Unbreakable is one of my favorite films and to me, ranks among the most criminally underrated movies ever. Much to my surprise in this weeks Comic-Con issue with BvS on the cover, there is a lengthy retrospective with interviews with cast and crew reflecting on the film, its production and its legacy.
Some excerpts are at the site, but the full article is in the magazine
In this week's EW: Unbreakable An Oral History
Some excerpts are at the site, but the full article is in the magazine
In this week's EW: Unbreakable An Oral History
In the spring of 1999, M. Night Shyamalan was an unknown writer-director awaiting the release of his late-summer thriller, The Sixth Sense. It was not testing well with preview audiences, and he had disaster on his mind. I was thinking about a plane crash, he says. And about one person surviving and that person being untouched. And then that person realizes that he is a superhero.
Shyamalans idea, of course, became Unbreakable. Starring Bruce Willis and Samuel L. Jackson, the 2000 movie was considered a disappointment in the wake of The Sixth Sense which had made Shyamalan an oft-mispronounced household name yet 15 years later it has attained major cult status as a dark, haunting superhero origin story told at street level. An army of Marvel movies has changed the economics of the entire film industry in the intervening years, but none achieved the narrative poetry and dazzling genre acumen as well as Unbreakable.
In recognition of its 15th anniversary and as part of our annual Comic-Con Double Issue, EW spoke to a dozen of the people responsible for bringing Unbreakable to the screen, including Shyamalan, Willis and Jackson. Here are some highlights from our eight-page Oral History, which is available on newsstands now:
The movie was extensively storyboarded, and Shyamalan decided to shoot with a restrained filmmaking style. Rare for its genre, the film contains dozens of shots that last a minute or longer without a cut. You get an incredible hit of specificity doing it that way, says Shyamalan. We were doing one or two shots a day, thats all. Willis concurs, These long takes were revelatory.
At the end of one particularly grueling day of filming, during which the cameraman walked off the set and had to be coerced back, Shyamalan treated the cast and crew to a one-oclock-in-the-morning screening of Jaws at a local Philadelphia theater. The shark mayhem blockbuster was celebrating its 25th anniversary and Shyamalan had received a print straight from the hands of Steven Spielberg. Thats the Holy Grail of grounded, edgy entertainment, Shyamalan says. The balls of suspense and creativity and humanity all perfectly juggled.
Though it grossed $95 million at the box office, Unbreakable was received lukewarmly by audiences. Shyamalan was hurt by the response and shelved his plans for a trilogy. But time has been very kind. It like when people talk about Jackie Brown, says Jackson. And they go, Well, thats a disappointment for Quentin. No, no, its not. Its a great movie. It just isnt Pulp Fiction 2. Unbreakable is an amazing movie. It just isnt The Second Sense or whatever the fk that movie was.
Plans for a sequel have lain dormant for 15 years but you never know. I dont know, says Shyamalan. Maybe theres an interest right now in the underlying struggles and fantasies that are being fulfilled in comic books and not being fulfilled in the real world. Jackson gets the last word. People talk to me about that movie all the time, he says. Nights still around. Bruce is still around. Im still around. And Id love to break out of the asylum.