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Rottenwatch: WATCHMEN

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polyh3dron said:
Holy shit everyone has blown the Manhattan nudity WAY out of fucking proportion. It's about as much as there was in the GN.

And HOW IN THE FUCK can you put this on the same level as Transformers which put the flames on Prime and turned Jazz into the token black guy who says nothing but ebonics phrases and then dies?
Watchmen's adaptation does a bit more than simple aesthetic changes.
 
BenjaminBirdie said:
Did they really change it so that Doc is like yelling during that scene? It looks that way in the commercial and the whole point is that it barely registers. He raises his hand and that's it.

No no. You are confusing that scene with something else (from the comic)

The doc screams and leaves for Mars after the interview where he is told that he is the cause of the cancer amongst his old friends and his old girlfriend Janine. Hence he shouts "LEAVE ME ALONE!".

The Vietnam scene is played out almost exactly as in the comic books

If there is one great thing about the film, that would be some of the casting choices. Billy Crudup does complete justice as the Doc. He is other-worldly, yet restrainted and subtle.
 
dmshaposv said:
No no. You are confusing that scene with something else (from the comic)

The doc screams and leaves for Mars after the interview where he is told that he is the cause of the cancer amongst his old friends and his old girlfriend Janine. Hence he shouts "LEAVE ME ALONE!".

The Vietnam scene is played out almost exactly as in the comic books

If there is one great thing about the film, that would be some of the casting choices. Billy Crudup does complete justice as the Doc. He is other-worldly, yet restrainted and subtle.

I figured they pulled some shady editing shit in the commercials.
 
Just saw it...well, I had more fun watching "My Bloody Valentine 3D" (sorry, this is not meant to be an insult. I really did enjoy that schlock film) and I didn't have any expectation going into either movie. I never read the comic, never heard about it until the whole Warner vs. Fox thing. Oh, and I think it's been said by some comic fans that "Heroes" ripped off the whole destroying NY plot from this story. I can definitely see the similarities.

Regardless, I feel that the plot is all over the place and most of the characters are hard to like. I don't require the characters to be good to like them, hell, some of my favorite characters are villains. But both the good guys and the bad guys are just boring. They feel like caricatures and have little to no interesting personality of their own. And I am still not sure which ones are the "new-gen" Watchmen and which ones are the old ones. The costumes look stupid. I don't require them to wear all black latex but some of those costumes just look ridiculous.

Not to mention the whole twisting history/alternate reality thing is just...weird. US never lost in Vietnam war (feels like wishful thinking) and USSR was a major enemy then ally towards the end. Worst of all, the story is just boring. It got some interesting ideas but it goes on round and round them before getting to the main point. I saw many people leaving the cinemas halfway through the film and I was seriously tempted to leave as well (felt the same way during "The Spirit") but I was glad I stayed til the end or else I'd missed the point of the film. Acting is passable.

Overall, it was an unusual movie but I didn't get much enjoyment or food for thoughts out of it.

5/10
 
BenjaminBirdie said:
I figured they pulled some shady editing shit in the commercials.
The fact that he was wearing a suit should have given it away.

...but after just finishing watching all the motion comics I'm actually pretty bummed by the trailers.

GN spoilers:
I never put two and two together, but the movie trailers already set up who the “villain” is. You see Ozymandias standing in front of his billions of TVs in a villainous pose in the trailers which led me to believe that whomever was on screen was a bad guy. Luckily I didn’t even think about the trailers until after I saw all of the motion comics, but if I went into the movie without having watched the motion comics, I would have automatically assumed Veidt was the bad guy. Bad trailer spoilers that I’m glad I didn’t pick up on until after the fact.
 
Just came back from the IMAX session.

Started off a little slow then picked up nicely. Movie rocked, will have to watch it again as I missed some of the reveals as the screen was too fucking big to read in time before they cut away :lol

Lol! the first time the blue penis was revealed. Im sure only the back row could see it. Just!
 
dmshaposv said:
To those people who have seen the movie:

How many people walked out when the Comedian
shot the vietnamese pregnant lady

My friend (who hadn't read the comic) next to me was like "fuck this shit" and almost walked out before I stopped him. Damn, a lot of people were outraged by that than the blue peins. :lol
man, people are such pussies. welcome to your fucked up world where shit like that actually happens.
 
