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The Odyssey (2026) Trailer

Please let it be true, please let it be true... That would be so epic. I can see the memes already coming.
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It's pathetic that nobody in Hollywood can deliver great epic lines anymore. It's all cheap cynicism, snarky humor, and 4th wall breaking metabullshit. Emasculated men can't write alfa dudes, not even in their fantasies they can't stop being cucks.
 
It's pathetic that nobody in Hollywood can deliver great epic lines anymore.

Very few find value in the works of Shakespear. And much of that great delivery is developed in the delivery of his work. Many of the great actors of the past cut their teeth in theater, so that when they got in front of the camera it was natural.
 
There is enough narrative room in the material for Nolan to make this work.
If the case is made that someone's spirit loses its connection to its earthly shell after death, then their voice could be delivered by sexless human sludge.
You say this like the movie will have some self awareness and be in on the joke… there is no evidence of that.

I always thought th Odyssey was a funny and light hearted and absurd poem… the idea of a bunch of suitors just eating and living in his house for a decade is pretty hilarious, for example, or Achilles saying that dying a hero's death kind of sucks because you're dead.

but this movie seems to be playing it totally straight and grim.
 
You must have missed my previous post:



As for my post that you were responding to, I was merely offering a possibility based on the nature of the material. Not describing what I think was going to happen.
We agree… just saying that there is no evidence that he understands this material or has any insights in it. What you said is an interesting premise but the filmmaker has to do it intentionally.

I was looking at comparisons between Troy (which was a pretty schlocky movie) and the old swords and sandals epics and it's crazy how far filmmaking has regressed.
 
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We agree… just saying that there is no evidence that he understands this material or has any insights in it. What you said is an interesting premise but the filmmaker has to do it intentionally.

I was looking at comparisons between Troy (which was a pretty schlocky movie) and the old swords and sandals epics and it's crazy how far filmmaking has regressed.

Back in the day, I thought Troy was a mediocre or slightly above average movie. Compared to the stuff filmed today, it feels like a masterpiece. Hollywood has fallen off a cliff.

He wants an award more than making a good film.


This. This is Oscar Bait, the Movie.
 
It's fucking wild.

To go from Inception to Deception

iu
and here's the sad thing Paige even though they say they're happy they're very unwell f you watch videos of them just look at their eyes it's very sad
only reason I'm using proper pronoun is because I don't want to get lambasted buy some woke Tards that are on Gaff
 
I think he was "asked" to make sure the movie can win an award, cause that's both good publicity and better revenue 🤷🏻‍♂️
Making a movie that can potentially become a classic or a movie that will live in infamy? Hard choice. Maybe this will be the film that puts a nail in forced inclusivity I say this as a Mexican.
 
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So that's where the modern casual language comes from. Emily Wilson's garbage. "Playtime is over." JFC.



muse.jhu.edu/pub/323/article/760982

The two great novelties of Wilson's Odyssey are the way she represents a group of characters that we might term 'underdogs' – notably the Cyclops, and the suitors and their allies – in a sympathetic light,6 while representing Odysseus as, on balance, reprehensible. The big problem, however, with Wilson's heterodox approach to the characters of the Odyssey is that she can sustain it only by distorting and misrepresenting what the Greek text says.


For Wilson, the Odyssey 'to some extent7 glorifies its protagonist', but far more importantly Odysseus is, for her, not heroic,8 but 'this liar, pirate, colonizer, deceiver, and thief' within whose sphere 'other people – those he owns, those he leads – suffer and die, and who directly kills so many people' (p. 66).9 And she loses no opportunity to translate in such a way as to reinforce this. One example: Odysseus' possible culpability for the death of some of his comrades is a persistent underlying issue in the epic,10 but Wilson wants to make him directly, criminally responsible for the demise of all his men, and so she forces the text of the Odyssey to mean what she wants it to mean.
 
muse.jhu.edu/pub/323/article/760982
Yes, in no way is Homer's intention for Odysseus to be a reprehensible character. He overcomes situations that would be guaranteed death for anyone else through deception and manipulation as needed, sure, but it is in the righteous service of getting home and with piety to the gods, and it is presented as heroic intelligence and cunning, not immoral. Maybe Emily also resents the fact that Penelope is sitting at home faithfully with tears of sorrow in her eyes while Odysseus is hooking up with goddesses for a significant portion of the time away, but that's also pretty much a mandatory part of his quest.

What a shame. The red flags are accumulating.
 
