I think The Dissolve had it right when they called It Follows "the most striking American horror film in years." Most people will try to associate that with it being super terrifying, but I am pretty hard-pressed to think of one that has left such an impression on me in terms of its visual potency. I'm not sure what what director David Robert Mitchell has done before this, but you get the distinct impression that this film had been shot and edited a hundred times over in Mitchell's mind before actually being shot and edited, as there's a remarkable amount of control, restraint and skill on display from beginning to end, feeling much like an artsier John Carpenter film or at least about as close as I think anyone could get to pulling off the graphic novel Black Hole in live-action. Helping the visuals is a perfectly paired score, care of Rich "Disasterpiece" Vreeland, whose synths throb with a clattering intensity in the more visceral bits and have a mysterious dreamlike quality in the transitioning bits, not too dissimilar from the work he did for Fez. The aesthetic identity of the film even saves it when it dives into sillier territory, such as the finale that was well-intended but can't help but look a bit ridiculous in practice. The actors also do fine in their mainly age-appropriate roles without coming off as being self-consciously trying too hard to fit their age bracket, and Maika Monore seems poised to be break out in a big way after this and last year's The Guest. If it's not an outright scary film, it definitely does well in maintaining a sense of dread and unease throughout its runtime, which I often feel like is a harder trick to pull off in the genre. It's a shame so many of the horror film trailers attached to this looked so dire in comparison, because a few more films like It Follows would do the bigger studios a lot of good.
Nightcrawler
Eh, I much prefer Antonio Campos' films as far as recent films centered on sociopaths. That might be a bit unfair since this film's aims are different. On second thought, Afterschool has significant overlap.
I've been meaning to check this one out for a long time.
I can totally agree with that.
David Robert Mitchell did a bunch of storyboards and location scouting (which is why those 360 and even 720 panning shots work so well), there was a lot of pre-work before shooting so he knew exactly what he wanted which reduced the amount of actual shooting days. Very smart dude.
To Catch a Thief
After thoroughly enjoying Rear Window, I picked up To catch a Thief on blu-ray. My second Hitchcock movie.
What an amazingly fun movie. Great chemistry between Gary Grant and Grace Kelly, beautifully shot in amazing locations, fun dialog, a great car chase and a fun but predictable plot.
Also its amazing to look at, the transfer to blu-ray is simply stunning. Great popping colors and very sharp throughout. The possibilities to watch these older movies in such great quality will never cease to amaze me.
Holy shit. I never see horror movies. I hate horror movies. After seeing It Follows, I think I might just hate what the genre has become generally. Absolutely loved it. The dynamic of the friends was awesome, and Paul was an awesome character, but really they were all great, except the poetry girl, who was my only eh part of the movie. It was just terrifying; it's a fucked up movie with awesome production value and knowledge of what the genre has brought before it.* The cinematography and direction are on point and the score is ridiculously good. This will be high up on my list at the end of the year; a fantastic indie movie with an unusual idea that works perfectly, and exceeds in a genre I typically despise? Yep, it's a winner.
*Anyone else notice the Nightmare on Elm Street reconstruction?
Sam Jones looks there like the That 70`s Show era blonde Ashton Kutcher lol. Still i like it, those visuals, music, there is something about it. Probably seen 4-5 times as a kid.Flash Gordon is undoubtedly a goofy film, but it walks a line between the endearing kind of goofy and the excruciating kind of goofy. It falls into the latter when the plank of driftwood that is Sam Jones is ever on the screen without better actors around him to make up for his immense lack of acting ability and charisma, which is a big problem when he's playing the title character. The good news is he's often around other actors who more than pick up the slack with their delicious scenery chewing. Topol, Max von Sydow, Peter Wyngarde, Timothy Dalton, and Brian Blessed all overact in the best way, treating the larger-than-life material the way it deserves to be treated. And while Melody Anderson isn't the greatest actress, she has a nice pluckiness about her, and she gets to deliver the absolute best line in the film that is sure to have you falling out of your chair in hysterics. You'd be hard-pressed to find a more veritable cornucopia of scenery to chew than this film, as the typical Dino De Laurentiis decadence is on full display with the set and costume design. You'll see midgets dressed up like a cross between Persian rugs and Pop Tarts (including one named Fellini!!!), people looking like sentient disco balls, and more gold skull face plates than should be legally allowed. It also helps that the film fully commits to bringing the original comic strips to life in such lurid colors, often feeling like what would happen if Dario Argento ever got around to making a sci-fi film. And there was no one else to help score the film that was better qualified for such silly bombast than Queen themselves, whose repetitive declarations of how awesome Flash is does more for his character than Jones does. Forcing cheesiness often backfires, but I can't imagine how else you'd bring this material to life, and it's all the better for it at the end of the day. It's a delightful bit of joyful nonsense, and no charisma vacuums masquerading as lead actors can take that away.
The Good, The Bad, The Ugly - I dont exactly have amazing taste or anything so bear with me cinema buffs. Just a warning. Was my favorite movie that I watched over the week next to Whiplash. Just really well rounded and perfect. I cant find anything wrong with it (Im not really a film critic) and I was having fun throughout the whole thing. I guess if Westerns arent your thing then dont touch it.