrible at conveying my thoughts because I do not think I suggested any such thing. I don't know if I can do any better but...I was trying to say that trying to decipher meaning or the intent behind something is not an easy process and an answer does not always present itself immediately.
Since you seem so hung up on bees and sand and their apparent randomness maybe consider that K is performing two actions set out in the Voigh-Kampff test from the original
"You're in a desert, walking along in the sand .." to Leon
"Suddenly you realize there's a wasp crawling on your arm." to Rachel
Is K living out a Voigh-Kampff test? Is Deckard? Are they possibly questioning they're own nature? I doubt this will serve as a satisfactory answer though. I'm sure there's other valid ways to look at that scene.
In this scenario Karnee is Leon asking irrelevant questions and getting Holden annoyed LOL
WASP? So many layers.I think he WAS just playing the Piano
I just don't get this bee thing.
Deckard is making honey.
K is searching Vegas for Deckard.
K finds the bee's.
K heard the piano playing near by.
K investigates piano.
Either Deckard is luring him into a trap or is drunkenly playing the piano.
All these really long long shots, or close ups of K's face. All of that could have been cut and the film probably would have been better for it.
It would be a far weaker movie without those scenes. A weak movie. Modern movies always moving at a fast pace is not necessarily a good thing.
Those scenes you describe would destroy the mood and slow burn style of the movie which is central to making it the movie that it is.
What reasoning do you have to say that? It was nearby where he found Deckard? It's a good assumption. Could he have found Deckard without that scene?
The scene serves no point. It could have been cut and we would have lost nothing from the film. A lot of this movie could have been cut and we'd have lost nothing. All these really long long shots, or close ups of K's face. All of that could have been cut and the film probably would have been better for it.
I think he WAS just playing the piano
What reasoning do you have to say that? It was nearby where he found Deckard? It's a good assumption. Could he have found Deckard without that scene?
The scene serves no point. It could have been cut and we would have lost nothing from the film. A lot of this movie could have been cut and we'd have lost nothing. All these really long long shots, or close ups of K's face. All of that could have been cut and the film probably would have been better for it.
The point it serves is that that's how K found Deckard, by noticing the bees' heat register.
What reasoning do you have to say that? It was nearby where he found Deckard? It's a good assumption. Could he have found Deckard without that scene?
The scene serves no point. It could have been cut and we would have lost nothing from the film. A lot of this movie could have been cut and we'd have lost nothing. All these really long long shots, or close ups of K's face. All of that could have been cut and the film probably would have been better for it.
What reasoning do you have to say that? It was nearby where he found Deckard? It's a good assumption. Could he have found Deckard without that scene?
The scene serves no point. It could have been cut and we would have lost nothing from the film. A lot of this movie could have been cut and we'd have lost nothing. All these really long long shots, or close ups of K's face. All of that could have been cut and the film probably would have been better for it.
I'm bowing out of this one.
I still think the world building, setting and visuals to be some of the finest out of any film released this year.
It just bothers me when logical inconsistencies happen in a film, in my mind it happened here with that scene and it took me out of it.
To me everything in a film should be towards one thing. Telling the story. If the visuals overtake the story then the story will suffer and I think that's what happened here.
Peace!
Edit:
Here's how he finds deckard. The heat signature picks him up and not the bees.
I'm bowing out of this one.
I still think the world building, setting and visuals to be some of the finest out of any film released this year.
It just bothers me when logical inconsistencies happen in a film, in my mind it happened here with that scene and it took me out of it.
To me everything in a film should be towards one thing. Telling the story. If the visuals overtake the story then the story will suffer and I think that's what happened here.
Peace!
Edit:
Here's how he finds deckard. The heat signature picks him up and not the bees.
Except he didn't see Deckards heat signature. Deckard's clearly wasn't visible. The huge amount of bees is what he found. Not to mention bees represent a signficant visual imagery central to the theme of the movie. Of life. Of hope.It just bothers me when logical inconsistencies happen in a film, in my mind it happened here with that scene and it took me out of it.
Here's how he finds deckard. The heat signature picks him up and not the bees.
To me everything in a film should be towards one thing. Telling the story.
