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Witcher 3 and Diversity (Luke Maciak)

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Critical analysis of art/literature doesn't involve interfering with artists' vision or commercial decisioning. The work is out now and people are discussing its representation of non-white people the same way people discuss anti-semitism in The Merchant of Venice. Nobody is asking for Shakespeare to be re-written or suggesting that you should just not buy Shakespeare. These are the types of discussions that generally happen around works of art.

Criticism is always welcomed if it is grounded and supported by facts. Current articles about W3 are far from that. Today you can take anything you want and make it look like something you want but if your clams are not supported by facts you are just talking nonsense.

There are many more issues with US entertainment products and representation of minorities and rest of the world in them so it would be better for all of those US journalists to look at their yard first and then criticize others.
 
I think a lot of the people calling for diversity really are looking at this through the lens of America's issues with race and the studios over here that have a history of not representing other groups enough. I can imagine many a cdpr dev just scratching their heads over this hubub and not really getting it through their predominately white culture. Poland ain't no meltin pot yo. Neither does it obligate them to include diversity in their games to appease another region that has those issues. It's not their responsibility to engage in this issue when it doesn't have much of a bearing on their own culture and political climate.

A+ post.

As an aside, I'd like to know how much of this is being offended on behalf of others, which is a tiresome modern concept. I've played a lot of games over the years, the characters have been male, female, robots, white, black, indian, arabic, asian, and everything inbetween. I really don't give a damn as long as the game and character are good.
 
This is a really fascinating .PDF worth reading about preservation efforts of Slavic manuscripts and history, work checking out. A choice quote:

We often assume that medieval manuscripts occupy magnificent institutions and are treated like royalty. This Western dream, however, does not extend to Eastern Europe, where thousands of medieval manuscripts remain hidden away. Words cannot express the tragedy of those disintegrating treasures.

The manuscripts appeared to me like little orphans, covered with dust, pierced by insects, dismembered and stripped of their precious covers. My preservation assessment of HACI in 2001 (NikolovaHouston, 2001) determined that almost 60% of them required urgent care due to damage and aging. Seventy three percent of the manuscripts required special care.

I created a database containing descriptive and preservation data for each manuscript. Then, I digitized a few and created the Website "Slavic medieval treasures from Bulgaria." The Website and published reports spurred funding from the Order of Saint Ignatius (an Eastern Orthodox Charity Organization) and a large private donation from Julia Bolton Holloway of Biblioteca e Bottega Fioretta Mazzei in Florence, Italy. These $10,000 allowed us to renovate the HACI facilities and to re-house more than half of the manuscripts.

Fighting sickness from the decades of dust (see Figures 5-7) and in spite of contractor delays, we preserved the manuscripts and increased access for the scholarly community.

This is just one example - The Witcher is a work of cultural preservation, a hell of a lot more than Generic Arthurian Fantasy and to deride it for not serving the needs of other people oh so far away is a cruel, pathetic middle finger to a people that were oh so brutally oppressed in the 20th Century. (Auschwitz was based out of Poland, and this was before the brutality of the Soviet regime that lasted until 1989)
 
Yeah, that's hilarious.

Vampires originate from Slavic mythology for instance. And vampires are quite a thing.

Um not really vampiric lore can be found everywhere which is one of the things I have always found most interesting about it. Before film and easy access to communications they existed in just about every culture.


Conceptions of Vampiric beings are scattered throughout human cultures.

https://en.wikipedia.org/wiki/Vampire_folklore_by_region

Western aka english speaking conceptions based on Dracula tenuously based on Vlad the impaler are something else. But that's the problem with narrow views of history and human experience, you whitewash the human experience.

Beaten and agreed.
 
Is this a thing? Why can't artists create their own vision, if it offends anyone they're free to vote with their wallets

You don't "vote" with your wallet or your money. This doesn't mean anything and it's off-topic.

It's always the same logic when there is criticisms that raise bigger issues than what is in the common talks : "it's just a game, it's a fiction they can do whatever they want, if you don't like you just don't buy it, if it sells it's good, you're not legitimate to venture an opinion". All these arguments have been deconstructed by social sciences in cultural and media fields.

