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2015-16 TV Cancellations: The Beast, having been fed, asks waiter for his bill.

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Stumpokapow

listen to the mad man
Agree with most things in that article, viewer attention (and retention) is becoming increasingly harder to attain.

Case in point:
Berlin Station on Epix.
That show is (probably) fuuuuuucked in terms of ratings. The first trailer has got (as of writing) 81K views, and I'm assuming most of those are from the fact that the trailer autoplays when you open epix's youtube page.
It (yet again, probably) will be a good show. But will it be a show which makes people aware that Epix is an actual thing? I mean I'm into Berlin Station and I still occasionly doubt that Epix exists.

Never heard of Berlin Station and I only know of Epix because Epix is where Richard Roeper does film reviews now.

Edit: No, wait, that's Reelz.
 

RatskyWatsky

Hunky Nostradamus
Never heard of Berlin Station and I only know of Epix because Epix is where Richard Roeper does film reviews now.

Edit: No, wait, that's Reelz.

Epix is allegedly a competitor to HBO, Showtime, Starz, and Cinemax. Their first foray into original scripted programming begins this October with Berlin Station (spy drama) and Graves (comedy starring Nick Nolte).
 

Sober

Member
Yeah I feel like this was bound to happen. The bubble is gonna burst in a few years, which sucks in some ways. The channels that did scripted before all this might come out fine or cut down but I get the feeling most others are gonna maybe push out 4 or 5 series and then retreat when they find it's not viable at all.

Wouldn't be surprised if Lifetime or WGN maybe are the first to bow out.
 

RatskyWatsky

Hunky Nostradamus
Speaking of WGN, how did their show 'Outsiders' turn out? I know it got a fairly tepid response early on, but did anyone actually see it through to the end?
 
I really enjoy the premise of Powers, medium aside. I guess a two season run is pretty decent though, given the one-and-done trend.

Wonder how long that DC 'powerless' show will survive. Anyone even want to bet on a second season for that one?

Second season? How about a full first season?

Ratings for the premiere could be decent but then people will lose interest when there's no actual super hero stuff going on or anyone of significance used if they do show super heroes.
 
Wouldn't be surprised if Lifetime or WGN maybe are the first to bow out.

Lifetime has their niche and are fairly succesful at it, and WGN is the one channel that has recently started doing originals that has kind of broken through. Manhattan was a critical hit (which means little, but got them some attention) while Outsiders, Salem and particularly Underground have done decent ratings. There are dozens of other channels that will bow out before either of them.
 

Stumpokapow

listen to the mad man

I am suspicious that there's really much to worry about here, even as someone who is on Peak TV and has been for years. In square braces I will denote the number of currently airing scripted shows, just by counting them on Wikipedia

"Networks" (channels, services, etc.) article says are safe: HBO [12-16], Showtime [9+], Starz [8+], FX [10+], AMC [10+], PBS [not really programming primetime per se, but anywhere from 2 to 30 or so shows depending on what you count], TNT [6+], TBS [6+], Comedy Central [17+], Syfy [8+], Netflix [25+], Hulu [6+], Amazon [7+]. So besides being all the most popular networks, this is also saying that "networks" making up 120+ shows and growing are basically safe

Ones author is worried about: National Geographic [0], Discovery [0], Lifetime [2], WGN America [3], OWN [1], We TV [1], Spike [0], Pop [1], Pivot [2], Esquire [1], El Rey [1]. Okay, so "networks" making up 12 shows and shrinking are in danger. Isn't this just tautological? The networks who are mostly reality/lifestyle but dabble in scripted are less likely to stick with scripted than the networks who fully commit to scripted? Okay? Half of the aforelisted networks don't even produce content, they just syndicate international stuff -- Pop only airs Schitt's Creek, which is primarily a CBC show; Esquire only airs Spotless, which is UK-French, Pivot airs Fortitude and Please Like Me (British and Australian respectively)... The author identifies that We TV is a big deal, and it is, but not in scripted, so it exiting scripted would be no more a big deal than it entering scripted.

