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Movies You've Seen Recently |OT| March 2015

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Here we go again!

Wall of shame:

Z7w9MwF.png


Remember:

DO NOT just post the title of the movie you watched. It isn't conducive at all to the kind of discussion & communication we want to engender here, because it tells us nothing of you, the movie, the impact of the latter on the former. Post scores, descriptions, essays, poems, gifs, hashtags, whatever provides you the best outlet for personal expression, you unique little digital snowflake. Also, Marvel movies are mostly shit. - icarus-daedelus

Interesting movie listing/rating sites:

Letterboxd
iCheckMovies


Our ICM group: http://www.icheckmovies.com/groups/neogaf/

Regs on such sites:

AnkitT
http://letterboxd.com/ankitt/
http://www.icheckmovies.com/profiles/ankitt/

Anton Sugar
http://letterboxd.com/thrillho/

BaronLundi
http://www.icheckmovies.com/profiles/baronlundi/
http://letterboxd.com/baronlundi/

Big Ander
http://www.icheckmovies.com/profiles/big+ander/
http://letterboxd.com/ander/

C(harles)F(oster)K(ane)
http://www.criticker.com/profile/cfk
http://www.icheckmovies.com/profiles...s+foster+kane/
http://letterboxd.com/cfk/

Dawg
http://letterboxd.com/dawg/

Divius
http://letterboxd.com/divius/
http://www.icheckmovies.com/profiles/divius/

Dragoon En Regalia
http://letterboxd.com/dragoonenregali/

eLZhi
http://www.criticker.com/profile/d_fens
http://letterboxd.com/d_fens/
http://www.icheckmovies.com/profiles/d-fens/

Femmeworth/Miss Negativity
http://letterboxd.com/femmeworth/

HiResDes
http://www.criticker.com/profile/hiresdes

jnc
http://www.criticker.com/profile/jakncoke
http://www.icheckmovies.com/profiles/jakncoke/

Kilgore Trout
http://www.criticker.com/profile/Vonstreudal/
http://www.icheckmovies.com/profiles/kilgore_trout/

Kurisu1974
http://www.criticker.com/profile/kurisu1974/
http://www.icheckmovies.com/profiles/kurisu1974/

Lafiel
http://letterboxd.com/lafiel/

Linius
http://letterboxd.com/linius/
http://www.icheckmovies.com/profiles/linius/]

Madkiller
http://letterboxd.com/aris/

MELIORISM
Criticker - http://www.criticker.com/profile/meliorism/
MUBI - http://mubi.com/users/1017177
ICM - http://www.icheckmovies.com/profiles/meliorism/
Letterboxd - http://letterboxd.com/meliorism/

MikeMyers
http://letterboxd.com/deathscythe/

Mxgt
http://letterboxd.com/mxgt/

PhantomOfTheKnight
http://letterboxd.com/potk_ken/

Ridley327
http://letterboxd.com/ridley327/

Roosters93
http://www.criticker.com/profile/roosters93
http://www.icheckmovies.com/profiles/roosters93/
http://letterboxd.com/roosters93/

Secret Fawful
http://letterboxd.com/secretfawful/

TheKaep/Captain Yamato
http://www.icheckmovies.com/profiles/captyamato/
http://letterboxd.com/yamabro/

Thug Waffle
http://www.criticker.com/profile/Proximity/
http://letterboxd.com/thugwaffle/
http://www.icheckmovies.com/profiles/thug+waffle/

Ventilaator
http://www.criticker.com/profile/ventilaator/
iCheckMovies
Letterboxd

swoon
https://www.icheckmovies.com/profiles/swoon/
http://letterboxd.com/swoon/

Frustrated_Grunt
https://www.icheckmovies.com/profiles/frustratred+grunt/

Serpentine
http://letterboxd.com/Serpentine/

AlternativeUlster
http://letterboxd.com/altulster/

Infernostew
http://letterboxd.com/Infernostew/


- Post your top 5 of February if you can.

- Are you new to the Movies You've Seen Recently threads? Let us know a bit about yourself:

1. What's your favorite Movie?
2. Who's your favorite director?
3. Who are your favorite actors/actresses?
4. Favorite Genre(s)?
5. What's your favorite performance in film?


- Unsure of what to watch?

