Agreed.Solo said:wat
There isnt anything new about Nolan's storytelling techniques. Non-linearity, flashbacks, etc. are old as sin.
The imagery was beautiful, but not super crazy by this point, but as the footage progressed we got images crazier and crazier People floating in hallways, being tied up by (I think) Gordon-Levitts character. There was also a chase down a mountain on skis and a gunfight in the snow where DiCaprio tells someone firing a nice-sized automatic rifle You mustnt be afraid to dream of a bigger gun, as he raises a rather ridiculously big gun that has a large round chamber and fires off huge shells.
Ending with a bang, we see this crazy world falling apart around DiCaprio. The whole city seems to be turned on its head, falling into the ocean.
Nolan was a bit dry, but his passion was undeniable. The dude is a visual geek and commented a lot on visually executing his pictures. In terms of effects he always tries to get as much in camera as possible. He acknowledged the movies he grew up caring about might play into that a little, but he truly feels that when an effect is tangible a real relationship between the actor and the world (and the effect and the audience) is easier to achieve.
A lot of the gravity defying sets, built for real, were inspired by Stanley Kubricks 2001. Nolan admitted to being fascinated by that concept when he saw 2001 and wanted to recreate his version of that kind of in-camera trickery (my word, not his).
When asked about his influences, Nolan responded with Stanley Kubrick, Nicolas Roeg, Terence Malick and seeing Star Wars when he was a kid. But biggest of them all, he said Ridley Scott and specifically BLADE RUNNER, which he said I bring that movie in with me on every film I make.
When asked about 3-D, Nolan said hes a tech-head, so hes intrigued, but feels that 2-D and 3-D are misnomers since 2-D filmmaking isnt flat, but shot to represent a 3-D view already. You could tell he was upset at the 3-D trend saying theres real misinformation and hype about the direction the industry is actually going on.
When asked by a fan saying hes created a lot of twisted male characters if hell ever give us a really great twisted female character he grinned and said to watch out for Cotillard in Inception. He wouldnt go into any details, but said She plays an extremely complicated individual.
Solo said:Read some of the GAF threads about the movie. Its shocking how little some people picked up. People couldnt even realize that Borden and Tesla had never met.
Solo said:There isnt anything new about Nolan's storytelling techniques. Non-linearity, flashbacks, etc. are old as sin.
Solo said:I never understand what Nolan thinks he is doing that evokes Blade Runner. I recall that film was what he told the crew to watch for Batman Begins, but there is nothing about Batman Begins, stylistically, tonally, or from a cinematography persective that even remotely channels Blade Runner. The only thing from Blade Runner in BB is Rutger Hauer :lol
Now, one can see what he meant when telling his crew to watch Heat for TDK, as that influence is all over the movie, but Blade Runner for BB? Hell no.
Solo said:I never understand what Nolan thinks he is doing that evokes Blade Runner. I recall that film was what he told the crew to watch for Batman Begins, but there is nothing about Batman Begins, stylistically, tonally, or from a cinematography persective that even remotely channels Blade Runner. The only thing from Blade Runner in BB is Rutger Hauer :lol
Now, one can see what he meant when telling his crew to watch Heat for TDK, as that influence is all over the movie, but Blade Runner for BB? Hell no.
Batman Begins wiki said:Design
Nolan used the 1982 cult science fiction film Blade Runner as a source of inspiration for Batman Begins. He screened Blade Runner to cinematographer Wally Pfister and two others to show the attitude and style that he wanted to draw from the film. Nolan described the film's world as "an interesting lesson on the technique of exploring and describing a credible universe that doesn't appear to have any boundaries", a lesson that he applied to the production of Batman Begins
When asked about his influences, Nolan responded with Stanley Kubrick, Nicolas Roeg, Terence Malick and seeing Star Wars when he was a kid. But biggest of them all, he said Ridley Scott and specifically BLADE RUNNER, which he said I bring that movie in with me on every film I make.
Yessir.Lakitu said:That's because it is the best sci-fi movie ever made
Mr. Snrub said:I'd also like to say that I LOVE Wally Pfister's work. Excellent sense of scene composition...very underrated (maybe too "subtle" for "WHOA AWESOME CINEMATOGRAPHY" comments).
Mr. Snrub said:True, but I don't think anyone does non-linearity, and especially flashbacks, as well as Nolan does. Flashbacks are handled terribly and disrupt the flow of the film when used by most directors, but Nolan does a great job of implementing them, seamlessly, into his films.
Mr. Snrub said:I'd also like to say that I LOVE Wally Pfister's work. Excellent sense of scene composition...very underrated (maybe too "subtle" for "WHOA AWESOME CINEMATOGRAPHY" comments).
Agreed.Solo said:wat
There isnt anything new about Nolan's storytelling techniques. Non-linearity, flashbacks, etc. are old as sin.
Post-panel, attendees were handed tickets redeemable for a bag of nifty Warner Bros. swag, including two Inception items. The first was a small metal top, similiar to the one seen in the first trailer. The second was a t-shirt, pictured below, which shows off what is presumably the device used to create and control dreams.
Also of note is a barcode on the back of the shirt which will, no doubt, play a role in the very near future as part of the film's viral marketing.
Lakitu said:That's because it is the best sci-fi movie ever made
Solo said:I wasn't taking shots at Nolan's skill in using those elements (which is very nicely developed), dont get me wrong. Just at the ludicrous notion that he somehow has created new storytelling techniques. It would be like attributing handheld camera work to Paul Greengrass.
Jason's Ultimatum said:Another jab at Greengrass. =\
I agree actually. Better yet, it's ashame Liman was kicked off the Bourne franchise.
wRATH2x said:I think we can all agree that if it was executed well, then who cares.
Sorry, that was a reflex I picked up while arguing in the gaming section.Solo said:Well, duh :lol If movies were judged on innovation solely, then there would only be a decent movie released about once a decade.
Sometime in August, probably.jett said:When the fuck are we getting this trailer
ezekial45 said:The t-shirt has a QR code on it and when it's scanned, it leads to this site.
http://www.pasivdevice.org/
More and more, i hate myself for missing out on the panel. Fuck!
EDIT: Very interesting site. It gives specific instructions on how the device works.
I know it's not going to be anywhere near TDK level marketing, but the one for this movie has been a little light. The most recent ones are pretty cool, though. The manual is by far my favorite though.Solo said:I would assume that the marketing will be more traditional for this one - it isnt Batman, so people at large arent going to do the digging they did for TDK.
Solo said:When the hell will WB put up a placeholder Batman 3 site? I need to get the trolling ramping up soon!
:lol :lol :lolDMczaf said:a twin.jpg