I wonder what some of you are looking for in this show. I don't mean that in any sort of demeaning way, I really just wonder. This complaint that "I hope they don't all get wiped again" is analogous to saying "I hope they don't just go back to school like nothing happened again" for Buffy, or "I hope they don't lose all that money they made somehow and have to go back to doing other dangerous jobs" for Firefly. Of course, they're getting fucking wiped. That's the whole point.
Also, more and more, this show seems to me to be less about finding out what the Dollhouse is and why it operates, and more about why these people are here. The first 5 episodes were mediocre (and I know that's being generous), but the last three have really pushed forward what I feel is the true central theme of the show. It's all a big group of character studies as all of Whedon's stuff is. Yeah, finding out the big picture elements of the dollhouse conspiracy is the big overarching plot, but I expect that to be parceled out in doses. The stuff in between is all character-driven.
While the excellent Man on the Street did more to push forward the larger picture of:
- what is the dollhouse's endgame,
- who are these people who are scheming to bring it down,
- and etc etc conspiracy theories etc etc,
I found myself wondering more about why Paul Ballard cares so damn much about the Dollhouse. Righteous indignation combined with an obsessive lust for Echo is fine and dandy, but way too simple. Someone here made a comparison to Mulder from the X-Files. That seems like a pretty apt comparison. There has to be some other motivation there for Paul.
The next episode gave us the backstory of how Echo got involved in this mess to begin with, and gave us several more inklings that the whole process of becoming a doll is somewhat voluntary. Manipulative beyond a doubt, but still somewhat voluntary.
This last episode again furthered the stories of the people within the dollhouse more than the dollhouse conspiracy itself. It's made abundantly clear that at least Echo and November are there voluntarily. The implication being that Echo wanted to forget the guilt of getting her lover killed, and that November wanted to forget the pain of losing her daughter. At the same time, the implication is that Sierra was purely manipulated into becoming a doll. Victor, we have no idea, which was really the biggest disappointment of the episode for me. Everyone gets a nice look into their motivations but him.
Yeah, the show's been pretty damned mediocre, but it really does feel like it was all buildup, setting the stage for these later episodes. And yeah, I'll agree that Eliza Dushku is definitely the weak link of the show. The supporting cast around her is totally out-classing her in almost every scene. Even so, it is a shame that it will likely get canned, as this is mirroring every other Whedon show for me.
I thought Buffy's first season was mediocre, and then it got better from Season 2 on. Firefly, I found quaint, but nothing spectacular at first, but after a few episodes I was riveted, and ended up feeling it's one of the best shows I've ever seen. Dollhouse seems to be following the same formula of drop the audience in, set the stage, and then start peeling back the layers of the characters for all to see. Can't say I love the show yet, but I'm certainly enjoying it more and more lately.
Also, more and more, this show seems to me to be less about finding out what the Dollhouse is and why it operates, and more about why these people are here. The first 5 episodes were mediocre (and I know that's being generous), but the last three have really pushed forward what I feel is the true central theme of the show. It's all a big group of character studies as all of Whedon's stuff is. Yeah, finding out the big picture elements of the dollhouse conspiracy is the big overarching plot, but I expect that to be parceled out in doses. The stuff in between is all character-driven.
While the excellent Man on the Street did more to push forward the larger picture of:
- what is the dollhouse's endgame,
- who are these people who are scheming to bring it down,
- and etc etc conspiracy theories etc etc,
I found myself wondering more about why Paul Ballard cares so damn much about the Dollhouse. Righteous indignation combined with an obsessive lust for Echo is fine and dandy, but way too simple. Someone here made a comparison to Mulder from the X-Files. That seems like a pretty apt comparison. There has to be some other motivation there for Paul.
The next episode gave us the backstory of how Echo got involved in this mess to begin with, and gave us several more inklings that the whole process of becoming a doll is somewhat voluntary. Manipulative beyond a doubt, but still somewhat voluntary.
This last episode again furthered the stories of the people within the dollhouse more than the dollhouse conspiracy itself. It's made abundantly clear that at least Echo and November are there voluntarily. The implication being that Echo wanted to forget the guilt of getting her lover killed, and that November wanted to forget the pain of losing her daughter. At the same time, the implication is that Sierra was purely manipulated into becoming a doll. Victor, we have no idea, which was really the biggest disappointment of the episode for me. Everyone gets a nice look into their motivations but him.
Yeah, the show's been pretty damned mediocre, but it really does feel like it was all buildup, setting the stage for these later episodes. And yeah, I'll agree that Eliza Dushku is definitely the weak link of the show. The supporting cast around her is totally out-classing her in almost every scene. Even so, it is a shame that it will likely get canned, as this is mirroring every other Whedon show for me.
I thought Buffy's first season was mediocre, and then it got better from Season 2 on. Firefly, I found quaint, but nothing spectacular at first, but after a few episodes I was riveted, and ended up feeling it's one of the best shows I've ever seen. Dollhouse seems to be following the same formula of drop the audience in, set the stage, and then start peeling back the layers of the characters for all to see. Can't say I love the show yet, but I'm certainly enjoying it more and more lately.