ICM has a compilation of many official movie lists with lots of interesting recommendations. The theyshootpictures list is also a nice source for recommendations. Or you could ask members in the thread; we don't bite. Participate!


If you want to be added to the OP, let me know.
 
Didn't expect to make the Wall of Shame after returning, lol.

Law of the Border holds up well despite clearly missing sequences that would explain one border villager's death, which is either accident or murder but I guess we'll never know because only a single print remains. Script's perfunctory, but the actor-director gives a good performance, and plenty of interesting stuff happens like Hidir and his accomplice playing dead the moment border guards fire at them (after provoking the riposte to begin with). I think cutting the climactic shoot-out and mainly keeping the shots where the smugglers' inability to aim is more believable would have benefited run-time. Or, to rebalance the movie's themes of urban vs. rural and tradition made impossible by technology or lack thereof (minefields around the smugglers won't let them live the way "God intended"), Guney could have implied their pistols aren't rifled. Apt editing, like early on when Hidir and his rival discuss the merits of a school vs. putting children to work, then cutting to the kids brawling out of confusion, makes the social commentary lucid and snappy.

But I'm not sure if Guney meant to have an opinion either way how the new Turkish generation should be reared, as early on his camera sides with Yusuf, Hidir's son, having the school for a new home before, and then Yusuf's risking his life to comfort his father at the end. So maybe the producers had the director include a more intimate moment with the school-teacher for the movie to avoid controversy against the state, IDK. Solid western tropes make this work for me, as I didn't realize the genre could function in the south-eastern Turkish borderlands this fluently. ***/*****
 
Dragoon, I saw on my LB homepage a while back that you'd watched Floating Weeds, but hadn't reviewed it. What'd you think of it?
Very solid. I especially loved how flipping 180º for shots inside the impresario's house's lobby would change the tone of a scene entirely (something to do with how light sources and color are perceived from a different angle). The ambiguity between the grandson and the grandpa was interesting, and the ending somehow manages to connect new beginnings with a voyage into some nightly hell (blue vs. red makes for a great theme pervading the movie). First time I've been able to perceive the fixed movement speeds of characters too, like when the son's practically stomping up the stairs to his room. Honestly, though, Daiei's sets mess with me and how I'm analyzing Ozu's compositions, whereas, viewing stills from An Autumn Afternoon, I'm better able to understand color usage and the focal points of scenes. I might need more time viewing jidai-geki to understand Japanese architecture, lol.

Upcoming on my Ozu list:
•A Hen in the Wind
•Days of Youth
•The End of Summer
•Late Spring
•Flavor of Green Tea Over Rice
•Tokyo Chorus
•Late Autumn
•There Was A Father


Methodology here's to jump all over LB's Ozu page ranked by popularity, making sure I don't linger in one period of his career for too long. Chastise me about this if you feel like.
 

hal9001

Banned
hd6nhAU.jpg


It Follows
The best film of the year so far and I'm cautious to say it may just be on the verge of being a neo-horror classic. There is incredible direction and cinematography at work here in line to produce a visceral deep psychological horror I haven't seen in the genre in a very long time. The influences from Cronenberg/Carpenter are clear to be seen and that soundtrack is amazing. Maika Monroe once again (after the guest) keeps on impressing with her performance here. Best to go in without knowing too much behind the story.

http://youtu.be/pyACdmYe-4A

citizenfour_poster.jpg


Citizenfour
Deserved Oscar win for best documentary. I have to say it was a bit of a surreal experience watching this. The story and events would not be out of place in a Hollywood conspiracy thriller. At times I couldn't believe that this was actually real life and this type of 1984 paranoia may not be that far fetched at all. An eye opening and humanising story behind one persons journey on exposing our breached privacy.
 
