afternoon delight said:![]()
Samurai Rebellion (1967) - Stark black and white tale with a series of relationships that evolve and twist inside an inhumane system. Stunning and a must watch if you like stories in the vein of the old tragedies.
Crazy, I literally started watching that today.
Judging by the image properties...Children of Men.DesertEater said:^ hey, whats the second film?
the picture doesnt show.
Fritz said:
Just saw a German movie called Soul Kitchen. Set in Hamburg, it centers around Zinos who is trying to run a shabby restaurant. When he hands the kitchen over to an ingenious chef the business starts blooming and the restaurants becomes an in spot for the typical hamburg crowd of establishment, artists and underworld alike. But Zinos himself spirals into crisis, with his girlfriend leaving for Shanghai, his brother in prison, dubious investors and a slipped disc to top things off.
A great, warm urban comedy with a sweat soundtrack. I dont know whether an English version does exist. If so, its certainly worth checking it out. Here, have a trailer
Duuuuuuuuuuuuuuuuuuudereallyfull said:I was skimming through this thread and came across this:
NSFW: http://www.neogaf.com/forum/showpost.php?p=18201524&postcount=6275
Hotlinking FTL.
Really really good IMO.Blader5489 said:How does 2001 look on Blu-Ray? I have yet to pick it up myself.
Blader5489 said:How does 2001 look on Blu-Ray? I have yet to pick it up myself.
GullyJuice said:Chungking Express. Talk about a movie with no plot. I think Kar Wai Kong's only good movie was "In the Mood for Love".
Plot synopsis:GullyJuice said:![]()
Chungking Express. Talk about a movie with no plot. I think Kar Wai Kong's only good movie was "In the Mood for Love".
Fuzz Rez said:But for reals, I personally loved this movie. The kind of "slice of life" -style really worked on me. Have you seen 2046 ? If not check it out, loose sequel for In the mood for love.
Ummmm, isn't that what I just said ? I saw he liked In The Mood For Love so I suggested 2046 (imo better than ITMFL).see5harp said:You are thinking about Fallen Angels which was supposed to be the third story arc in Chungking...2046 is more of a sequel to In The Mood For Love.
Fuzz Rez said:Ummmm, isn't that what I just said ?
GullyJuice said:Chungking Express. Talk about a movie with no plot. I think Kar Wai Kong's only good movie was "In the Mood for Love".
Salazar said:The Beat My Heart Skipped. Very good indeed. Romain Duris has an exceptional line in moody edginess. I did not know until a few moments ago that the director, Jacques Audiard, is responsible for the much-hyped 'A Prophet' - a film I'd already planned to go and see and am now very keen indeed to see.
Stellar movie and it's just about worth a 10/10 in my book if only for the scene where Jimmy Stewart plays the piano together with Duke Ellington. I had to pause the movie at that shot to take in the sheer coolness of it.Snowman Prophet of Doom said:I just watched Anatomy of a Murder (1959).
I loved the hell out of it. It's a bit slow, but James Stewart could read the phone book to me. George C. Scott is also very good. What I really liked is that ultimately (in my opinion), the viewer is left to decide whether or not he thinks the man is guilty.
9/10.
But isn't it true that with Wong Kar-wai, the style is part of the substance? In the Mood for Love, for example, would lose most of its magic if it were obfuscated by too much plot or dialogue. It's so sensuous mostly because of what it doesn't show. There's no real need for exposition, or the character's spouses being more prevalent plot points, or having them touch each other other more often, kissing or having sex, etc. It's probably the most tacit romance ever filmed, and that's what makes it so exceptionally romantic.brianjones said:hes pretty gimmicky. I find him to be all style no substance.
Timber said:Stellar movie and it's just about worth a 10/10 in my book if only for the scene where Jimmy Stewart plays the piano together with Duke Ellington. I had to pause the movie at that shot to take in the sheer coolness of it.
I have never been to the upper peninsula of Michigan (or to America for that matter) but I don't think it's often associated with jazz. So I don't know where they got the idea for the soundtrack, but it works so, so well. That movie has such an incredible sense of place.
Another thing that's great about it and that's garnered it lots of praise is how realistic its courtroom sequences are compared to 99% of other Hollywood courtroom films. While it does do the thing where there's a sudden twist near the endit doesn't so much turn the proceedings on their head as these things are wont to do, as much as corroborate an already existing argument. And, as you said, the whole thing is morally complex and not a clear-cut case of good vs. evil. Great perfomances as well.(the woman finding the panties in the laundry chute)
I really need to see it again.
GullyJuice said:![]()
Chungking Express. Talk about a movie with no plot. I think Kar Wai Kong's only good movie was "In the Mood for Love".
It probably flew right over your head, right?y2dvd said:![]()
The only movie so far in which I already own the dvd but still got a bluray copy. Still a great movie. *Wishes I can look as cool as Tyler Durden
I rented PlayTime on Blu-ray and watched it twice over the span of two days. I never do that, but there was something about the movie that was incredibly intoxicating and invigorating. So then I watched Holiday, and thought it was merely okay. The jokes just seemed too broad and the leisurely pacing was a bit too leisurely. Fast forward to a couple months ago and my friend goes to see Holiday at a revival house. I decide to give it another shot. And I don't know if it was just being able to actually see the sight gags on the big screen (as you know, there are many of them) or being surrounded by a bunch of like-minded film geeks, but this time the movie totally worked for me. So I guess the moral is: see it on the big screen if possible.Timber said:I saw Mr. Hulot's Holiday when I was 14 or 15 and didn't get it at all.
Following 24 Hour Party People this is the second film of Winterbottom's I've seen. It's clear that he goes to great lengths to be as post-modern as possible, and he's adamant about letting the audience know it. Like Party People there's tons of self-reflexivity and stepping outside of the movie, and like Party People it is tons and tons of fun. It's one of the funniest and most unpredictable films I've seen for ages and I kinda wish there was more of it. I liked the repeated use of the 8 1/2 theme which was a nice reference and way of outlining the two films' shared preoccupation with the difficulty of juggling art and real life. Also I am madly in love with Kelly Macdonald.
AlternativeUlster said:So I have been mapping out a possible schedule for this month since I need to not blow cash before SXSW and I think I might be able to watch a 100 full length movies for the rest of this month. Does anyone want to try and watch as many movies as possible for no good reason?
AlternativeUlster said:So I have been mapping out a possible schedule for this month since I need to not blow cash before SXSW and I think I might be able to watch a 100 full length movies for the rest of this month. Does anyone want to try and watch as many movies as possible for no good reason?
I wish I could join you, but my schedule sucks so much ass these days I'm lucky to see 2-3 films a week.AlternativeUlster said:So I have been mapping out a possible schedule for this month since I need to not blow cash before SXSW and I think I might be able to watch a 100 full length movies for the rest of this month. Does anyone want to try and watch as many movies as possible for no good reason?