To those who saw it in IMAX, is the Star Trek trailer attached? I know it is in the regular prints but did you guys who went to it in IMAX see it too?
 
Buckethead said:
Bullet points:

-Dr. Manhattan has a nice penis. Srsly. Some people laughed, not that many though, I was expecting more people to.
I'm assuming now that
the director is a closeted homosexual???
 
I've never been in a cinema where people leave whilst voicing their disgust.... either British cinema goers are just far too polite, or I've never been to see a movie that would encourage such behaviour...

I mean, Godzilla was pretty bad, but I fell asleep during it anyway. Maybe I missed the stampede to the door.
 
Some people (who have never heard of watchmen before) went into this expecting this as a Hero/X-men/avengers type superhero flick where good defeats evil and some joker like villan playing them off.

Trust me, a lot of people in my university who were going for it thought it was DC's answer to "X-men".

Instead they found an asshole (and subsequently awesome) character like the Comedian, psycopaths like Rorschach and Doc Manhattan glorious blue penis.
 
After a bit of digestion,

I think it was a good movie. I'm moving it up to an A-.

I think the charachter development was good, but too truncated. I think this was out of necessity. About 90% of the GN is charachter development with some story sprinkled in. The movie cuts some charachters almost completely, cuts way back on others and the plot makes up a bigger chunk of the film than it did in the GN.

My friends who have not read the book had a pretty good understanding of the charachters. Not to the level of someone who read the GN, but they understood the basic shortcomings of all of them.

The only charachter that no one really understood was the Comedian. I don't think they did a good enough job explaining that the comedian saw the world for what it was and made a concious decision to play along with it.

The plot progression itself was pretty good. They did a good job of keeping the solving of the mystery the same. The only thing I didn't like was
Rorshach going back to Molochs. In the GN, a note is left by Mulloch telling Ror. to meet him. In the movie, Rorshach goes back because he works for the same delivery company as Veidt's would be killer.. not as strong a set up. How could anyone know that Ror. would make that connection to call the cops?

The movie is a solid retelling of the GN, which remains a vastly superior way to experience the story.

I have to say, I enjoyed the motion comic more than the movie.
 
Didn't like it very much at all. The plot was very very sporadic, moving onto origin stories half way into the film and beyond.

But the biggest problem I had was in looking for a villain. They certainly tried to place the Cold War as the real threat but I kept expecting a super villain to emerge. When you have a character than can teleport anywhere and do anything what real threat do nuclear weapons hold?

So I spent most of the film waiting for the plot to truly "begin", which never happened. Of course it all makes more sense now, but in my opinion a character like Doctor Manhattan presents too many problems.
 
TheHeretic said:
Didn't like it very much at all. The plot was very very sporadic, moving onto origin stories half way into the film and beyond.

But the biggest problem I had was in looking for a villain. They certainly tried to place the Cold War as the real threat but I kept expecting a super villain to emerge. When you have a character than can teleport anywhere and do anything what real threat do nuclear weapons hold?

So I spent most of the film waiting for the plot to truly "begin", which never happened. Of course it all makes more sense now, but in my opinion a character like Doctor Manhattan presents too many problems.

I don't quite get what you are saying. Ozy was the villian, kinda. When Dr. Manhattan decides that humans aren't worth saving there is a threat of nuclear weapons. That's why everyone expects war when he leaves to mars.
 
TheHeretic said:
Didn't like it very much at all. The plot was very very sporadic, moving onto origin stories half way into the film and beyond.

But the biggest problem I had was in looking for a villain. They certainly tried to place the Cold War as the real threat but I kept expecting a super villain to emerge. When you have a character than can teleport anywhere and do anything what real threat do nuclear weapons hold?

So I spent most of the film waiting for the plot to truly "begin", which never happened. Of course it all makes more sense now, but in my opinion a character like Doctor Manhattan presents too many problems.

In the GN, Doctor M's existance had basically driven the Russians to desperation, which they failed to get across in the movie. In a way, Dr. M made the Russians less stable because the playing field was not even during the cold war.

