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Movies you have seen recently?

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Marebito: Heard good things about this movie for quite sometime. Very weird, and surreal.

Let the Right One In: Another movie I been wanting to watch. An innocent boy falls for a blood thirsty vampire girl. A twisted love story.

Senseless: Recommended to me by a friend. Pretty disturbing.

UP: Finally sat down and watched the whole thing. Very funny and cute.

Infection: Really liked the mystery surrounding the so called infection. Saw the twist coming at the end tough.

The Eye 3: Very entertaining. If you're expecting this to be anything like the other movies you're in for a surprise. xD
 
Mr. B Natural said:
400 Blows - A movie I never heard of that netflix insisted I watch. I'm glad the netflix gods did. I loved the characters and the boy was really really well put together and acted. He felt real. I don't get the ending though. He ran to the ocean, splashed around and....that's it. I guess it's hard to end a movie about a boy that doesn't belong anywhere and to anybody, but...I felt a little disappointed because I grew to like him and I want to know what happens next.

Truffaut did another film with him, didn't he?
 
The Good, The Bad and The Weird (2008) – During the first third of this movie I already saw it as an instant classic. Everything about it clicked, the characters, the cinematography, the sound design (oh god the sounds in this movie!) and just the overall style. Loud, in your face and it didn’t pull any punches. Then it started to drag on, and on, and on. It’s constant action and it never really loses its edge, but it does get tedious after a while, and by the end of it I found it hard to care about what was happening. Could definitely have benefitted from being a bit more condensed (and lose maybe half the characters!). Still, a very good movie, though not as good as it could’ve been. 4/5

The War of the Worlds (1953) – This was a pretty huge disappointment for me. I dig a few elements of it, some of the effects for example still look excellent today (the lasers!) but a lot of it hasn’t aged well, and I’m not just talking about the clearly visible strings. Aside from the at-the-time acceptable man/woman relationships (at least try to help her a bit in the kitchen man!) it has a lot of illogical and sometimes stupid scenes (with the “aliens in the house” sequence as a prime example), and then it’s the painfully crappy “go God!” ending. Was the ending in the book as shitty as this? I felt it went against the statement about colonization and how it usually went down when two peoples with technological “imbalances” met each other, we were just lucky that God was on our side!

I’m not sure which of the two version I’d put on top… the Spielberg version I felt nailed the oppressive nature of the aliens better, but then again the original didn’t have the moronic children, so I guess it’s a tie. 2/5

Ministry of Fear (1944) – A decent mystery movie. Some really nice shots here and there but overall I wasn’t that moved by or engaged with it. I’d put it about on par with some of the lesser Hitchcock films and way below some of the better Fritz Lang films. 3/5


I also recently read The Castle by Franz Kafka and decided to hunt down some movie adaptations of it. I did the same back when I read The Trial and wasn’t too impressed with what I found (the Orson Welles version and the one starring Kyle MacLachlan as K.). What’s interesting about these adaptations is that the works by Kafka are in parts unfinished, some of the mid- to late sections in The Trial are missing, and The Castle doesn’t have an ending. It’s fun to see how different directors try to tackle this and how they interpret the stories, which is a very hard thing to do since Kafka’s novels are very personal affairs. And so my search for a decent Kafka adaptation continues!

The Castle (1997, Michael Haneke) – With Haneke (Funny Games) attached I initially had hope that this one might be something special. What I got though was a word-by-word, scene-by-scene retelling of the Kafka story. Now I found some quote by Haneke where he said something like “a TV movie [which this is] should be a straight retelling and nothing else!” and that’s exactly what he made. If you haven’t read the book, I guess this could get you interested, if you have read it, you’ll find it boring. Without K.’s (the protagonist) inner monologues a lot of the intricacies of the story is lost, and in addition to that, a lot of K’s rebuttals that are in the book are not in the film. A huge part in Kafka’s writing is that everything can be interpreted in at least three different ways (literal, religious and in relation to Kafka’s personal life), and in the novels this is reinforced by the fact that K. usually holds a different view from the other characters, almost all of which are missing in the film. This makes it not just a boring, literal adaptation, but a lesser one at that.

The casting isn’t all bad, Ulrich Mühe (The Lives of Others) does a good job portraying a tired and depressed man as K., even though he doesn’t do much but sulk. The rest of the cast is decent as well with the exception of K.’s helpers, which in the book acts as a sort of “Marx Brothers” comic relief, they’re the helpers that only make things worse, and I didn’t feel that aspect of it got played up enough here.

All in all, there isn’t much to see here. It does a poor job of translating the book so it can’t serve as a substitute, and you won’t find anything here that’s not in the book. It’s also over two hours long with really slow and mellow camerawork (usually just a still shot of people talking) which doesn’t do it any favors. This one also doesn’t give you an ending, just the “Kafka stopped writing here, guess I’ll stop filming!” white text on black background.

