Holy shit, this is totally "Yeezus" like. The Sleigh Bells-esque distortion on those synths, the darker edgier image by "rapping", the overbearing bass, and the flashes of fuzzed out snares.
I'm intrigued, but I'm disappointed she chose such a conventional chorus. But I'm fucking with the production.
She will probably (hopefully) experience a similar burnout that Katy and Adele did following their massive albums 21 and Teenage Dream. 25 only one had big hit (Hello) and Prism had 2 big hits compared to Teenage Dream's like 5. Gaga used up all her good will with Born This Way and we all know how ARTPOP turned out.
Ready For It sounds like a Lonely Island song without The Lonely Island.
This is an insult to Britney Spears and I don't even care for Spears, whoever made this should be ashamed.
It's making me die insideComparing this song to Yeezus is an offense to Ye.
that Ready For It song is like if you made a track with Katy Perry, Rihanna and that other one with the voices but have T Swift do all the parts
https://i.imgur.com/TJnUZym.gif[/IMG[/QUOTE]
i seriously couldn't remember Nicki Minaj til after i posted and said fuck it and didn't bother to edit
Holy shit, this is totally "Yeezus" like. The Sleigh Bells-esque distortion on those synths, the darker edgier image by "rapping", the overbearing bass, and the flashes of fuzzed out snares.
I'm intrigued, but I'm disappointed she chose such a conventional chorus. But I'm fucking with the production.
...today I found out PopGAF was really a thing. I applaud you guys.
I mean as long as you like it, does it matter?Digging both songs so far. Not deep enough into music to know what's in and what isn't though.
It grows on you unfortunately (if you like catchy music)Finally heard Look What You Made Me Do last night.
Never want to hear it again.
Ye: [laughs]Taylor's dissing Kanye while making bootleg Yeezus tracks lmao
Ye continues to be an inspiration no matter whatTaylor's dissing Kanye while making bootleg Yeezus tracks lmao
From my theme song
My favorite capris on
My by any means on
Pardon, I'm getting my tweens on
Enter the victim
But watch who you pin it on
They see a white girl tryna blame a black man
My 'woe is me' is gonna be prolonged
Her new single reminds me of a kpop song with the sudden electronic shift in the song.
The song would of been better if it was more synth throughout, not really a fan of the bass wub wub.
amazing workFrom my theme song
My favorite capris on
My by any means on
Pardon, I'm getting my tweens on
Enter the victim
But watch who you pin it on
They see a white girl tryna blame a black man
My 'woe is me' is gonna be prolonged
From my theme song
My favorite capris on
My by any means on
Pardon, I'm getting my tweens on
Enter the victim
But watch who you pin it on
They see a white girl tryna blame a black man
My 'woe is me' is gonna be prolonged
today I found out PopGAF was really a thing. I applaud you guys.
"Yeezus"-like may be a bit of a stretch musically, but in terms of persona, attitude, and overall intent, this album and that share quite a bit. I'd stake that "Reputation" is meant to be Taylor going all in on the snake, bad girl, and whatever else personas the media has created and coming out of it announcing the real Taylor Swift. "Yeezus" was about Kanye leaning into his darkest impulses & excesses and coming out of it willing to be a better person. Both albums are ostensibly about embracing the worst parts of one's self, symbolizing that through "darker, edgier" production relative to their prior work, and center around a persona exemplifying their dark side, or in Taylor's case, dark sides.Its not Yeezus like, at all. Just because its dirty sounding? There is more to the production on Yeezus than twiddling some knobs and making shit sound harsh.
Ill agree it sounds like Sleigh Bells, amateur and broken up. Not sure what happened with Sleigh Bells, but they regressed into literal garbage after the second album. This is definitely along those lines, its bottom of the barrel.
The track is basically reminiscent of mid-00s electro clash. Peaches, Fisherspooner, and The Presets were the leaders in that space. This sounds like a throwaway Presets track, without the charm.
If anyone else had released this, no one would care.
Look What You Made Me Do is at #1 on the BBH100 this week. It is the first solo female song to top the Billboard Hot 100 since nearly two years ago with Adele's Hello.
Mariah's record is safe.
Digital: 353k
Streaming: 84.4M
Radio: 64M
Do Sia (Cheap Thrills) and Rihanna (Work) not count?
both had features, so taylor fans came up with this particularly tortured construction to eke out another "receipt"and both had nonwhite artists
Look What You Made Me Do is at #1 on the BBH100 this week. It is the first solo female song to top the Billboard Hot 100 since nearly two years ago with Adele's Hello.
both had features, so taylor fans came up with this particularly tortured construction to eke out another "receipt"and both had nonwhite artists
I am not a Taylor fan, but it is an important difference.
Ready for it reminds me of when I used to blindly buy cds on the basis of a song or two in the days before Spotify and then immediately regret my purchase when I hear it.Finally got to listen to the new song... It's HORRIBLE. I have a newfound appreciation for LWYMMD, and I don't like that song.
This is straight-trash. What the actual fuck.
Heard "Look what you made me do" on the radio today and I gotta say I really like. It is catchy and I've already listened to it a few times over on YouTube.