In the GN, they find some work that Ozzy did that predicted the world would end in the early 90s due to nuclear war even with Doctor M. Which is why he did what he did. In the movie, they do a poorer job explaining the percieved threat that Ozzy sees. It is one of the films short comings. The scene where Ozzy says "even if 1% of the bombs get through it will destroy the world" was the best they could do.

Another problem is they cut out the guys at the news stand. They were the only "non superhero charachters in the book. They gave you an idea of just how terrified regular people were of nuclear war with the Russians. The movie cut them, and as a result the looming doom that is present in the book is missing from the movie.
 
TheHeretic said:
Didn't like it very much at all. The plot was very very sporadic, moving onto origin stories half way into the film and beyond.

Yeah, it seems like you missed several plot points.
Ozy is the villain. He killed the Comedian, and he kills millions of people with his plan to "unite humanity". Yes he claims it's for humanities own good, but does that make it right? No, he's still the villain.

Also, that's the whole point of Dr. Manhattan.
While he's there and on America's side, he is the ultimate nuclear war deterrent because he can prevent a large number of strikes on America, and then reek havoc on Russia. When he leaves Earth, he isn't there to stop the war from happening, and that's the problem. He left, and the US and USSR are free to destroy each other as tensions escalate.
 
Oh wow, lots of hate pouring in over the past few pages. Only makes me more curious to see this potential trainwreck. Im waiting for the weekend to end before I see it though. Blue penis on Monday for moi.
 
StoOgE said:
In the GN, Doctor M's existance had basically driven the Russians to desperation, which they failed to get across in the movie. In a way, Dr. M made the Russians less stable because the playing field was not even during the cold war.

In the GN, they find some work that Ozzy did that predicted the world would end in the early 90s due to nuclear war even with Doctor M. Which is why he did what he did. In the movie, they do a poorer job explaining the percieved threat that Ozzy sees. It is one of the films short comings. The scene where Ozzy says "even if 1% of the bombs get through it will destroy the world" was the best they could do.

Another problem is they cut out the guys at the news stand. They were the only "non superhero charachters in the book. They gave you an idea of just how terrified regular people were of nuclear war with the Russians. The movie cut them, and as a result the looming doom that is present in the book is missing from the movie.

I have to disagree... the sense of doom is quite clear. Its just that there's no identifiable person/plot point which makes you care about the citizenry. Throughout the film people (non watchmen) were potrayed as:

rioters
criminals
vietnamese hos + enemies

the persons this threat goes against is not clearly defined - thus negating whatever concern the viewer has for the crisis - even then, that wasn't clearly defined til the end... and it was all really poorly executed
 
ToyMachine228 said:
Yeah, it seems like you missed several plot points.
Ozy is the villain. He killed the Comedian, and he kills millions of people with his plan to "unite humanity". Yes he claims it's for humanities own good, but does that make it right? No, he's still the villain.

Also, that's the whole point of Dr. Manhattan.
While he's there and on America's side, he is the ultimate nuclear war deterrent because he can prevent a large number of strikes on America, and then reek havoc on Russia. When he leaves Earth, he isn't there to stop the war from happening, and that's the problem. He left, and the US and USSR are free to destroy each other as tensions escalate.

I actually think you missed some stuff.

calling Ozzy the "villian" is a little simplistic. He may have saved the world as well. The Comedian was someone who probably deserved to die for everything, killing millions to save billions is not an act of pure evil. Ozzy was the closest thing to a villian, but part of the point of the story is that there are no heroes and villians. Just shades of gray.

Also, Ozzy caused John to leave Earth. Ozzy thought the world was doomed even with Dr. M on Earth. So, Ozzy didn't launch his plan because Dr. M went to Mars. Ozzy made Dr. M go to Mars so he could launch his plan
 
Jax said:
I have to disagree... the sense of doom is quite clear. Its just that there's no identifiable person/plot point which makes you care about the citizenry. Throughout the film people (non watchmen) were potrayed as:

rioters
criminals
vietnamese hos + enemies

the persons this threat goes against is not clearly defined - thus negating whatever concern the viewer has for the crisis - even then, that wasn't clearly defined til the end... and it was all really poorly executed

Which is why the news stand guys in the graphic novel should not have been cut as much as they were. They were likable every day guys just trying to survive in the world. They were people you could care about in the GN.