Best of February
Godfather Pt. II
Paper Moon
Kingdom of Heaven (Roadshow)
The Leopard
In the mouth of madness

Worst
Hannibal (Ridley Scott)
 

Ridley327

Member
Top 5 new-to-me for February!
-The Conversation
-Invasion of the Body Snatchers (1978)
-Zodiac
-Taxi Driver
-Watership Down

"Why the hell did I watch this" Award
-Star Runners

Most Valuable Rewatch
-Dog Day Afternoon

Continued Display of Unimpeachable Excellence
-All That Jazz
 
Very solid. I especially loved how flipping 180º for shots inside the impresario's house's lobby would change the tone of a scene entirely (something to do with how light sources and color are perceived from a different angle). The ambiguity between the grandson and the grandpa was interesting, and the ending somehow manages to connect new beginnings with a voyage into some nightly hell (blue vs. red makes for a great theme pervading the movie). First time I've been able to perceive the fixed movement speeds of characters too, like when the son's practically stomping up the stairs to his room. Honestly, though, Daiei's sets mess with me and how I'm analyzing Ozu's compositions, whereas, viewing stills from An Autumn Afternoon, I'm better able to understand color usage and the focal points of scenes. I might need more time viewing jidai-geki to understand Japanese architecture, lol.

Upcoming on my Ozu list:
•A Hen in the Wind
•Days of Youth
•The End of Summer
•Late Spring
•Flavor of Green Tea Over Rice
•Tokyo Chorus
•Late Autumn
•There Was A Father


Methodology here's to jump all over LB's Ozu page ranked by popularity, making sure I don't linger in one period of his career for too long. Chastise me about this if you feel like.

Good to hear you liked it. I've always felt that this is my favorite Ozu film (it was also my first), and I think it's really interesting due to how many way it diverges from his standard practice. From the shift in location to the ambiguous pre-war/post-war time period, the expanded non-family cast with a son as a lead instead of the usual daughter, and lengthy comedic interludes, it's quite a unique but still solid Ozu film. And the slapping scenes make this one of his most violent, to an uncomfortable and jarring extent, considering how often he avoids conflict or tense moments.

I'm sure using Kazuo Miyagawa as a cinematographer had an affect on the color palette of the film (Ozu has said as much). The is the film in his oeuvre with a strikingly dominant red theme. There's a red object in almost every shot (I've checked), which even for Ozu with his red teapots and all, is a lot.

Also, when looking at it again, keep in mind that the Criterion transfer for Floating Weeds is overly bright and red-tinted. For reference, compare with the R2 Blu which more faithfully preserves the original blue-green tint: http://www.dvdbeaver.com/film/DVDReview2/floatingweeds2.htm

Hopping around Ozu's filmography is a fine strategy. I'm glad that you're getting in so many of this early films too. While I think Days of Youth is interesting as it relates to American college comedies of the '20s, That Night's Wife or Walk Cheerfully would be a better pick, since they're still very westernized, but more closely related to his other early socially-minded films like I Was Born, But... or Tokyo Chorus. And they're both just better than Days of Youth, imo.

I'd also throw in Equinox Flower if the list isn't too long for you already. It's quickly become one of my favorites after a few re-viewings.

One of the great joys of Ozu films that is not really discussed is the variety. Not only within each film are there opposing points of view from characters, but in comparison between one film to another, even during his late period when he was focusing almost solely on the comfortably middle class, there are enough different family situations present that you can get a strong hold on the types of issues that these individuals and families were facing at the time. You can see the post-war boom and strong modernizing force of the West enter into Japan in his films, and yet he remains remarkably impartial through all of it by also seeing the liberating effect these changes are having, for women especially.

A sympathetic, non-moralizing dude who made some pretty dope movies.

Anyway, enjoy! I'm happy to talk more about Ozu whenever you'd like/see another of his films.
 
Worst case you can find Thief on a couple other streaming outlets (iTunes mainly), but I've yet to order a region-free Blu-ray player so I can get Arrow's disc.

Something like Tokyo Twilight would satisfy my urge for gloomier Ozu, actually. I chose Days of Youth to have a 1920s film in the line-up, and I can't remember if that's his only feature before the 1930s.
 
hd6nhAU.jpg


It Follows
The best film of the year so far and I'm cautious to say it may just be on the verge of being a neo-horror classic. There is incredible direction and cinematography at work here in line to produce a visceral deep psychological horror I haven't seen in the genre in a very long time. The influences from Cronenberg/Carpenter are clear to be seen and that soundtrack is amazing. Maika Monroe once again (after the guest) keeps on impressing with her performance here. Best to go in without knowing too much behind the story.

http://youtu.be/pyACdmYe-4A

citizenfour_poster.jpg


Citizenfour
Deserved Oscar win for best documentary. I have to say it was a bit of a surreal experience watching this. The story and events would not be out of place in a Hollywood conspiracy thriller. At times I couldn't believe that this was actually real life and this type of 1984 paranoia may not be that far fetched at all. An eye opening and humanising story behind one persons journey on exposing our breached privacy.

