Mushroomer25
Member
0. The Sacrament
Technically I watched this one before October 1st, but I want to talk about it regardless. Ti West has one of the most defined voices in horror, and learning that he'd made a found footage film was extremely exciting to me. The Innkeepers & House of the Devil are both great movies, and reveal what's possible with a much slower pace in the genre. (HotD is a bit extreme in that regard, but Innkeepers is perfect). Even his VHS short played the long game, though to much less success.
The Sacrament simultaneously does, and doesn't feel like a Ti West picture. The Vice style and branding define most of the cinematography, and the found footage nature limits what can be done in editing. But the most crucial element, the slow escalation of stakes - is ever present. The camera explores the compound at a comfortable speed, and just as you understand the logic of the cult's members - it introduces seeds of doubt, growing into an understandable chaos.
The climax is a bit drawn out, and starts to fall victim to the grand sins of Found Footage (i.e, "Why are you still shooting this?") - but still had me on edge. Recommended.
1. Resolution
I'm really not sure how much to say about this one, without ruining the experience for anyone else. All I can confidently say outside spoiler tags is that it's ingeniously clever, well written, and conceptually inspiring. It's the kind of movie I wish I was smart enough to write, or even think of making.
If you have seen it..
Just wow. How this hasn't achieved cult status is beyond me.
Technically I watched this one before October 1st, but I want to talk about it regardless. Ti West has one of the most defined voices in horror, and learning that he'd made a found footage film was extremely exciting to me. The Innkeepers & House of the Devil are both great movies, and reveal what's possible with a much slower pace in the genre. (HotD is a bit extreme in that regard, but Innkeepers is perfect). Even his VHS short played the long game, though to much less success.
The Sacrament simultaneously does, and doesn't feel like a Ti West picture. The Vice style and branding define most of the cinematography, and the found footage nature limits what can be done in editing. But the most crucial element, the slow escalation of stakes - is ever present. The camera explores the compound at a comfortable speed, and just as you understand the logic of the cult's members - it introduces seeds of doubt, growing into an understandable chaos.
The climax is a bit drawn out, and starts to fall victim to the grand sins of Found Footage (i.e, "Why are you still shooting this?") - but still had me on edge. Recommended.
1. Resolution
I'm really not sure how much to say about this one, without ruining the experience for anyone else. All I can confidently say outside spoiler tags is that it's ingeniously clever, well written, and conceptually inspiring. It's the kind of movie I wish I was smart enough to write, or even think of making.
If you have seen it..
It's insane, right? The immediate comparison that comes to mind for me is Primer - though it only really starts challenging your perception in the last act. The reveal of the role of the "cameraman", and even the existence of the edits was so perfectly handled. Noticing that all of the footage shown in the universe was the same as the movie's actual footage is the sort of thing that could so easily fly under the radar as lazy production - but it's all methodically thought out. I will say the premise was spread a bit thin, but I liked the characters & the setup - so I didn't mind the entire drug storyline effectively being a red herring.
Just wow. How this hasn't achieved cult status is beyond me.