SCULLIBUNDO
Banned
http://www.hitfix.com/motion-captur...-silly-science-fiction-ideas-of-transcendence
http://www.thewrap.com/transcendence-review-johnny-depp-wally-pfister-christopher-nolan
http://blogs.indiewire.com/theplayl...ebecca-hall-kate-mara-morgan-freeman-20140415
http://variety.com/2014/film/reviews/film-review-transcendence-1201156786/
http://www.hollywoodreporter.com/movie/transcendence/review/695534
One of the truths of science-fiction is that anytime we as a culture try to get our heads around a jump forward in technology, one of the ways we do that is by imagining the very worst case scenario, so it should come as no surprise that as we discuss ideas about The Singularity and trans-humanism, "Transcendence" arrives to serve as this decade's "Lawnmower Man," a deeply stupid movie that uses smart ideas as a springboard but without any real sense of what they're talking about. Wally Pfister, best known until now as the cinematographer on Christopher Nolan's big films, makes his directorial debut here, and as dumb as Paglen's script is, Pfister seems to have no feeling whatsoever for the staging of sequences or for any sort of dramatic narrative momentum. Make no mistake "Transcendence" is a stiff, but one that is produced with enough polish that it almost successfully disguises its true nature.
http://www.thewrap.com/transcendence-review-johnny-depp-wally-pfister-christopher-nolan
Transcendence, the directorial debut of cinematographer Wally Pfister (The Dark Knight) is a sleek, smart techno-thriller loaded with interesting ideas until it stops being any of those things.
Like a snazzy new laptop that immediately heats up and stops working, this exploration of our reliance upon technology and how far mankind will subsume itself to its creations seems great when it's right out of the box. But by the end of two hours, you'll find yourself wishing that first-time screenwriter Jack Paglen had taken his creation to a Genius Bar for a thorough de-fragging.
http://blogs.indiewire.com/theplayl...ebecca-hall-kate-mara-morgan-freeman-20140415
Over six collaborative efforts, Pfister and Nolan fashioned a much-debated approach of emotional logic over narrative coherence. In this film, it seems Pfister has swapped the routine, stringing a clear, episodic plot together with a perplexing mish-mash of motivations and actions. To make matters worse, Pfisters allegiance to anamorphic 35mm is severely misled. Using DP Jess Hall (The Spectacular Now), he plunges his actors into murky browns and drab whites, topping the look off with a back-lit sheen that looks fairly cheap.
The cinematography was so unremarkable that it made us question if the film was in fact shot on digitala peculiar conflict, considering the themes at the heart of Transcendence. It is wondered aloud among characters how much humanity presides in artificial intelligence, and whether the appearance of empathy or love is enough, even when theres nothing but code behind it. I love that Pfister treats these issues not as a punchline, but with an engaged eyeand to be sure, for better and worse, it is not the eye of his longtime collaborator. But as technological advances hint that these events arent too far off, its a safe bet life will unfold differently to Pfisters deeply uninvolving debut: there will be humor, there will be disbelief, and there will be a moment of tangible spectacle if it actually works. [D+]
http://variety.com/2014/film/reviews/film-review-transcendence-1201156786/
Transcendence is a most curious name for a movie that never shakes free from those hoary old cliches about the evils of technology and the danger by which man plays at becoming a god. The man in question here is Johnny Depp, whose listless lead performance as a brilliant scientist in the field of artificial intelligence does little to aid this overplotted, dramatically undernourished debut feature from longtime Christopher Nolan d.p. Wally Pfister.
http://www.hollywoodreporter.com/movie/transcendence/review/695534
The Bottom Line
Big ideas and a big budget work at cross-purposes sometimes.