There was a polemic in France for AC:Unity's release around the historical representation of the French Revolution. There are master-thesis written on these subjects in historical departments. There's room for deeper debate and analysis, but yeah it's not at the same level as what gaf or the videogame talks are about 98% of the time. That's why it's hard to have a real debate here. It's still better than the gamergate shitstorm though.
 
Despite TC and article my 5cent to these real-deal dudes who got problem

Every dude who are trying debate about "why no black people in this game" is just - let me quote - "full of shit" and his mindset is garbage.

Nothing racists here.

When i play fking Dynasty Warriors It NEVER cross my mind "damkn why not black / white peoples here??".

I do not like these pricks looking for attention on false / very stupid assumptions.
 
I always thought that different kingdoms in The Witcher series represented different aspects of Poland and its neighbors, same as Elves and Dwarves are there to reflect various facets of discrimination that the Jews (and sometimes the Romani) faced.

Northern kings were sometimes wise, sometimes deeply stupid and short-sighted, sometimes good politicians while also being horrible human beings (and vice versa) - just like Polish rulers of yesteryear. Poland's history is very complicated and rarely straightforwardly black and white. Sapkowski wrote a series as a critique of xenophobic post-communist nation, but never denied its tragic background. This is why it resonates so deeply with the inhabitant of the region - it's not afraid to point-out flaws while never losing the sympathy for the peoples of this world.

People of Color weren't Polish problem, not when the series was written and nor now. As harsh as it may sound for Americans, there're simply too few of them to matter in the national scale. We have much more pressing ethnic issues. What with the Jews and their still-present, unresolved issues, residual after years of co-existence, than holocaust, than communism? What about Romani, marginalized and looked down upon in the same way as it was years ago? Not to mention the Germans, the Russians, The Ukrainians and Lithuanians? The class issues? Sapkowski wrote about all - or most - of that and it will be lost on those who don't know Polish history. The universal themes are easy to grasp, especially if the series borrows quite generously from Western and Northern mythologies too - but those little, region-specific nods are more elusive.

So some Americans (and Western-Europeans) will look for racist themes they understand, like colonialism and slavery, and try to mold the narrative to their experiences. They see all white cast and wonder - where are all the Blacks and Asians? They won't comprehend that these groups of POC are mostly irrelevant to the story Sapkowski and CD Projekt Red wanted to tell. Could they be included? Sure, why not. But their stories wouldn't be explored as the series are not about them this time. Not all racism is about Black people. There was no systematic oppression of them, but it occurred for other ethnicities, those who would be classified as "white" by American society.

Let's imagine what a POC's experience would be in The Witcher, the series that explores racism and it roots (in Eastern European flavor). What a hypothetical Zerricanian merchant would say about his life in Novigrad? Not much probably. He would complain how strange people dress, what silly customs they have and how annoyed he is by those looks he gets every time he walks the streets. Some hostility, but mostly curiosity and ignorance, as the Northerners have no ill history with Zerrikania, no old resentments. Even if some jerks and racists would pick on him, it would be only because they generally hate everything that is different. It wouldn't have complicated backstory that Humans and Non-humans share in this universe. Such portrayal would reflect on what people with different skin-color are perceived in Poland, modern or medieval.

It would be perfectly fine to have a Zerrikanian merchant like this in the game, or a warrior-woman, or even the traveler or scholar. But i disagree with the opinion that omitting this somehow made the game inherently racist. One token character would do nothing to make the game as a whole less white.
Quoting for education. Thanks for all that. It just astounds me that people look at this game and only see "white people". I thought these particular "journalists" prided themselves on being "culturally educated" and such. To handwave away the history and culture of distinct ethnicities because they all share the same skin color is baffling. It'd be like saying "all Asian games are the same" or "China and Japan don't have unique mythology since they share a lot of it"
 
Um not really vampiric lore can be found everywhere which is one of the things I have always found most interesting about it. Before film and easy access to communications they existed in just about every culture.




Beaten and agreed.