The Castle (1968, Rudolf Noelte) – This one was a bit harder to track down, it’s from a seemingly unknown director (he’s done a lot of German TV films) featuring Maximilian Schell as K. I really think that this movie is the better of the two. It takes a lot more liberties with the plot; scenes are shortened, merged, deleted or even invented (!) and I felt that it makes the movie move at a much better pace than Haneke’s version. It’s still missing the voice over, and here K. doesn’t get much to say either, but it’s not as tedious to watch. The camera rarely stands still which helps make it more engaging, and in addition to that it’s ¾ as long as the 1997 film while still hitting most of the major points in the story. It even adds its own ending -- one that is kinda similar to the one in The Trial, which probably isn’t a bad guess considering how similar the two books are in general -- it’s not a very good or fulfilling one, but it’s an ending all the same. Oh and the helpers in this one did a much better job, they not only look the part (weak and scrawny) but they have a lot of screen time as well. Now, the “comedy” bits in the book is probably one of the easier aspects to adapt while still retaining the same “punch”, but here they’re altered in pretty big ways, which is nice.

As I said, the one from 1968 was to me the better movie, as it actually tries to be a movie. But at the same time it doesn’t stray too far from the book, and is largely a literal adaptation. It still cannot capture the essence of the book and doesn’t manage to be that profound of a movie. Though as far as Kafka adaptations go, I’d put it second to the Welles adaptation of The Trial (which is much more creative both story-wise and visually, and it had Anthony Perkins which is perfect for K.), and I still wouldn’t say that any of them come close to being a satisfying movie in and of its own or as a great adaptation. There is a Russian take on The Castle that I haven't seen called Zamok (1994), I'd love to see it, but it's pretty much impossible to find anywhere, so no luck there.

What I’d really like to see is someone just taking the concept going wild with it. Kafka’s writing is loaded with humor yet all everyone does is rip the dialogue and make a stale movie out of it. The places in the books aren’t real at all and could actually just exist in the protagonists (K., in both cases) head, which makes me yearn for a Dr. Caligari-style adaptation as well. Now with all that said, the one person I think fits the bill for a really great Kafka-based movie is Terry Gilliam, Brazil is probably the closest thing I’ve seen to a Kafka-style story and I’d love to see his take on it. Oh well, a man can dream.
 
Blader5489 said:
Truffaut did another film with him, didn't he?

Yeah, he did three more films and a short about Antoine Doinel. Criterion released a boxed set, if you're interested. I haven't seen any aside from 400 Blows, but I haven't heard great things about the others. Any other opinions?
 
Pain (2000) - 8

One Flew Over the Cuckoo's Nest (1975) - 9

Toy Story (2D) - 10

Erin Brockovich (2000) - 10

Ocean's Twelve -(2003) - 7
 
Danne-Danger said:
The Good, The Bad and The Weird (2008) – During the first third of this movie I already saw it as an instant classic. Everything about it clicked, the characters, the cinematography, the sound design (oh god the sounds in this movie!) and just the overall style. Loud, in your face and it didn’t pull any punches. Then it started to drag on, and on, and on. It’s constant action and it never really loses its edge, but it does get tedious after a while, and by the end of it I found it hard to care about what was happening. Could definitely have benefitted from being a bit more condensed (and lose maybe half the characters!). Still, a very good movie, though not as good as it could’ve been. 4/5

I've really got to check this out. Enough people have recommended it, plus I saw this when I checked out it's imdb page:

Rated R for nonstop violence and some drug use.

:lol

Nonstop violence? Sold!
 


Happy Feat
(2006) 5/10

I don't know what GAF's opinion on the movie is but...what the fuck did I just watch? I knew going in that this one the Oscar for Best Animated Feature but nothing beyond that. I had high hopes as a result, but after watching the movie I did some research and found out this was competing against Cars and Monster House.

I now see why it won.
 
Layer-Cake_girl-1a8a6.jpg


8/10 ... Really good. If you liked Snatch, you'll like this.
 
The War of the Worlds (1953) – This was a pretty huge disappointment for me. I dig a few elements of it, some of the effects for example still look excellent today (the lasers!) but a lot of it hasn’t aged well, and I’m not just talking about the clearly visible strings. Aside from the at-the-time acceptable man/woman relationships (at least try to help her a bit in the kitchen man!) it has a lot of illogical and sometimes stupid scenes (with the “aliens in the house” sequence as a prime example), and then it’s the painfully crappy “go God!” ending. Was the ending in the book as shitty as this? I felt it went against the statement about colonization and how it usually went down when two peoples with technological “imbalances” met each other, we were just lucky that God was on our side!