They show the kid reading the comic and the owner of the stand hug at the end before Veidt kills them, but it is their first scene in the movie, so why would the audience care about two random guys?

the Directors cut might be better when they reinsert those guys.
 
Akim said:
Movie Question:
Does Ozy catch any bullets?

Yes. Ozzy is a bad ass in that scene. The actor actually knocked the role out of the park I thought.
 
What I'm seeing here, and everywhere, it seems, is that people keep looking for archetypal character identities in a book that balks at that exact sort of stereotypical characterization, and then complaining that the characterization is vague when it fails to fit their preconceived expectations.

Wooosh.
 
unifin said:
What I'm seeing here, and everywhere, it seems, is that people keep looking for archetypal character identities in a book that balks at that exact sort of stereotypical characterization, and then complaining that the characterization is vague when it fails to fit their preconceived expectations.

Wooosh.

agreed..

the people complaining
where is the bad guy? Why are the "heroes" all so screwed up? Why doesn't the good guy "win"?
missed the entire point of the story.
 
TheHeretic said:
Didn't like it very much at all. The plot was very very sporadic, moving onto origin stories half way into the film and beyond.

But the biggest problem I had was in looking for a villain. They certainly tried to place the Cold War as the real threat but I kept expecting a super villain to emerge. When you have a character than can teleport anywhere and do anything what real threat do nuclear weapons hold?

So I spent most of the film waiting for the plot to truly "begin", which never happened. Of course it all makes more sense now, but in my opinion a character like Doctor Manhattan presents too many problems.


so yeah, that is what the book is exactly about. Can you fault the film for not sugar coating the story for mainstream audiences. I just think this kind of story makes much more sense as a book, not a movie.
 
StoOgE said:
Yes. Ozzy is a bad ass in that scene. The actor actually knocked the role out of the park I thought.

good grief.
That last sequence was all so dull. Masked "heroes" in a giant set and they kungfu fight with less impact/interest than the prison break fight. And a lame ass bullet catch. There is no change in his acting/mannerisms between when we first see him at Veidtech and then at the end after/during the reveal.

Bad ass? :lol :lol The actor playing Ozzy was bleh. Deadpan acting. Weirdish accent. Bland.
 
Honestly, I'm sure part of it has to do very much with the current economic climate, and the post-election facade of moral polarization.

The GN is timeless, but the film might have been ill-timed - in a recession, nobody wants to admit that evil must sometimes be done to accomplish good, and, moreover, nobody wants to admit that the accomplished good might not be permanent.
 
unifin said:
What I'm seeing here, and everywhere, it seems, is that people keep looking for archetypal character identities in a book that balks at that exact sort of stereotypical characterization, and then complaining that the characterization is vague when it fails to fit their preconceived expectations.

Wooosh.


exactly, but the question is..if you are going to adapt such a complex novel into a movie, is staying too close to the source material alienating new audiences, and giving fans too much (but not enough) of what made the book appealing in the first place?

the book just may not work as a movie.
 
rhino4evr said:
so yeah, that is what the book is exactly about. Can you fault the film for not sugar coating the story for mainstream audiences. I just think this kind of story makes much more sense as a book, not a movie.


I hate reading comments like this. its an adaption, in a different medium. The film could have been more interesting, more kinetic... but it wasn't. It was flawed in delivery and somehow, this is alright? Saying, that the book is 'this way' doesn't absolve that as a movie, editorial/directorial/casting choices imo has negatively impacted this.


it has major issues and not all of it is in what they delivered/not delivered on screen with regards to the story. The acting in a lot of it IS bad.



silk specter II was mostly terrible
silk specter I was unwatchable with all that fake age muck
nite owl II / patrick wilson was BORING.


and because the movie is very ssII+NOII centric, the two actors brought the film down.
 