Agreed 100% on both.
 

UrbanRats

Member
Primer. Maybe I'm just too slow or something, I don't know, but wut? 6/10

They can time travel, and go back in time.
--
The Immigrant - Mostly bored me.
Jeremy Renner was a mary sue through and through, and the rest of the story just didn't interest me in the slightest.
Phoenix had a decent character i think, but not enough to hold the movie together.
I also didn't like the look of it.
 
Top 5 first watches for February

1. The Last Boyscout
2. Whiplash
3. Southern Comfort
4. 3 Days of the Condor
5. Dear White People

Shit, I watched like half as many movies as I did in January. Gonna have to step it up in March
 
It Follows sounds incredible going by that review, you had me at cronenberg/carpenter.

THEORY OF EVERYTHING

utterly unremarkable film. felt like a 80s BBC tv movie. but i gotta say eddie redmayne absolutely deserved the accolades he got for his performance. there are moments in the film where he looks uncannily like professor stephen hawking. and the physical performance he had to give as well as the changes in speech showed a lot of effort was put into it.
 

Xe4

Banned
Just got out of the theater, after watching Song of The Sea. AMAZING film. Definitely top two animated films of the (last) year, along with Kaguya. I'm actually working on a thread right now : )
 
Top 8 of February

1. Miracle Mile (1988, Steve De Jarnatt) - Instant classic. Incredibly underrated movie.
2. Drugstore Cowboy (1989, Gus Van Sant)
3. I Walked With a Zombie (1943, Jacques Tourneur)
4. All About My Mother (1999, Pedro Almodóvar)
5. Cat People (1942, Jaques Tourneur)
6. Into the Night (1985, John Landis)
7. Tristana (1970, Luis Buñuel)
8. The Better Angels (2014, A.J. Edwards) - Thought I would like this more since I love most of Malick's work, but this didn't have the same spark

What Am I Doing With My Life Award

Cherry 2000 (1987, Steve De Jarnatt)
 

Lafiel

と呼ぶがよい
hd6nhAU.jpg


It Follows
The best film of the year so far and I'm cautious to say it may just be on the verge of being a neo-horror classic. There is incredible direction and cinematography at work here in line to produce a visceral deep psychological horror I haven't seen in the genre in a very long time. The influences from Cronenberg/Carpenter are clear to be seen and that soundtrack is amazing. Maika Monroe once again (after the guest) keeps on impressing with her performance here. Best to go in without knowing too much behind the story.
.
Cronenberg and Carpenter comparisons? I'm in.
 

Blader

Member
Top x new watches of Feb:

1. Whiplash
2. Ip Man
3. Citizenfour
4. Fitzcarraldo
5. My Best Fiend
6. Wings of Desire
7. Breakfast at Tiffany's

Currently half-drunk rewatching Annie Hall with my girlfriend -- happy weekend gang!
 
Top 5 for February

1. Take Shelter
2. Searching for Sugar Man
3. Man on Wire
4. The Conversation
5. Two Days, One Night

Just saw Leviathan. Didn't expect this to be so fuckin depressing. The story, the setting... Kind of made me feel like shit. Not a bad watch. Still glad Ida beat it out for best foreign. 6/10
 

AlternativeUlster

Absolutely pathetic part deux
Top 5 of February (not including shorts)

1. Spirits of the Air, Gremlins of the Cloud (was honestly very surprised by this, from the same guy who did Dark City if anyone cares. It is sad a very beautiful film only exists on VHS)
2. Living Stars
3. Kung-Fu Master!
4. Phantom
5. Anna and the Wolves
 

Ridley327

Member
You guys ought to have one of the Blu-rays by now.

To piggyback off of this, I decided to finally watch my own Blu-ray copy of Thief, and boy, if there was a film that made an utterly convincing argument about how important A/V quality is to the experience of a film, this must surely be one of the best examples. Stellar PQ and a MONSTER audio mix (Tangerine Dream's soundtrack has never sounded so pristine, nor have Craig Safan's additional contributions thumped as hard), all in service for a film that has gone on to be something of a cornerstone in the shaping of the aesthetic of 80s filmmaking.
 