I’m not sure which of the two version I’d put on top… the Spielberg version I felt nailed the oppressive nature of the aliens better, but then again the original didn’t have the moronic children, so I guess it’s a tie. 2/5
Why you hatin' on mah childhood? :lol Yeah, it's super-aged, but man that Technicolor is fantastic to watch. Plus the two leads? Come on, it's stereotypical man-woman but at least they can forcibly act through their lines. Their introduction to each other is classic. And a country dance hall follow-up? :lol I admit, it's not very visceral. But it's something great to put on and double feature with, say, the American version of the first Godzilla.
 
Blader5489 said:
I've really got to check this out. Enough people have recommended it, plus I saw this when I checked out it's imdb page:

:lol

Nonstop violence? Sold!
I'm sort of angry with myself that I didn't check it out earlier tbh! The closest comparison I can think of would be Kill Bill. Both draw heavily from anime, Kurosawa/Leone and just jack it up to a thousand. It's one hell of a ride!
afternoon delight said:
Why you hatin' on mah childhood? :lol Yeah, it's super-aged, but man that Technicolor is fantastic to watch. Plus the two leads? Come on, it's stereotypical man-woman but at least they can forcibly act through their lines. Their introduction to each other is classic. And a country dance hall follow-up? :lol I admit, it's not very visceral. But it's something great to put on and double feature with, say, the American version of the first Godzilla.
Hehe, yeah I didn’t have that much of an issue with the two leads, as the way they're portrayed is to be expected from the era. I actually really enjoyed it for a while, but then the ending just left a really bad taste in my mouth that I couldn't get away from. That, and compared to The Day the Earth Stood Still which I also saw recently, it's a pretty weak sci-fi film. But as you said, it looks great, and is probably worth watching once for that if anything. And it's a good history lesson if you're into sci-fi movies.
 
Teeth. Sure, it was cheesy and hokey at times, but after the slow start (awesome portrayal of the pro-abstinence movement though) it had me. Literally squirming at some of the
dismemberments
though. Ouch.
 
LM4sure said:
I saw The Girl with the Dragon Tattoo. Book was better. Good choice on the actress of Salander though.

Theres a Hollywood movie coming. David Fincher is attached to direct and Daniel Craig is rumored in the lead.
 
Solo said:
Theres a Hollywood movie coming. David Fincher is attached to direct and Daniel Craig is rumored in the lead.

While I'm not big on her as an actress, Kristen Stewart would be perfect for the role of Lisbeth. Just have her act like herself and she'll perfectly embody the introverted awkwardness of the character.
 
Borgnine said:
Do The Right Thing: I was expecting more, thought it was pretty medium. Pretty good time capsule of the funky fresh late 80s/early 90s though. I did not think Mookie did the right thing.
My thoughts exactly.
 
Solo said:
Theres a Hollywood movie coming. David Fincher is attached to direct and Daniel Craig is rumored in the lead.

Yeah, I heard about that, and to be honest, it's actually pretty disappointing. Now I said the book was better, but don't get me wrong. The movie was really well made. The same was true for Let the Right One In. And they're both being made into Hollywood films. Why the hell do they have to go and do that when the original was a good if not great film? Damn Americans, and their inability to watch any movie not made by an American studio.
 
harSon said:
While I'm not big on her as an actress, Kristen Stewart would be perfect for the role of Lisbeth. Just have her act like herself and she'll perfectly embody the introverted awkwardness of the character.

I really hope they go for an unknown. Lisbeth is 4'11 I think and like 80 lbs (if that). And she has no tits. Where can you find that in Hollywood?
 
harSon said:
While I'm not big on her as an actress, Kristen Stewart would be perfect for the role of Lisbeth. Just have her act like herself and she'll perfectly embody the introverted awkwardness of the character.

:lol

LM4sure said:
Yeah, I heard about that, and to be honest, it's actually pretty disappointing. Now I said the book was better, but don't get me wrong. The movie was really well made. The same was true for Let the Right One In. And they're both being made into Hollywood films. Why the hell do they have to go and do that when the original was a good if not great film? Damn Americans, and their inability to watch any movie not made by an American studio.

True, perhaps, but Fincher + Craig = my ass in the theatre.
 
Spike Lee didn't intend for the title to embody Mookie's actions, the title is referring to the fact that every character in the film felt that their actions were justified.
 
harSon said:
Spike Lee didn't intend for the title to embody Mookie's actions, the title is referring to the fact that every character in the film felt that their actions were justified.

Right, but Mookie is one of those characters and I'm specifically calling him out for doing the wrong thing.
 
Craig seems like a solid choice for Blomkivst, who also gets quite a bit of tail XD



I am reading Hornet's nest right now, so good.

But I am at a complete loss as to who would be a perfect fit for Salander.
 
Borgnine said:
Right, but Mookie is one of those characters and I'm specifically calling him out for doing the wrong thing.