ToyMachine228 said:
Yeah, it seems like you missed several plot points.
Ozy is the villain. He killed the Comedian, and he kills millions of people with his plan to "unite humanity". Yes he claims it's for humanities own good, but does that make it right? No, he's still the villain.

Also, that's the whole point of Dr. Manhattan.
While he's there and on America's side, he is the ultimate nuclear war deterrent because he can prevent a large number of strikes on America, and then reek havoc on Russia. When he leaves Earth, he isn't there to stop the war from happening, and that's the problem. He left, and the US and USSR are free to destroy each other as tensions escalate.

I understand who the "Villian" turns out to be (even if the plan is bittersweet) but Dr. Manhattan is essentially a God. Whats to stop him from teleporting over to Russia and disarming all their nukes? The Cold War would be over then and there.

Either way they didn't do nearly a good job enough of developing the looming threat of war, and making that the central theme of the film/
 
Jax said:
good grief.
That last sequence was all so dull. Masked "heroes" in a giant set and they kungfu fight with less impact/interest than the prison break fight. And a lame ass bullet catch. There is no change in his acting/mannerisms between when we first see him at Veidtech and then at the end after/during the reveal.

Bad ass? :lol :lol The actor playing Ozzy was bleh. Deadpan acting. Weirdish accent. Bland.

Well, the thing is none of those guys could match Ozzy physically. Ror., Nite Owl and Silk Spectre were all childs play to Ozzy. So that part of the fight was basically him throwing them around.

The scene with Manhattan was the opposite. Once Ozzy figured out he couldn't kill manhattan he more or less stopped fighting.

The scene was not suppose to be a Matrix lobby scene sort of bad ass showdown. It was never a fair fight, and it was treated as such.

And I thought Veidt was spot on in his portrayal of the charachter. He had an air of supperiority that he should have to think he should play god. He looked down on humanity and the actor carried himself as such
 
TheHeretic said:
I understand who the "Villian" turns out to be (even if the plan is bittersweet) but Dr. Manhattan is essentially a God. Whats to stop him from teleporting over to Russia and disarming all their nukes? The Cold War would be over then and there.

Either way they didn't do nearly a good job enough of developing the looming threat of war, and making that the central theme of the film/

Dr. M doesn't know everything. He sees his entire life at the same time (well, until Veidt blocked him seeing the future). He can't see all time for everyone. The movie mentioned that in passing, but did a poor job of explaining the limits of his power
 
rhino4evr said:
exactly, but the question is..if you are going to adapt such a complex novel into a movie, is staying too close to the source material alienating new audiences, and giving fans too much (but not enough) of what made the book appealing in the first place?

the book just may not work as a movie.

I think that compromising that principle, that central deconstruction, in order to appeal to a lower level of thought and thus a broader audience is artistic prostitution, and on a level of principle, I'd never want it to be done. You'd be throwing away exactly what makes the source material so special.

If you take away Watchmen's momentum as a narrative that weakens superheroes as symbols, none of the characters would have any potency - the movie would have to make up for the appropriate shifts in characterization with additional superpowers or flashy gadgetry, in which case you'd end up eviscerating the drawn forms of the characters from the text and slapping them on a typical Hollywood plotline.
 
TheHeretic said:
I understand who the "Villian" turns out to be (even if the plan is bittersweet) but Dr. Manhattan is essentially a God. Whats to stop him from teleporting over to Russia and disarming all their nukes? The Cold War would be over then and there.

Either way they didn't do nearly a good job enough of developing the looming threat of war, and making that the central theme of the film/
They say that Russia might have 10s of thousands of nukes, and Manhattan says that even if he could get 99% of them, the 1% would be enough to start the war/end the world.

Did you mean he should have stopped them before they began stockpiling?

I guess one problem with a superpowered being on Manhattan's level is the allowance of plot holes? :lol

I guess you could say he knew nothing outside of his own past/future experiences and the government didn't tell him.
 
I'm not able to articulate very clearly my thoughts on the movie. I agree with Stooge. The guy knows his stuff.

I went with 5 other guys. 4 of us had read the graphic novel and the other 2 hadn't. As far as I know, everyone enjoyed it.

Everyone in our screen remained composed throughout the film. I was pleasantly surprised.