Yes, in no way is Homer's intention for Odysseus to be a reprehensible character. He overcomes situations that would be guaranteed death for anyone else through deception and manipulation as needed, sure, but it is in the righteous service of getting home and with piety to the gods, and it is presented as heroic intelligence and cunning, not immoral. Maybe Emily also resents the fact that Penelope is sitting at home faithfully with tears of sorrow in her eyes while Odysseus is hooking up with goddesses for a significant portion of the time away, but that's also pretty much a mandatory part of his quest.

What a shame. The red flags are accumulating.
Yeah. Homer was telling tells basically and tells are hero's journey really. For some reason a lot of western writers and others are too obsessed with the idea that "nobody is perfect". In real life - not, but that's the whole point of all these stories to inspire, to hear the epic and so on. You don't need "grey" philosophy in these things. Even the Gladiator was a hero's journey but with a tragic ending. I doubt anybody could write it today. Would probably have Maximus being bad towards germanic tribes :messenger_tears_of_joy:
 
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Yeah. Homer was telling tells basically and tells are hero's journey really. For some reason a lot of western writers and others are too obsessed with the idea that "nobody is perfect". In real life - not, but that's the whole point of all these stories to inspire, to hear the epic and so on. You don't need "grey" philosophy in these things. Even the Gladiator was a hero's journey but with a tragic ending. I doubt anybody could write it today. Would probably have Maximus being bad towards germanic tribes :messenger_tears_of_joy:
Also need to keep in mind that the story predates Christian concepts of morality by >1000 years. It is pointless for Odysseus to die 'honorably' by only telling the truth or fighting the enemy head-on. His mission is to return to his home, family, and throne, and to kill the suitors who are trying to take over. It's a justified mission, and he does what it takes to get there. Heroic apotheosis in Greek mythology is more about epic deeds and service to the gods' whims than acting saintly. If you die without accomplishing your mission, it's over.

There's also the feminist translation of Ovid being pushed by Penguin where the female translator changed every sexual encounter to be called rape because it didn't involve modern standards of consent. Please, just stop, ladies.
 



So that's where the modern casual language comes from. Emily Wilson's garbage. "Playtime is over." JFC.

It's also important to remember that the only way to really "make your mark" with a 'new' translation of such a classic, already oft translated, is to spice it up significantly.

Now I don't automatically reject such things, but if you are gonna dick around with it and try to modernize it, go all the way, not half ass it

 
It's also important to remember that the only way to really "make your mark" with a 'new' translation of such a classic, already oft translated, is to spice it up significantly.

Now I don't automatically reject such things, but if you are gonna dick around with it and try to modernize it, go all the way, not half ass it



Nolan's movie, from what we've seen feels like subversion. Some of the critiques I read earlier on the Wilson "translation" was how it's a poor version to give someone and tell them it's Homer's The Odyssey when it is not.

No one watched Romeo and Juliet thinking that's straight Shakespeare, and that's key. I haven't watched that movie since '96, but I remember enjoying it and how it went all out.

I'd hate to think of people watching it this movie and coming away thinking whatever bastardized story it's going to have is the real deal.

If Nolan wanted to go all creative with this then he should have done some time looping, sci-fi, twist up. Fuck, look at Ulysses 31 for a take on the idea.
 
The American accents arent that bad. Surprised Robert Patterson is doing an American accent for this though.
I thought it was an unwritten rule to use British accents in historical epics.
 
No one watched Romeo and Juliet thinking that's straight Shakespeare, and that's key. I haven't watched that movie since '96, but I remember enjoying it and how it went all out.
IIRC the dialogue itself is pretty close to the play in many areas. VISUALLY Luhrman captured a new generation, but the spirit and "good parts" from Shakespeare remain.

With The Odyssey, it seems the opposite. It's not particularly stylish, nor is it paying homage to the technicolor classics of the 50's that, I think, a LOT of folks wanted Nolan to aim for. It's a shame, really, because you can really hit hard with the story if you just commit to it. Hell, even a modern version of a war weary vet wanting to pull back from endless foreign conflict and retreat to a nostalgic version of "home" having to fight all the temptations and hazards of such a choice, only to find home infested with parasites and leeches he has to flush out....that'd fucking SELL today, I bet.
 
Are people finally going to stop huffing Nolan's farts and saying they smell like roses?
for that happened a while ago, with Interstellar. Never understood folks love for that film. Then to follow it with Tenet, the audio mix alone was an atrocity. Oppenheimer was aight, though I feel RDJ was too hammy and didn't deserve the Oscar. But it wins for dah boobies :P
 
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