Oh, guess it was just a defensive mechanism. People always seem to come to the conclusion that the film was vilifying the white characters and victimizing the black characters, and that the title is a reference to Mookie's actions in the end. My mistake, and I definitely agree with your assessment of Mookie.

LM4sure said:
I really hope they go for an unknown. Lisbeth is 4'11 I think and like 80 lbs (if that). And she has no tits. Where can you find that in Hollywood?

Kristen Stewart is not exactly the tallest of females, and she's pretty damned skinny as well. And I wouldn't call her the most "gifted" of females in the breast or ass department, they're pretty much nonexistent to be honest.

Solo said:

You don't like the choice? :(
 
Solo said:
No, Im just laughing at her overall awkwardness making her perfect for the role.

I never knew she was so ridiculously awkward until I saw her acceptance speech at the MTV Movie Awards. But then again, maybe she's just high all the time.
 
I've been watching some older movies recently. They were:

On the Waterfront (1954) - I really enjoyed this movie. Brando was great.
Apocalypse Now (1979) - I watched the Redux version since I was unsure which version to watch. It felt really long. Would it have been better to watch the normal version first? Still, I thought it was good.
One Flew Over the Cuckoo's Nest (1975) - Loved it
A Streetcar Named Desire (1951) - Okay, I haven't actually finished this one yet since I fell asleep (I was tired, no fault of the movie). I am liking it though.

I will also be receiving Raging Bull from netflix tomorrow. I am looking forward to watching it for the first time.

I am really loving Marlon Brando. Are any of his other earlier movies any good? I've already seen The Godfather, and it is one of my favorites as well.
 
Easystride said:
I've been watching some older movies recently. They were:

On the Waterfront (1954) - I really enjoyed this movie. Brando was great.
Apocalypse Now (1979) - I watched the Redux version since I was unsure which version to watch. It felt really long. Would it have been better to watch the normal version first? Still, I thought it was good.
One Flew Over the Cuckoo's Nest (1975) - Loved it
A Streetcar Named Desire (1951) - Okay, I haven't actually finished this one yet since I fell asleep (I was tired, no fault of the movie). I am liking it though.

I will also be receiving Raging Bull from netflix tomorrow. I am looking forward to watching it for the first time.

I am really loving Marlon Brando. Are any of his other earlier movies any good? I've already seen The Godfather, and it is one of my favorites as well.
Fuck I hope you love Raging Bull as much as I did I think it's every bit as good as Goodfellas.
 
Since this forum's search functions are completely useless and a search for this broad a term brings back 18 billion hits, what did you all think of The Road from last year? Recently watched it on PPV and was surprised at how decent it was when all I've seemed to hear was criticism. I like that it doesn't pander too much to lowest common denominators like most Hollywood movies do. It gets melodramatic, but briefly. It gets tense and has some action scenes, also brief. Plenty I could nitpick about it but I think it was a good solid film, far better than the usual over the top comic book drek in the post-apocalyptic sub-genre.

Also, the amount of amateur reviews I've read around the net calling this boring really floors me. A father and son struggling to stay alive in a mysterious post-apocalyptic world is boring now? The fuck do you want, topless zombie car chases?
 
VALIS said:
Since this forum's search functions are completely useless and a search for this broad a term brings back 18 billion hits, what did you all think of The Road from last year? Recently watched it on PPV and was surprised at how decent it was when all I've seemed to hear was criticism. I like that it doesn't pander too much to lowest common denominators like most Hollywood movies do. It gets melodramatic, but briefly. It gets tense and has some action scenes, also brief. Plenty I could nitpick about it but I think it was a good solid film, far better than the usual over the top comic book drek in the post-apocalyptic sub-genre.

Also, the amount of amateur reviews I've read around the net calling this boring really floors me. A father and son struggling to stay alive in a mysterious post-apocalyptic world is boring now? The fuck do you want, topless zombie car chases?
Couldn't hurt...You knew that was coming didn't you.
 
VALIS said:
I even said "yes" out loud to it when I reread my post. :lol
Seriously though I agree mostly with you, it was a rather good film...I just seem to hate child actors so much that it affects my overall take of movies with them unless they are incredible ala Natalie Portman in Leon or Chloe in Kick-Ass.
 
harSon said:
I'll be damned, Uwe Boll made an extremely enjoyable and well done movie. The subject matter in Rampage was a bit difficult to watch, but the film was well constructed and quite intelligent. My only complaint was the needless shaky cam, but outside of that, bravo Uwe, bravo. Consider me pleasantly surprised.

It's a shame his record will stop most people from giving this one a chance. It really is quite good. I hope he continues in this direction.

boredofcanada said:
Exit-Through-the-Gift-Shop-Movie-Poster.jpg



anyone seen it?? its finally coming to Miami this friday.

Great flick.
 
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