Overall, good movie.
 
Witchfinder General said:
Saw it with a mate.


Terrible.


The thing is, I'm not sure if the movie is bad or that it simply made me realise how terrible the comic was (changes aside, I came home and flipped through the book and yep, it's almost verbatim) or both.

If it wasn't obvious before that Moore hates women then this movie beats you in the face with it, Snyder obviously being on the same page (ha!) as Moore in regards to misogyny.

What bothered me most was the sheer amount of contradictions (character motivations, the strawman riddled plot) and the ill-defined message the movie was trying to communicate. It didn't help that the soul-crushingly destroying pessimism and nihilism made it hard to empathise or just give a fuck about anyone or the world Moore/Snyder conceived of.

The director's cut may smooth over a few bumps but I doubt the fundamentals will change much.

As for the rest, well, the acting was fairly wooden and disconnected for the most part (which is what happens when you cast people based on their similarities to the characters they're based on and not acting ability, although The Comedian was always enjoyable to watch when he was on screen) and most of the music choices were poorly chosen and incongruous. Visually the movie looked good but failed to capture Gibbon's solid, vivid imagery and Jesus on a pogo-stick, I wish Snyder had a setting between gratuitous slo-mo and blink-and-you'll-miss-it quick cuts.

Ah, well, it was still better than The Dark Knight.

Two possible reasons for this post:

1) Tag fishing
2) Stupidity

GAF DECIDES!
 
TheHeretic said:
I understand who the "Villian" turns out to be (even if the plan is bittersweet) but Dr. Manhattan is essentially a God. Whats to stop him from teleporting over to Russia and disarming all their nukes? The Cold War would be over then and there.

Either way they didn't do nearly a good job enough of developing the looming threat of war, and making that the central theme of the film/
If I remember correctly, in the graphic novel, Manhattan himself estimates he could stop about 60% of the missiles in-flight. That's not nearly enough. I presume the Russians plan to launch immediately if they discover Manhattan pre-emptively attacking their nuclear installations, leading to the 60% problem again. It's a risk no one is willing to take.
 
MisterHero said:
They say that Russia might have 10s of thousands of nukes, and Manhattan says that even if he could get 99% of them, the 1% would be enough to start the war/end the world.

Did you mean he should have stopped them before they began stockpiling?

I guess one problem with a superpowered being on Manhattan's level is the allowance of plot holes? :lol

I guess you could say he knew nothing outside of his own past/future experiences and the government didn't tell him.

We also have to keep in mind that Manhattan's political activities aren't fueled by his own motivations, but more just out of obeying orders. As he says in the GN, "the morality of my actions escapes me." That, at least, I hope they kept for the movie.

He doesn't go to Russia and single-handedly dismantle the nation simply because his new frame of mind can no longer realize the concept of ambition, since ambition is tied to hope, which is tied to ignorance of the future, which Manhattan transcends in his godlike state.

He sees the outcome of all events simultaneously - "We are all puppets. I'm just a puppet who can see the strings."

Moreover, you kind of argue your own point when you point out that if so directed Doc Manhattan could just fly over to Moscow and dismantle their nation himself. It's his pure OPness that drives Russia to call the US's bluff.
 
Evlar said:
If I remember correctly, in the graphic novel, Manhattan himself estimates he could stop about 60% of the missiles in-flight. That's not nearly enough. I presume the Russians plan to launch immediately if they discover Manhattan pre-emptively attacking their nuclear installations, leading to the 60% problem again. It's a risk no one is willing to take.

It was also mentioned in the movie that he can not stop all rockets.
 
unifin said:
The GN is timeless, but the film might have been ill-timed - in a recession, nobody wants to admit that evil must sometimes be done to accomplish good, and, moreover, nobody wants to admit that the accomplished good might not be permanent.

Wow, wat? You don't seriously believe that what
Ozymandias tried to achieve was a good thing. I mean, I don't know how to stop an imminent nuclear war but looking for a bigger threat or making up a bigger threat to deal with it is not really the answer. Moreover, that involves the death of thousands of innocent people. A better solution could be as simple as removing the two biggest douches who were in control of politics at that moment (ie. the two presidents of the countries).

