but in Australia, it's still actually pretty common to see these dolls in tourist strips outside the major cities
lol what? I've lived and traveled around Australia all my life and I think I've seen one shop that sold them.
but in Australia, it's still actually pretty common to see these dolls in tourist strips outside the major cities
Living in Australia, something I've felt uncomfortable about is the golliwog doll. For those who've never heard of it, it's a doll originating in the 19th century (from a book by Florence Upton) that had a lot of popularity in Europe and Australia. It is based on the blackface minstrel shows - from the Wikipedia page explaining its origin:
I used to think a Golliwog was just a character from Noddy (British children's stories). So I thought they were ok. Just like any other character in any other stories.
lol what? I've lived and traveled around Australia all my life and I think I've seen one shop that sold them.
Moore?
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I've seen quite a few stores selling them. Here's an example I saw just recently - the dolls were out on display on a rack in front of the window (which is what prompted me to make this topic):
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Haha, see? Hospital shops!My first ever toy as a baby was a Golliwog doll. Bought for me through the hospital shop, no less. The 1980s were weird.
Hear that, Australia? I'm indirectly calling you weird. Have some of that!
can somebody explain how these are racist ?
i realise OT gaf is offended by everything, such as not being tipped or having a foam penis in their coffee but when i was growing up i read noddy books and they had golliwogs in them, never thought anything of it.
Does it really need to explained?
uh, this is why i almost didnt post because i knew id get an onslaught of answers like this.
nevermind. ill go back to the gaming bit.
relics of a different time.
What's strange is that I saw these in NZ recently as well when I went back for vacation. I seem to remember them being banned when I was younger and now they are again not banned. I'm not sure of the ban reversal logic.
Just think carefully about it. Think about the history of racial caricatures.
I didn't know they were racist until I got older and learned more of the civil rights movement in the USA. As far as I knew they were just characters from Roald Dahl books.
Eh? Which Roald Dahl books?
That is part of racism. They are racial stereotypes used to belittle people because of their race among other things.okay so i read up about minstrel shows and stuff.
isn't it just ripping on someones race though for entertainment?
much like saying gingers have no souls?
or jews love money? (kinda butchered that one)
that sort of thing?
i mean im english, i see people ripping on english people all the time, TV, in-person etc. not gunna go about banning people with huge ass teeth
okay so i read up about minstrel shows and stuff.
isn't it just ripping on someones race though for entertainment?
much like saying gingers have no souls?
or jews love money? (kinda butchered that one)
that sort of thing?
i mean im english, i see people ripping on english people all the time, TV, in-person etc. not gunna go about banning people with huge ass teeth
okay so i read up about minstrel shows and stuff.
isn't it just ripping on someones race though for entertainment?
much like saying gingers have no souls?
or jews love money? (kinda butchered that one)
that sort of thing?
i mean im english, i see people ripping on english people all the time, TV, in-person etc. not gunna go about banning people with huge ass teeth
Charlie and the Chocolate Factory was scandalous from the start. Already when it was first published in the United States in 1964 it drew harsh criticism because the workers in the chocolate factory, the Oompa Loompa, are Pygmies from Africa, slaves. As a result of the criticism, Dahl changed them and their origin and they became whites, natives of an imaginary country.
okay so i read up about minstrel shows and stuff.
isn't it just ripping on someones race though for entertainment?
much like saying gingers have no souls?
or jews love money? (kinda butchered that one)
that sort of thing?
i mean im english, i see people ripping on english people all the time, TV, in-person etc. not gunna go about banning people with huge ass teeth
Centuries of presenting a continent of peoples as subhuman -- and the golliwog/minstrel is indeed one facet of this presentation -- can't really be equated to mere joshing. English people haven't been brutally massacred, subjugated, and dehumanized for alleged poor standards of dentistry.
I think I was mistaking Roald Dahl for Enid Blyton.For sure. But they weren't golliwogs.
Not that it really matters. I just thought I'd missed/forgotten appearances of golliwogs in Dahl books.
Stereotypes are still awful and offensive.fair enough. yeah thats true, i just didnt really link the golliwog/minstrel thing to be in favour of the awful treatment of blacks. i just thought it was a stereotype look.
hmm.
lol what? I've lived and traveled around Australia all my life and I think I've seen one shop that sold them.
I think I was mistaking Roald Dahl for Enid Blyton.
Moore?
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Was going to say, I loooove how Moore depicts the Galley Wag. The text pieces in Century especially are so cool, him and the wooden girls. He's made out of super dense dark matter, that's so cool.
PÓM: The golliwogg is generally seen these days as being a racist character. Why did you decide that you wanted to use a character with a problematic history like that in your work?
AM: Without wishing to appear pedantic, I think that the Golliwog these days is seen as an insulting racial stereotype rather than a racist character. A racist character, i.e. a character perceived to be racist, would be The Black Dossiers Bulldog Drummond or even Rider Haggards Allan Quatermain. But if youre asking why I wanted to use a character largely perceived as a grotesque racial caricature, I would say that the answer is because Kevin and myself felt that we had identified a considerable gulf between how the character was originally presented and intended, and how the character had come to be viewed. Yes, I am of course aware that among nostalgic right-wingers such as Carol Thatcher there is the often-expressed sentiment that the later Minstrel-attired racist-slur toy should be returned to our toyshops and marmalade labels, and that its exclusion is a sign of political correctness gone mad. I would have hoped that it might be fairly obvious, with a little thought, that neither I nor Kevin are likely to be of that persuasion, but it appears not. What we perceived in Uptons original was a strong, likeable and positive figure, presumably some manner of animated toy (although this would presumably have been one reasonably unique and personal to Upton herself, since the mass-production of subtly but crucially altered Golliwog toys only followed the publication of her stories), black-identified if only by virtue of his skin colour, during a period when the only other supposedly sympathetic black figures in fiction would be Nigger Jim or Uncle Tom.
