Boogie Nights
There Will be Blood
Punch Drunk Love
Magnolia
The Master
Inherent Vice
Tmnt 2 or nice guys will be my next watch
I've seen London Has Fallen and absolutely loved it. It's like 80% straight action and great one. The final assault on terrorist base was just jaw dropping. This is easily one of the best action movies I've seen in recent years. And enormous improvement over first entry in franchise.
So I was pretty shocked to see how much it got trashed by critics. I guess they didn't like muslim terrorists being the bad guys and movie never making any effort to show them as anything that monsters worthy of slaughter? Meh. They made for good bad guys and seeing them killed brutally by Butler was satysfing.
Hope they will do another sequel.
I am going to try as well.I'm going to bite the bullet and see Xmen this weekend. Wish me luck, GAF.
I loathed the original and I think it was 70% on RT when it came out. Pretty much confirms I do not agree with critics with adult comedies.On the other hand, I thought Neighbors 2 was pretty terrible. But it's at 63% on RT, so maybe I'm missing something.
Gaf, go watch "All The Way." Bryan Cranston is great. I you don't know its an HBO movie about LBJ during his first year in office after Kennedy was shot, and his fight for civil rights.
1. Inherent Vice
2. There Will Be Blood
3. The Master
3. Magnolia
4. Boogie Nights
6. Punch Drunk Love
7. Junun
8. Hard Eight
His worst film is better than the best from most directors though.
Crazy Inherent Vice love there.
Oh and if anyone is interested check out this crazy interesting theory about how punch drunk love might be secretly a Superman film: http://youtu.be/2untlg3bFmk
Niggas in the PTA/DDL thread going in on the scenery chewing in TTBB, thinking that's a DDL thing. Nigga, that's a PTA thing. I think he finds the biggest, broadest fuckin' take possible and puts that in. Magnolia in particular has some of the most inconceivable patches of overacting I've seen in my damn life. With that constant soundtrack, its like a 3 hour torrent of hysterics.
"WHAT'S...WRONG! YOU SUCK MY DICK!
PTA:
1. The Master
2. There will be Blood
3. Punch Drunk Love
4. Boogie Nights
5. Inherent Vice
Dislike Magnolia. Oh and if anyone is interested check out this crazy interesting theory about how punch drunk love might be secretly a Superman film: http://youtu.be/2untlg3bFmk
Julianne Moore's insufferable character is what keeps Magnolia from being my #1.Niggas in the PTA/DDL thread going in on the scenery chewing in TTBB, thinking that's a DDL thing. Nigga, that's a PTA thing. I think he finds the biggest, broadest fuckin' take possible and puts that in. Magnolia in particular has some of the most inconceivable patches of overacting I've seen in my damn life. With that constant soundtrack, its like a 3 hour torrent of hysterics.
"WHAT'S...WRONG! YOU SUCK MY DICK!
The Wailing
This was one hell of a good movie. Na Hong-jin once again manages to impress me with this directon and the cinematography was fantastic here.
What makes this movie for me is that the various characters here are more or less likeable. They feel like normal people and so when tragedy and horror begins to settle into the village one can't help but to hope for the best. Kwak Do‑won's character, a bit of a bumbling and easily frightened cop, is what made me like the story so much. Watching him change throughout the movie was a marvel to watch.
And that ending. God damn. Normally, I would love to rewatch a movie this good but I can only watch horror films only once.
Deadpool: Stupid as hell with a good heart, so pretty damn accurate to the source material! I really enjoyed the chemistry between Ryan Reynolds and Morena Baccarin, though; there were times where I honestly preferred this film as a romantic comedy over the action-comedy it largely is just because of how well both of them played off of each other.
We Are Still Here: A potentially intriguing mix of haunted house tropes with a dose of Lovecraftian undertones that is sadly undone by trading in the atmosphere and dread for increasingly gory special effects and a rather rushed and half-assed mythos that never gels together for any antagonistic party present. There is a more interesting film in here that would have stayed focused on our heroes (for their part, both Barbara Crampton and Andrew Sensenig make for a believable couple dealing with some profound grief) and kept things in the dark a lot longer than it does, figuratively and literally. It all feels very underdeveloped by the end, leaving behind a smattering of solid ideas and visual concepts among the bloody remains to try and sift through.
Really excited to see this. I like The Chaser quite a bit and I hear this is better.