Top 5 for February:
1. Citizen Kane - Somehow had and still has the energy, ferocity, and technical prowess of a film vastly ahead of its time. I love meticulous actor blocking and using them to fill the frame.

2. The Silence of the Lambs - I thought I'd known what to expect out of this through cultural osmosis, but what I didn't expect was the psycho analytical genre flick side of it.

3. The Voices - Marjane Satrapi continues to translate her familiarity with vibrant graphic novel coloring on film while working with a script that balances its pitch-black comedy far better than you'd think after hearing its premise. I've always enjoyed Ryan Reynolds charisma in various romcoms but never expected the range and earnest humanity he shows here.

4. Capote - > Foxcatcher

5. Jupiter Ascending - The Wachowskis directing with their hearts on their sleeves can make any insanely convoluted, flatly acted mess incredibly endearing to me. The dragon people and hover skates certainly helped.
 

lednerg

Member
IUb5fZq.jpg

Forbidden Zone (1980) is an avant garde musical comedy directed by Richard Elfman, starring Hervé Villechaize and Susan Tyrrell, featuring Danny Elfman and the 1970's music theater troupe "The Mystic Knights of the Oingo Boingo". This was the first film Danny Elfman scored, before his celebrated work with Tim Burton (Batman, Pee Wee's Big Adventure, The Nightmare Before Christmas). The film was originally released in black and white, and then was colorized by the filmmakers in 2008. I saw the color version and have no complaints about the quality (looks much more natural than the cover shot above).

It's an incredibly bizarre yet endlessly entertaining satire featuring a cavalcade of archetypical characters from films and cartoons dating back to the 30's. Initially there was controversy about the film being littered with such blatant stereotypes, including a man in blackface before the credits. However, the intention is not to offend, but to mock Hollywood's own racism and sexism by laying it all out in full view of the audience.

There's a plot, a damsel in distress rescue scenario, but it's really not important. The film is more about diving into the underbelly of the collective unconsciousness than some story. Think of it as a threeway between Rocky Horror Picture Show, Eraserhead, and Monty Python. Forbidden Zone had no budget and took years to make; it was a labor of love. The production is cheap and campy as hell, yet utterly charming.

Since its release, it has slowly gone on to achieve cult film status. The company who runs the costumed Rocky Horror shows in local movie theaters has started doing the same kind of audience participation show with Forbidden Zone. A sequel was successfully kickstarted last year and is currently in production.
 
Oh man, this Amazon Instant app on TiVo is no good. Not even a manual search bar...I'm probably going to need that Roku stick knowing it'll have an up-to-date equivalent.

Top 5 February:
•Fantomas serial (In the Shadow of the Guillotine and The False Magistrate are standouts)
•Floating Weeds
•Green For Danger
•The One-Armed Swordsman
•Il Posto
 
I really want to see It Follows.

Also, I noticed that I never properly introduced myself here. Sorry about that.

To rectify, though it's late:

1. What's your favorite Movie? It's a toss-up between Rear Window and American Beauty

2. Who's your favorite director? Alfred Hitchcock

3. Who are your favorite actors/actresses? James Stewart, Matthew McConnaughey, Jake Gyllenhaal, David Duchovny, Gillian Anderson

4. Favorite Genre(s)? Drama, Horror, Comedy

5. What's your favorite performance in film? This one's too tough
 
Just got out of the theater, after watching Song of The Sea. AMAZING film. Definitely top two animated films of the (last) year, along with Kaguya. I'm actually working on a thread right now : )

Is it out in UK, yet?

UK 10 July 2015

T0h7mqB.gif


Well, at least Kaguya is 20th March.
 

Lafiel

と呼ぶがよい
Top movies of Feb?

1. A Most Violent Year
2. Selma
3. Theory of Everything

I didn't watch much new films that month. Need to step up my game this month.
 

Arkos

Nose how to spell and rede to
Lucy wow this got bad quick. Most of the movie is nice fun and then Morgan Freeman starts talking and ScarJo
turns into a computer
and wtf. A+?
 

HoJu

Member
February
1. Brokeback Mountain
2. It Happened One Night
3. Sabrina
4. What We Do in the Shadows
5. It's Such a Beautiful Day

also i don't get the love for How To Train Your Dragon 2 or the series. the dragons aren't even cool, they're just movie dogs but with wings. that dragon totally would have eaten that baby fuck this movie. the mother was forgotten like an hour into it, and it pulled the
hero dies no wait no he didn't
card just like the first did. it looked pretty nice, though.
 
