1.
olive kitteridge
"A middle-school math teacher Olive and her relationships with Henry which spans 25 years." (4 hour miniseries)
i feel a little insecure that the reason this show is my favourite of the year is deeply personal. it's irrational, no? any top list is inherently personal, reflecting my personal choices in what to watch, my personal interests, my personal taste in narrative, comedy, aesthetics, structure, probably even how good or bad my day was when i watched the show. yet saying that this show resonated with me feels like cheap sentimentality, instead of praising the fantastically good frances mcdormand performance which is never not gripping, the complexity of the characters, the warts and all depiction of marriage, the clever way it jumps through time and moments and shifts its focus without letting it feel like a slideshow of a life, a show that focuses on the distinct lives of the elderly instead of good looking young people. the more rational explanations. yet it's inescapable how much this show felt true to my own family. there's a little bit of my grandparents, a little bit of my parents, a little bit of me. the patterns of mental illness over generations haunting in the background and foreground, the way nearly all the family members are trapped in their own mental cage, so rarely able to escape it to make a connection. the final shot is of a hug between two characters, i wanted to give every character in this show a hug
2.
transparent
"An LA family with serious boundary issues have their past and future unravel when a dramatic admission causes everyone's secrets to spill out."
(season 1, 10 x 30 mins)
so this show would be the opposite to my experience with my no.1 choice. i'm not trans, i don't personally know anyone who is trans, so this is about experiencing something new, something outside my life experience, spending time with a family drama entirely unlike my own. this show is grounded in the terrific performance of jeffrey tambor as maura, who after an entire life living as a man decides in retirement to transition into a woman. the show follows this process of transition, as well as flashing back to how maura realizes she identified as a woman and the process that led to this decision. tambor brings a deep sadness to the performance, one where you really feel the weight on of the character of living with this for the entire life and only truly feeling themselves so late in their life and with such social consequences, but also as a comedy actor a warmth to it that comes through. it's a joy to watch. the show also follows the ripples that this has on maura's three children, whose aimless, messy and disconnected lives is contrasted with maura's strong sense of purpose and self-understanding earned over years of life experience and self-reflection. seeing these two periods of life clash between one family makes for fascinating viewing.
3.
over the garden wall
"Two brothers find themselves lost in a mysterious land and try to find their way home."
(mini-series, 10 x 11 mins)
a lovely bit of animated storytelling. feels like a marriage between some of the ironic sense of humour, quick bursts of naked emotional honesty and episodic structure of modern american cartoons like adventure time, with the dark, twisted fantasy tone of classic fairytales and a complete specific story instead of open ended aimlessness. yet the combination works. it's creepy, charming, beguiling, moving and surprising, visually delightfully animated, and the way it concludes its story is very clever, yet each episodic adventure is nicely constructed too. i really want to see more of this stuff, i don't think there's much of a market for this on the big screen anymore (maybe paranorman is similar in recent times, plus ghibli, but in general) but i like the length.
4.
rectify, season 2
"Daniel Holden must put his life back together after serving 19 years on Georgia's Death Row before DNA evidence calls his conviction into question."
(10 x 45 mins)
this is an extraordinary show. a really complex, dark drama exploring the logical result of how we construct our legal system with a focus on a single family and community, with tons of style as it borrows from the malick to deliver something spellbinding and often beautiful. the second season continues in the same form, with a finale that's as emotionally draining as anything, yet it packs a weaker punch than the first season as you become more used to its world, spend less time turning over in your mind what it means to be in daniel's situation and feeling sick.
5.
mad men, season 7 pt.1
"A drama about one of New York's most prestigious ad agencies at the beginning of the 1960s, focusing on one of the firm's most mysterious but extremely talented ad executives, Donald Draper." (7 x 45 mins)
this is probably the best show currently airing looking at the complete series, but i feel like the last two seasons have stumbled a bit, at least within mad men's high standards of craft. spread too thin among ideas and characters, lacking focus. now it's finishing the story of these characters, this is a real return to form. a brilliant half season of television. don is suddenly an interesting character again, the episodes are densely packed, beautifully constructed, masterfully weaved into the period setting thematically and emotionally so strong.
honorable mentions: broad city, veep, so did the fat lady episode of louie, getting on, true detective