Not every author is Stephen King. By which I mean not every author has done coke...
GRRM to Stephen King,"How the F*** Do You Write So Fast?"
Not every author is Stephen King. By which I mean not every author has done coke...
The fact he has slowed down is undeniable.
The first 3 books publication dates span a week over 4 years. From George's outline letter dated October 1993 it is clear there was almost a complete re-formulation of the plot after that date. So at most it took him 7 years for the first 3 books.
The latest 2 took over 10 years from the publication of A Storm of Swords.
My sources say it's coming out right after Doors of Stone.
Yeah, the difference is that Sanderson outlines his books so that story threads are in the right place several volumes later where he needs them. GRRM doesn't do that, so we spend entire novels stuck in Meereen.If someone can't discern the difference between what GRRM writes and someone like Sanderson, then more power to them, there's no reason they should care about GRRM as plenty of authors would satisfy them.
Are you guys planning on re-reading the series when TWOW (eventually) releases?
I've basically forgotten the finer details given that I last read it in 2011, but I'd be worried about burnout given you'd be reading 6 books.
Although this may be pointless concern if we are waiting another half decade.
I have kinda made my peace with the fact that it will take years and there is a good chance it will be finished by someone else.
I do laugh at my friend who wont watch the TV series because he is waiting for the book series to finish.
Making assumptions and japes about his health isn't cool. C'mon now. Is there a legitimate reason to believe he is in poor health to begin with?
he's old and very overweightMaking assumptions and japes about his health isn't cool. C'mon now. Is there a legitimate reason to believe he is in poor health to begin with?
No, he started writing ASOIAF in 91, 93 he returned to it after Doorways. It's not something you have to guess wrongly, it's out there.
After you add the written content cut from ADWD he's a couple of hundred pages less over 11 years than what was 8 to 9. Over a time period where he did more other writing and had more invites.
The pace at which he writes is slow compared to others, it always has been, even when he's doing nothing else and has everything lined up, just churning through pages. That's the cost of his quality, it doesn't happen any other way.
If someone can't discern the difference between what GRRM writes and someone like Sanderson, then more power to them, there's no reason they should care about GRRM as plenty of authors would satisfy them.
So he got 3 books out in 9 years, but only 2 out in 16 years after, but nothing has changed? This is incredibleNo, he started writing ASOIAF in 91, 93 he returned to it after Doorways. It's not something you have to guess wrongly, it's out there.
After you add the written content cut from ADWD he's a couple of hundred pages less over 11 years than what was 8 to 9. Over a time period where he did more other writing and had more invites.
The pace at which he writes is slow compared to others, it always has been, even when he's doing nothing else and has everything lined up, just churning through pages. That's the cost of his quality, it doesn't happen any other way.
If someone can't discern the difference between what GRRM writes and someone like Sanderson, then more power to them, there's no reason they should care about GRRM as plenty of authors would satisfy them.
So he got 3 books out in 9 years, but only 2 out in 16 years after, but nothing has changed? This is incredible
Does anyone even care all that much at this point?
The last two books were pretty awful. Especially the last book. Fuck, we went from a half dozen POVs in the first 3 books to like 40 underdeveloped POVs in Dance. It was like every chapter was a new POV. Terrible terrible idea.
Honestly, at this point, I consider the show canon.
Whatever books happen to get released in the future, are just going to be bonus reimaginings of how the story could have gone.
The show is going to give me closure long before the books. I'm really just done waiting, and like others have said, I don't care.
Damn.....people are really bitter.
I hopped off the Martin Snailway and boarded the Sanderson Express. I suggest you all do the same if you haven't already.
Sanderson is garbage though.
Read some classics, guys. I suggest The Once and Future King, Conan the Barbarian and HP Lovecraft. All three are big influences on GRRM too and helps you understand where his ideas come from.
I'm done with the show until the books are done. I don't care if I have to wait 20 fucking years. And if he never finishes the books, then I'll never finish watching the show.
The show is shit compared to the books anyway. It's not even close. Especially after the first couple of seasons.
And neither GRRM nor Sanderson hold a candle to any of them, so whats your point?
Well they definitely hold a candle to Lovecraft at least if they are not outright better. Lovevraft created one of my favorite mythos' of all time, but his purple prose and horrible dialogue do little to persuade me of his mastery of the written form.
And neither GRRM nor Sanderson hold a candle to either of them, so whats your point?
Damn.....people are really bitter.
