Screenwriter Peter Morgan has confirmed he did not complete an outline for the 23rd James Bond film before leaving the project. Bond 23 is still lacking a first draft script.
Back in June 2009, EON Productions officially confirmed Peter Morgan ("The Queen", "Frost/Nixon") was joining the regular 007 duo of Neal Purvis and Robert Wade to pen the script for Daniel Craig's third outing as James Bond - the 23rd in the series.
It is understood that Morgan worked on the project from July to October 2009, before pre-production work was suspended (it was later officially confirmed that the film was on ice in April 2010) due to MGM's financial woes. In December last year, just after he had stopped work on the outline, Morgan teased local reporters in Vienna (where he had recently moved with his family) that it was "a shocking story".
In an interview published today by ComingSoon, Morgan confirms his tenure on Bond 23 was short. Asked whether he had completed a first draft of the script, Morgan said, "No, no, no, I hadn't gotten that far. I was working on an outline when they said, "We're going to have to stop this process now," and when it came to the point where I was going to commit to doing the Freddie Mercury film, I sort of discussed with my reps that it would probably take me out of all consideration and that's what's happened, and I wish them the best."
Just before EON's official statement about the film's production freeze, producer Barbara Broccoli confirmed Sam Mendes was lined up to direct Bond 23. Industry buzz quickly surrounded Patrick Marber, the acclaimed playwright, who was understood to be wanted by Mendes as Morgan's replacement. Producers said at the time that the switch in writers was 'purely speculation', but it is now clear that a new writer was to be brought in with Morgan departing.
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Update (24th October 2010)
Further to his brief remarks last week, Morgan has talked in length about his work on the 23rd James Bond film, how he got to be involved, where it was left, and his thoughts on Sam Mendes directing Daniel Craig as 007: "[Working on Bond 23] was short lived. I started work on it and then the whole thing went to hell. Now, I'm so happy doing something else, I wouldn't [necessarily go back] even if the whole thing came back. They've got a tough job. When I was involved last year it was from scratch. I have no idea if they've even regrouped yet with the situation being the way it is. There came a point where we all just had to say, 'look, I'm just going to step off'. I just wrote a treatment, never a script."
"I went [to EON Productions] with an original idea. I pitched the idea. They had already expressed interest and we had met a year before in 2008. So I said, 'if I come up with something, I'd be interested, but if I don't come up with anything, I'm probably not your man'. But then I came up with something and everyone was interested in the idea, so I wrote the treatment, and it remains to be seen what they do! I suspect if they start again, they'll start entirely again [from scratch]. I think there was momentum behind my idea for the moment, and I suspect that moment's probably gone."
"I feel far more liberated working on the Freddie Mercury project. I think for most British men, especially those over 40, the Bond idea is heaven. I was thrilled to be involved... But I feel like it's a dated idea now. Having tried to do it, I'm not sure it's possible to do it. But I wish them luck, because I'm first in line [to see it]. I do think that the absence of social reality in the Bond films [is a problem] - and I do hope they manage to get that in a script - that you can believe in him and he's not just a man in a dinner jacket. He's a creature of the Cold War. I personally struggle to believe that a British secret agent is still saving the world."
"I'm very encouraged if Sam Mendes [directs the film], because I'm sure he wouldn't put his name to a load of nonsense. He's smart and he's British and he would care deeply about the franchise. He's got his feet on the ground and understands what's going on in the world. He wouldn't want to do a Bond film to make it a pantomime. The holy grail is to combine thought and action, and if you can deliver a mainstream piece of entertainment that is also highly provocative, and original... Everybody's got their fingers crossed that [they can raise the bar]."