February

didn't watch many movies but

1. The Raid 2
2. Kingsman
3. Citizenfour
4. The Internet's Own Boy (bit wanky but interesting nonetheless)
 

UrbanRats

Member
Feb:

1) Marketa Lazarovà.
2) Two days, One night.
3) The Voices.
4) Three days of the Condor.
5) We are the best!

Worst: Undisputed 2 or Big Hero 6.
 

Divius

Member
I'm not on the wall of shame, again, and I only saw 19 movies last month. That's the lowest number for February in years. Wh-what is wrong with me?

Anyway, top 5 new movies of feb:

1.
They Live
2. Strange Days
3. The Naked Kiss
4. The Voices
5. Life Story (the BBC documantary, which wasn't as great as their other work but still amazing)

Honorable mention goes to Black Mirror which isn't a movie but feels like it and is the best thing I've seen all month.

Dishonorable mention goes to Mockingjay pt. 1, which was really bad.
 
Top 5 for February:
3. The Voices - Marjane Satrapi continues to translate her familiarity with vibrant graphic novel coloring on film while working with a script that balances its pitch-black comedy far better than you'd think after hearing its premise. I've always enjoyed Ryan Reynolds charisma in various romcoms but never expected the range and earnest humanity he shows here.

Feb:

1) Marketa Lazarovà.
2) Two days, One night.
3) The Voices.
4) Three days of the Condor.
5) We are the best!

Worst: Undisputed 2 or Big Hero 6.

I'm not on the wall of shame, again, and I only saw 19 movies last month. That's the lowest number for February in years. Wh-what is wrong with me?

Anyway, top 5 new movies of feb:

1.
They Live
2. Strange Days
3. The Naked Kiss
4. The Voices
5. Life Story (the BBC documantary, which wasn't as great as their other work but still amazing)

Honorable mention goes to Black Mirror which isn't a movie but feels like it and is the best thing I've seen all month.

Dishonorable mention goes to Mockingjay pt. 1, which was really bad.

I guess I should check out The Voices. Didn't know that was Marjane Satrapi. Loved Persepolis. Love dark comedies.
 

overcast

Member
I'm not sure if I have a top 5 of February, but I think my favorites were A Single Man and Under The Skin.

Particularly the one with Firth.
 

HORRORSHØW

Member
i saw whiplash on the plane the other day and i was totally captivated. the lead performances were fierce; the interplay between student and teacher was nuanced. the minutiae that separates success and failure is wafer thin. are you dragging or rushing? i couldn't tell you.
 

sin2sin

Neo Member
So I have seen Silver Linings Playbook and Untouchable (French Movie) as well as a TV series (yes I know this is a movie thread but I have to mention it!) called 30 Degrees in Summer (Swedish Drama).

Hmmm so the thread description asks we describe how the movies made me feel. Honestly I have written a lot about it including poems but Silver linings and Untouchable inspired this little mini poem :)

She is the most beautiful human I have ever seen. She smiles frequently you know, and when she does it feels like the north star has met its match. I suddenly no longer feel lost.

She talks too! But unlike ordinary girls her words are thoughtful, sincere, kind, funny and possess the humility of no one that has ever graced this earth. Her words are like drops of water falling on the Sahara after a 20 year drought and indeed my heart is in need of every drop that falls.

They say you never forget the moment you fall for a girl. I haven't fallen yet, but I do feel like I have climbed Kilimanjaro, and I know nothing can ever make me feel this tall again.

People often say that without having seen the Sistine Chapel one can form no appreciable idea of what one man is capable of achieving. The same is true of her and my feelings of love.

Her mind reminds me of an unsolved quadratic equation yet her mere presence is sufficient to conjure my inner mathematician.

What do she look like? Well, she's perfect, truly perfect but only in my eyes. Everyone else is able to see her flaws but I am unable, and I thank god for that everyday. I never want to see, hear or feel them.

If you haven't already gathered, I'm yet to meet this girl, but like the Monte Carlo fallacy when it does happen I will be ready.

I believe because even if this girl is seen as imperfect to the world, she will be perfect for me.

So yep these are truly the best movies/TV show I have seen in such a long time!
 
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