That's probably why I'm not as frustrated as much, as I don't really enjoy the Dornish plot much (but I'm really interested in whatever is going on with Darkstar, can't wait to see how his character/the upcoming fight pans out), but Victarion immediately jumped in my top five after his first chapter and the Ironborn plot became my favorite family conflict in the series and my hype for them in Winds has only increased.First 3 books were so dope. I enjoyed 4th book (such as Jaimie's chapters), but I felt it had too many viewpoints I didn't care about (Vicaryon or whatever that viking dude was).
Half of the fifth book was as good as any part of ASOIAF, but the other half was so plodding and worthless.
His prose is crap, yes, but his world building is far better than GRRM, who just literally took English medieval history and changed the names.
I gave up. I'm tired of defending the books as cannon because we'll have all the answers before the remainder of books are published. The books won't hold much of a surprise.
I always saw GRRMS characters/character arcs as his real strength.Eh, that's not really true. GRRM takes a lot of inspiration from other sources besides English medieval history in his world-building like the Roman Empire and Roman Republic.
But you're also not accounting for the magical areas of his world which are very Lovecraftian. You'd have a point if you said GRRM was ripping off Lovecraft with the Deep Ones, the island of Leng, terrifying evil gods, the Others and Euron Greyjoy.
But the writing isn't really comparable besides on a technical level since Lovecraft doesn't write layered characters or plots just interesting mysteries.
GRRM's prose can be great but it's usually middling. His dialogue and plot-weaving is his real strength.
The delay suggests major structural problems IMO. I at least understood why Feast and Dance took so long, specifically due to the five year gap experiment and the Meereenese Knot; he finished both books after figuring out solutions to those problems. Based on those issues being resolved I figured Winds would come out faster than Dance at least. Nope.
There are too many balls/characters in the air. Martin has said many POV characters will die in Winds which is a good thing, but I think pacing is going to be a big problem. For instance he has released two Arianne chapters so far. They're interesting and sow the seeds for interesting later developments, specificallybut the pacing is terrible. Like there's not much reason for her to have two super long chapters, during which she is traveling to meet someone who she ultimately doesn't even reach. Which means she'll meet that person in her third chapter. Given that all the POVs are back together now I don't think Martin has room for travelogues anymore. She should have reached her destination by the end of the first chapter and met that particular person in her second chapter.Aegon and Dorne vs Dany
Imagine that type of slow pacing throughout the book. Then add in the three major battles we know will happen (North/Winterfell, Meereen, Storm's End). I don't see how he gets all his pieces where they need to be by the end of Winds. Which means he probably is going to need an eight book...
That's probably why I have a lot of faith that once he gets his characters in one spot that it'll flow faster like in AGOT because a chapter where characters are clustered will advance the story for all the characters in that area versus before where a chapter from say Arya will only advance her story.
I always saw GRRMS characters/character arcs as his real strength.
He tends to follow a similar formula for most of them, where he'll break the characters down/put them in a morally compromising situation and see what arises from the ashes, but he does it in such a fresh way each time that I feel it works.
Each and every PoV has it's own distinct voice, and they all feel like living and breathing people, which makes their movements all the more better,and probably why Grrm takes so long to get from point A to point B with them.
Such Victarions gradual shift from the Iron Captain, exemplifying no ambitions of his own who's only purpose was to reave and obey Balon.
To a multi-God worshipping, magic practicing, slave sacrificing, plotter (a bad one but still a plotter) with ambitions of his own for power.
All of this in Eurons own image despite Vics hatred of his own brother (hence why his last Dance chapter was named Victarion rather than a title), and despite his previous wariness of his practices.
A real twisted moral fall of sorts, and this isn't even touching his insecurities/wife/issues with masculinity.
Or if you've read The Forsaken, seeing Aerons faith being torn down in front of him by the man he essentially sees as Lucifer in the flesh, the man who's his abuser, and him being subjected to hallucinations throughout it all while feeling as if he was the same "weak" child Euron would visit in the dark of night.
All of Aerons religious bluster and manipulations and rationalizations didn't keep him from going back to the belly of the beast, and didn't help him while in there,but him being in the belly of the beast slowly softened him to the plight of the other holy men Euron captured, and by the end of the chapter (in his last line) Aeron actually used his faith to comfort someone for once (Falia Flowers), and it was morbidly beautiful, and exactly the kind of scenarios I love George creating.
People have been saying this for 15 years. It's never going to happen.