What reasoning do you have to say that? It was nearby where he found Deckard? It's a good assumption. Could he have found Deckard without that scene?
The scene serves no point. It could have been cut and we would have lost nothing from the film. A lot of this movie could have been cut and we'd have lost nothing. All these really long long shots, or close ups of K's face. All of that could have been cut and the film probably would have been better for it.
Right, so there's a couple of things here and don't worry, I don't think the veracity is an issue. Its important to discuss films if you like discussing films so its all good from my perspective.Same question to you. I'm fine not being explained the details, but good Sci-fi is about rules.
It doesn't matter how amazing your world or setting is, but there has to be rules. I'm fine with not knowing all the rules and sometimes that makes a film better. In this case there are bees in the desert to make honey. We're not given any hint that this is a dream or that replicants even dream. We're not given any hint before hand that this could be an unreliable narrator. So what are we meant to take away from this scene?
What do the bees mean? Everything in a film should serve a purpose. What is the story trying to be told and how do bees factor in? Are we meant to be wondering if the bees are real or not? Are we meant to associate bees in a desert as the same miracle as a replicant giving birth? If so what logic means the Bees should be there? If they are real what on earth are the using to feed off and why are they being kept in the first place? Is Harrison Ford keeping them because they represent a subconcious need to be found? Does he keep them because they remind him in someway to his daughter or Rachel? Why doesn't he every mention it, why doesn't K?
You might think I'm being veracious with these questions, but I consider these to be very logical questions.
Tell me the story of that scene and what it adds? If it's just a study of the environment then what is the point in even having it? This movie is 2.5 hours long. Why add this scene if it brings nothing to the table?
Anyone get Big O vibes from this? The event that wiped out all the records, certain beats about the way that K searches for the truth about his identity...I expected Gosling to reach for a tomato at some point.
You just overanalyzed this one man. No need to leave
And no, the heat signatures that were picked up belonged to the swarm of bees. This was K's first clue to investigate that spot
To me, it seems like you're actively wanting to make this out to be an issue. You're doing yourself a huge disservice by nitpicking over something so insignificant, especially when there are plenty of plausible solutions to what purpose they serve, both in-universe as well as as a choice made by the writer/director.
The fresh flower early on, left at Rachel's gravesite, and the bees later on that tie into this (no flowers without bees, no bees without flowers), represent some of very few glimmers of hope that the movie shows for Earth or humanity. They show that Deckard and/or the resistance are working toward a better future. and that Earth is not totally fucked, despite all appearances otherwise. And they show that life can find a way(tm) even in a place assumed to be condemned by radiation like LV.
Right, so there's a couple of things here and don't worry, I don't think the veracity is an issue. Its important to discuss films if you like discussing films so its all good from my perspective.
I don't think it was a dream. I don't accept that this is a plausible answer. Both my answers to you were more about the aspects of the movie than a specific scene. The movie, at times, seek to confuse you with some aspects because the nature of both Blade Runner films isn't about answering question. It keeps its POV stringent when it feels like it needs to, we see the wonder in K's reactions but not why, how or if Deckard has them for a reason.
Thematically, there's a couple of things.
Firstly, one of the questions on the test was about a wasp. Deckard asks Rachel what she would do if one landed on her arm, to which she replies that she would kill it. Rachel was an old model, an unreliable model and one who didn't know she was a Replicant so we can take her reaction to be a wholly human one. K just leaves the bee alive and, instead, wonders. Its maybe the difference between someone who is content in a lie and someone who is seeking the truth. Maybe. Its rather open ended.
Villeneuve has also, I believe, suggested that its a metaphor for hope in the fact of climate change.
I think that bees are also quite important in Dick's other works so it may well be a simple homage.
I'm sorry if you don't find these answers sufficient.
On the note of an unreliable narrator, its to be expected from someone whose mind, thoughts and feelings have been manipulated by fake memories.
Allow me to cut right to the chase here: Are you trying to say that they shouldn't have depicted Joi they way that they did? Should they have depicted her as an "independent" woman, or someone with agency?
We can get gosling, wood Harris, brolin, & Tommy Lee Jones to form a union of k.I was hoping he would come back into play later to retire K.