Also, most of the characters are not that well-written. There are attempts to make them look complex but they're not really that complex. There's not much layering even in Ozymandia. Or rather, we don't know much what motivated them to do what they do.
People don't just snap and develop a God complex like Ozy. Knowing what lead him to his present self would have made the film more interesting. Ditto with Comedian, Silk Spectre II, Nite Owl II. The only one whose motivation I can understand is strangely Dr.Manhattan. I think they did a pretty good job of explaining that he suffers from a sense of disattachment from other human beings and don't really give a damn about their plight. After years of being ignored by them, why should he care for them?
 
Xater said:
Yep his make-up and the one for the old Silk Spectre were shitty.

Old Comedian was pretty bad too, but not as bad. I did not mind Sike Spectre 1 so much, becuase it made her look like she had really bad plastic surgery which sort of fit the charachter.
 
Another thing to point out is that Doc M
really doesn't care about what happens to humanity (despite everything he says). The way he views everything fatalisticly shows that he's pretty much incapably of empathizing with normal humans


Doc M is basically Alan Moore's way of saying Jesus does not love you, and God is incapable of caring.
 
Replicant said:
Wow, wat? You don't seriously believe that what
Ozymandias tried to achieve was a good thing. I mean, I don't know how to stop an imminent nuclear war but looking for a bigger threat or making up a bigger threat to deal with it is not really the answer. Moreover, that involves the death of thousands of innocent people. A better solution could be as simple as removing the two biggest douches who were in control of politics at that moment (ie. the two presidents of the countries).

Also, most of the characters are not that well-written. There are attempts to make them look complex but they're not really that complex. There's not much layering even in Ozymandia. Or rather, we don't know much what motivated them to do what they do.
People don't just snap and develop a God complex like Ozy. Knowing what lead him to his present self would have made the film more interesting. Ditto with Comedian, Silk Spectre II, Nite Owl II. The only one whose motivation I can understand is strangely Dr.Manhattan. I think they did a pretty good job of explaining that he suffers from a sense of disattachment from other human beings and don't really give a damn about their plight. After years of being ignored by them, why should he care for them?

Ozzy is my favorite charachter, and I understand why he did it, and have a hard time saying he was wrong. Like Dr. M, without condoning or condemning, I understand. Ive been lambasted on GAF for that opinion for years
 
Replicant said:
Wow, wat? You don't seriously believe that what
Ozymandias tried to achieve was a good thing. I mean, I don't know how to stop an imminent nuclear war but looking for a bigger threat or making up a bigger threat to deal with it is not really the answer. Moreover, that involves the death of thousands of innocent people. A better solution could be as simple as removing the two biggest douches who were in control of politics at that moment (ie. the two presidents of the countries).

Also, most of the characters are not that well-written. There are attempts to make them look complex but they're not really that complex. There's not much layering even in Ozymandia. Or rather, we don't know much what motivated them to do what they do.
People don't just snap and develop a God complex like Ozy. Knowing what lead him to his present self would have made the film more interesting. Ditto with Comedian, Silk Spectre II, Nite Owl II. The only one whose motivation I can understand is strangely Dr.Manhattan. I think they did a pretty good job of explaining that he suffers from a sense of disattachment from other human beings and don't really give a damn about their plight. After years of being ignored by them, why should he care for them?

It's not about what I believe, it's about the questions the film raises. Certainly, in history atrocities have been committed to prevent even greater atrocities.

Moreover, that kind of political unrest rarely stems from the leader of each nation alone. Besides which, how do you remove two popular/feared leaders from office (The Kremlin/Nixon) from office without inciting backlash from a sterilized public?

If you haven't read the GN, since I haven't seen the film, it's possible we're operating from two immiscible planes of experience, but Ozymandias didn't just snap - his ambition stemmed from his frustration at the Comedian's dismantling of the Crimebusters and his persistent egoism, that only he had the mental capacity and financial resources to save the world.

It sounds like you haven't read the comic, in which case I should just see the movie and then come back to this thread - it's worrying that people seem to be missing such basic textual questions after seeing the film.
 
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