I presume, for want of any earlier sources, that Upton had given her character the name Golliwog purely because she liked the slightly nonsensical way that the word sounded, its most probable derivation being a word such as pollywog (which, lest there be any misunderstanding, is a word which has only ever meant tadpole since its Medieval English origins as polwygle, and which has apparently never been used, either in the U.K. or the U.S., as a slang expression of any sort, let alone one with racial connotations). The later English 20th century usage of the word wog as a derogatory term for almost any non-white person, while often glossed by apologists as an acronym for Western Oriental Gentleman or the like, is clearly an appropriation of the name of Uptons character but now given negative racial connotations that the author never intended, and now clad in minstrel attire to make racial mockery the only point of a figure that, up until then, had seemingly been intended to express the exact opposite. Upton dressed her creation in the black suit that was the standard formal attire of her day. One might suppose this to be a shorthand suggesting that he was a dignified and respectable figure. His courage and strength of character were ably demonstrated in his picaresque adventures, as was his intellectual acumen. My own thinking, and I would imagine Kevins thinking on the character, was that here we had a character which in its day was positive, bold, innovative, and the creation of a typically overlooked woman creator who had quite possibly wished to situate an admirable and loveable black figure in the imaginations of the white Victorian children who comprised her readership. It was our belief that the character could be handled in such a way as to return to him the sterling qualities of Uptons creation, while stripping him of the racial connotations than had been grafted onto the Golliwog figure by those who had misappropriated and wilfully misinterpreted her work. While we felt that we had succeeded in what were well-intentioned aims, such an interpretation can only ever be subjective. It may have been the several years that have elapsed between our initial introduction of the character and this present round of debate, during which the Galley-Wag appeared to have elicited little or no controversy, which have led us to believe that our intentions had been largely understood by our generally insightful readership.
I think I was mistaking Roald Dahl for Enid Blyton.
These debates usually boil down to some people saying these things are supposed to be a mocking depiction of black people and some people saying that they aren't. Historically speaking the former group is unquestionably correct. Gollywog is a character that is a caricature of the minstrel show outfit, which was a caricature of a black person. Considering where the creator is from, the ties between blackface and Golliwog are pretty clear.can somebody explain how these are racist ?
i realise OT gaf is offended by everything, such as not being tipped or having a foam penis in their coffee but when i was growing up i read noddy books and they had golliwogs in them, never thought anything of it.
Here's a fascinating (lengthy!) interview with Alan Moore, the beginning of which has him taking to task various accusations of racist caricaturing and related ugliness.
A small (!) excerpt quoted below:
The interview itself as a whole is probably threadworthy, filled as it is with long, considered, deliciously scathing refutations toward his detractors, but I never came to get around to it.
The white guy on the cover looks like Nicolas Cage.I just looked for examples of golliwogs in the original versions of Blyton's books and was greeted with these:
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...oh my. They weren't subtle. :x
lol what? I've lived and traveled around Australia all my life and I think I've seen one shop that sold them.
Moore?
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I visit Australia every now and then since that's where my pops resides, and I must admit I have seen those things there in shop windows.
These debates usually boil down to some people saying these things are supposed to be a mocking depiction of black people and some people saying that they aren't. Historically speaking the former group is unquestionably correct. Gollywog is a character that is a caricature of the minstrel show outfit, which was a caricature of a black person. Considering where the creator is from, the ties between blackface and Golliwog are pretty clear.
Of course, Australians and Brits are not going make the connection to the baggage they aren't familiar with, which is what makes these things tricky. If you have fond memories of these things because you and your family grew up with them, then people bringing up indirect cultural associations is going to feel unfair.
Ultimately the pragmatic thing to do is to ask the following question: Can something with a negative history start living a life of its own and shed its negative baggage over time if the harmful elements are losing its meaning? Personally I think these dolls could be fine once we're in a better place from a racial perspective, though that's a pretty big qualifier. With so much injustice still in place, keeping these dolls around is just going to remind people of the inequalities and prejudice they themselves, their friends or family experienced. This may take many more generations to even start thinking about reclaiming it as is.
Imagery like this is usually not worth bumming people out over, so getting rid of it or changing it seems like the best course of action. Being offended by it might feel like an emotional response, but resisting these things usually is as well.
Stereotypes are still awful and offensive.
Isn't that true of casual racists everywhere?
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oh man i had this noddy book
the 4 gollywogs stole noddys car and clothes, leaving him naked.
of course. being english growing up in scotland is hard. especially during my school years - would get kicked, punch, spat on daily just for being english and having a different accent. sometimes had metal bats used against me. this was on top of verbally bullying with english stereotypes
since i left school i take stuff like this in jest, people are just as racist towards me but its never physical. so i can make a joke of it now.