If I see Theory of Everything anywhere on this list, I'll flip. Especially as Toy Story 3 is ranked so low.
Welp I've only seen 7 of 50-100 and I catch a pretty good share of things that hit the theaters. Anyone here see even 15 of them?
What is this weird tradition of spoilering the list? I don't get it.
Also - while I love the AV Club, they're way more of a go-to for TV criticism than films, anymore. As someone already pointed out - the good stuff picked up and bailed to the Dissolve and other outlets awhile ago.
some great film writers have filled in--Vishnevitsky most notably, he's fantastic.
Does The Master make the top 50?
Does The Master make the top 50?
Does The Master make the top 50?
True indeed.
And you reminded me - Llewyn Davis is more than likely going to show up in that top 20, too.
I'd be REALLY happy to see Attack the Block show up in the top 50. That'd be fun.
Can't imagine it wouldn't. Probably top 20.
53: Room 237
That movie seemed like it was made by a nut. It was 2 hours of insane ramblings interrupted by households pets and disturbances unedited and left in the dub.
I can't believe this film made a top 100 list.
I hated Looper though...
Gravity is bad on every level now? Dat GAF hyperbole.
Gravity is bad on every level now? Dat GAF hyperbole.
Cinematography and sound design with the subtely of a student film. You mentioned this separately from the film's bad attempts at visual symbolism. Put the pipe down, snowy.Atrocious characterization, bad acting, tin-eared dialogue, a narrative that made no sense even in continuity, laughably bad attempts at visual symbolism, cinematography and sound design with all the subtlety of a student film. Other than maybe good visual effects (a plaudit with a shelf life of a few years, at most), I can't really think of any way in which the film was anything other than pandering, lowest common denominator crap. At least movies like Dredd and Fast Six embrace what they are, rather than trying to make something deep out of a bad summer blockbuster plot.
Cinematography and sound design with the subtely of a student film. You mentioned this separately from the film's bad attempts at visual symbolism. Put the pipe down, snowy.
Cinematography and sound design with the subtely of a student film. You mentioned this separately from the film's bad attempts at visual symbolism. Put the pipe down, snowy.
Don't get me wrong, Gravity has a lot of problems, but laughably bad on every level and comparable with a student film?
I saw almost every moment in the film coming a mile away - audiovisually, not just narratively. I didn't say it was as amateurish as a student film, in terms of the technical side, I said it was as unsubtle as a student film, i.e. it rubs in the viewer's face EXACTLY what they're supposed to take away from every single moment. Yes, this is a separate problem from laughable visual symbolism, in which the momentum of a narrative is halted entirely to visually communicate to the viewer an angle of the story that is either dumb or obvious. It is possible for a movie to contain such things and also be well-shot, but Gravity is the epitome of something that is technically unimpeachable while being simultaneously atrocious, artistically, i.e. in terms of what is actually communicated to the percipient.
I'm with you on Gravity being symbolically cheap and telegraphed to hell and back narratively. The film was a rollercoaster that stopped unnecessarily far too often to try and inject meaning into the events. But you're right in saying it was technically unimpeachable. It's for this reason that I also can't fault the sound design - or the cinematography. On both fronts, the designers knew the film was a rollercoaster and played to that. They weren't trying to be subtle. To say that the film was artistically hollow is completely fair. To say that it's laughably bad on every level is the kind of dumb comment that I find ridiculous, which is what I was responding to.
I'm interested to see where the Departed lands.
I think the top 5 will look like:
1. The Social Network
2. Boyhood
3. Argo
4. 12 Years a Slave
5. Zero Dark Thirty
Hopefully either The Avengers or Interstellar are #1. Probably the best movies I've ever seen.
I did forget that all those people are lying about liking Soderbergh, trueHaywire is the hottest garbage
But no one wants to admit that sodorburg sucks I guess
Social Network #1? LOL.
That being said-I can't think of what would possibly be top. Social Network and Gravity are both well made boring films by talented filmmakers who have made vastly superior films.
I am impressed at Edge of Tommorow being on the list. I was never more happy to eat crow after watching that movie.
david fincher is the most overrated director... OF ALL TIME.
david fincher is the most overrated director... OF ALL TIME.
I'm a fan of nearly everything he's done....with the exception of Social Network. I even prefer Girl with the Dragon Tattoo over TSN.