The only network analyzed by the article that does not seem to fit cleanly is USA, which the article asserts is in danger. It's got 6 shows right now. I don't really understand how the article argues it's in danger. The article's only real claim is "All the critics like Mr. Robot and nobody even watches it". Okay, so it has that in common with Mad Men, I guess? USA is a network mostly known for producing 20 identical feel good light peril good looking dude action dramedies (most of which came to """natural""" ends around season 18 or whatever, and Suits is still going even though I'm pretty sure that was on TV back when Duke Nukem Forever was still the setup for a joke rather than the punchline). They've pivoted into more serious fare. If this doesn't work, I see no reason they'd exit scripted versus just launching a show about a good looking, say, sex therapist slash, say, international art theft investigator who finds himself in light but assuredly handsome peril when things go wrong on the job. Blue skies, baby. I also don't think USA has a problem with loss leading Mr. Robot, to be honest.

The article doesn't bring up more interesting cases like History (traditionally reality-focused, pivoting into scripted somewhat more successful), Sundance (clearly more like the "at risk" cases), or NBC's expansion into OTT Premium SVOD with Seeso and the other half-dozen subscription services they want to launch. Are these sustainable? Not sure. Interested in hearing someone assess this. It also doesn't discuss the HBO/Cinemax or FX/FXX brand stuff, which is pretty interesting to me.

I guess the short version of what I'm saying is this: if the Peak TV bubble popping means that a bunch of networks no one has ever heard of stop producing the 1-2 projects they're currently producing, no one will notice. I think if it deters, like, HGTV from launching a scripted drama where the pool guy and the gardener team up to hold Ian Ziering's family hostage and the audience learns about american class stratification or something, no one will notice. I think if Peak TV actually disrupts the places we go to for quality content, if Netflix slashes its original content budget, if HBO can't justify $15 in subscription numbers, if Hulu exits originals--these are signs that something is badly wrong, and I'm not seeing them.
 

firehawk12

Subete no aware
Is it wrong that I honestly never gave that show a chance simply because I knew that for it to really work they needed a fairly massive budget, and I knew there was no way that PSN would cough up the dough?

Did anyone watch it? Was it as low budget looking as I feared?
The reviews were so negative for it that I don't think most people bothered.

Also... why does National Geographic need a TV show?
 

Fuzzy

I would bang a hot farmer!
Is it wrong that I honestly never gave that show a chance simply because I knew that for it to really work they needed a fairly massive budget, and I knew there was no way that PSN would cough up the dough?

Did anyone watch it? Was it as low budget looking as I feared?
I watched the first episode when it came out and it looked like crap.
 

Sober

Member
I guess the short version of what I'm saying is this: if the Peak TV bubble popping means that a bunch of networks no one has ever heard of stop producing the 1-2 projects they're currently producing, no one will notice. I think if it deters, like, HGTV from launching a scripted drama where the pool guy and the gardener team up to hold Ian Ziering's family hostage and the audience learns about american class stratification or something, no one will notice. I think if Peak TV actually disrupts the places we go to for quality content, if Netflix slashes its original content budget, if HBO can't justify $15 in subscription numbers, if Hulu exits originals--these are signs that something is badly wrong, and I'm not seeing them.
I'm actually of the same mind on the matter, really. Like someone pointed out as well, Lifetime has a niche but I don't think a loss leader like unREAL is gonna drive viewers towards their regular programming (and unREAL being in general decline critically this season doesn't do it any favours). Much like networks/channels that normally didn't or still don't have a tradition of airing scripted programming (not even syndication), they might bow out fairly quick as well and won't be missed or even noticed. I'm certainly not worried about the actual bigger players dropping out either unless something changes and all the momentum the system has built up just suddenly evaporates and disappears overnight or something.
 

Zero315

Banned
Does it get any better after the pilot? The pilot had me falling asleep, and felt very very "here throw this in, put that there!" :S.

I don't go out of my way to watch it, but the editing and stuff is hilarious. The two episdoes I've watched were full of quick cuts and dramatic music even in shots that didn't call for it. I get a real Bad Boys 2 vibe from the editing.

Preacher is pretty good. I'm not sure of what i think of Outcast right now, but I'm several episodes behind.

I'm the opposite. I think Outcast is pretty good and I'm not sure what to think of Preacher. Still got a few eps of Preacher to watch and last weeks episode of Outcast.
 
So with Aquarius moving back to Saturdays, we're pretty sure that's done, right?

Kind of a shame. I wouldn't call it a good show, but watching them try to fit in virtually every significant event or social movement of the late 1960s is sort of entertaining in a "half-watch while I do other stuff" kind of way.
 
I watched the first episode when it came out and it looked like crap.

I honestly feel sorry for people who can't get past how expensive a show looks.

In the case of Powers; was it cheap looking? Sure, but I thought season 2 was right there with Jessica Jones as the best superhero show of the past year. Even season 1 got pretty good by the end.
 

Grizzlyjin

Supersonic, idiotic, disconnecting, not respecting, who would really ever wanna go and top that
I honestly feel sorry for people who can't get past how expensive a show looks.

In the case of Powers; was it cheap looking? Sure, but I thought season 2 was right there with Jessica Jones as the best superhero show of the past year. Even season 1 got pretty good by the end.

The commercials for Season 2 weren't doing them any favors. I must have seen the promo 100 times because of Hulu, and Michael Madsen hamming it up and screaming always made me laugh.

But I've never actually watched the show. I made it maybe 10 minutes into the first episode and turned it off. Not my cup of tea.
 
I'm the opposite. I think Outcast is pretty good and I'm not sure what to think of Preacher. Still got a few eps of Preacher to watch and last weeks episode of Outcast.

When I say pretty good, I mean that if someone were to ask me my thoughts so far, I'd say: "Oh, it's pretty good." Not a ringing endorsement.

I haven't fully clicked with Preacher yet, nor Outcast, but as I said I'm still several episodes behind on both. I have 5 left of one and 5-6 left of the other.

Preacher is alright, but nothing special thus far.
 

kevin1025

Banned
So with Aquarius moving back to Saturdays, we're pretty sure that's done, right?

Kind of a shame. I wouldn't call it a good show, but watching them try to fit in virtually every significant event or social movement of the late 1960s is sort of entertaining in a "half-watch while I do other stuff" kind of way.

From what I can tell the ratings are not hot, but the viewership is up from the latter half of the first season. Jennifer Salke at NBC's TCA a couple of days back mentioned that it would be tough renewing it, but that they still support the team. So I guess it's possible, but its chances are definitely not great.
 
There won't be a season 3 of Zoo with those ratings, right?

So, the season 2 will probably end on a cliffhanger and the story will never be resolved because the show will be cancelled...
 

morningbus

Serious Sam is a wicked gahbidge series for chowdaheads.
Stump probably has a running list of possible thread title changes for Powerless, his first clean shot across the bow of superhero entertainment.
 

kevin1025

Banned
There won't be a season 3 of Zoo with those ratings, right?

So, the season 2 will probably end on a cliffhanger and the story will never be resolved because the show will be cancelled...

I think it was doing around the same as Under the Dome did in its third season. It's the summer, so it's possible it gets a short(er) third season, but they cancelled Under the Dome for around the same performance.
 
I'm only watching B99 out of inertia so a lame crossover doesn't surprise me. Put this turkey out of its misery.

I hope it's as good (lol) as the Bones/Sleepy Hollow one.
 

Dan

No longer boycotting the Wolfenstein franchise
Wait, do people hate B99 now? I had no idea. lol
Well, I definitely thought the last three episodes, after Mantzoukas's character left, were pretty damned weak. The show seemed to be leaning into wild, over-the-top serialization in a bad way. I hope S4 recovers some, but a crossover involving the awful people on New Girl is dispiriting.
 

firehawk12

Subete no aware
Well, I definitely thought the last three episodes, after Mantzoukas's character left, were pretty damned weak. The show seemed to be leaning into wild, over-the-top serialization in a bad way. I hope S4 recovers some, but a crossover involving the awful people on New Girl is dispiriting.
Hrm, I guess I never took the time to think of the show critically. The "infiltrate the FBI by using Sex and the City references" thing just seemed funny at the time.
 
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