I don't like to quote Wikipedia but:

The Serbian form has parallels in virtually all Slavic languages: Bulgarian and Macedonian вампир (vampir), Bosnian: lampir, Croatian vampir, Czech and Slovak upír, Polish wąpierz, and (perhaps East Slavic-influenced) upiór, Ukrainian упир (upyr), Russian упырь (upyr* '​), Belarusian упыр (upyr), from Old East Slavic упирь (upir* '​) (note that many of these languages have also borrowed forms such as "vampir/wampir" subsequently from the West; these are distinct from the original local words for the creature).


The notion of vampirism has existed for millennia; cultures such as the Mesopotamians, Hebrews, Ancient Greeks, and Romans had tales of demons and spirits which are considered precursors to modern vampires. However, despite the occurrence of vampire-like creatures in these ancient civilizations, the folklore for the entity we know today as the vampire originates almost exclusively from early-18th-century southeastern Europe...

http://en.wikipedia.org/wiki/Vampire

Jebiga!
 
Quoting for education. Thanks for all that. It just astounds me that people look at this game and only see "white people". I thought these particular "journalists" prided themselves on being "culturally educated" and such. To handwave away the history and culture of distinct ethnicities because they all share the same skin color is baffling. It'd be like saying "all Asian games are the same" or "China and Japan don't have unique mythology since they share a lot of it"

It seems like a lot of these journalists just can't write a well made, detailed critique with subtly to save their life. It often comes out heavy handed and contradictory like the one in the OP. This is why a lot of people see these articles as click-bait even if the author is sincere because the article itself is so poorly written and needlessly aggressive.
 
I'm getting tired of this, really. You can't ask Sega to put more colored people in Yakuza, you can't ask From Software to put more colored people in their Souls games, you can't ask CDProjekt to put more colored people in The Witcher...
Oh, we can't. Okay then. Thanks for letting us know. xD

just because. It won't fit the story settings, the geographical settings...Etc.
You're right, darker-skinned people totally won't fit in Lordran or Drangleic, because reasons! Wait a minute...
 
Europe was a mixture of different white ethnic groups (saxons, gaels, slavs etc). They are also different tribes and cultures in the Witcher.

I wouldn't say a mixture of white groups. Many Mediterranean and Balkan phenotypes can look non-white to Americans.
 
Oh, we can't. Okay then. Thanks for letting us know. xD


You're right, darker-skinned people totally won't fit in Lordran or Drangleic, because reasons! Wait a minute...

OK, so what is your response to the post made by the Polish gamer that's linked above yours? Just screw his need for seeking representation of his culture and it's mythos in favor of your desire to include representations of skin color? Why does your need trump his when this is a game made by Poles representing Polish mythic/cultural tropes? As I mentioned in a previous post, why do you need another culture to represent your needs for racial representation when it does not have a bearing on that culture's political or racial demographic? This isn't the game to wave this agenda at.
 
OK, so what is your response to the post made by the Polish gamer that's linked above yours? Just screw his need for seeking representation of his culture and it's mythos in favor of your desire to include representations of skin color? Why does your need trump his when this is a game made by Poles representing Polish mythic/cultural tropes? As I mentioned in a previous post, why do you need another culture to represent your needs for racial representation when it does not have a bearing on that culture's political or racial demographic? This isn't the game to wave this agenda at.
Uh... Settle down here. I'm only rebutting Fennec's fallacious reasoning, not demanding anything with regards to representation in that game.
 
Diversity should be embraced but not forced. For another example one of the best TV series in Mad Men has almost no diversity, and it's an American show that just recently ended.

I can understand the whole "it's bigger than games" agenda, but so is art and telling one's vision - so I can't agree with Luke Maciak.
 
Criticism is always welcomed if it is grounded and supported by facts. Current articles about W3 are far from that. Today you can take anything you want and make it look like something you want but if your clams are not supported by facts you are just talking nonsense.

There are many more issues with US entertainment products and representation of minorities and rest of the world in them so it would be better for all of those US journalists to look at their yard first and then criticize others.

I don't know how well supported this critisism is. That's what the debate will establish. I was just responding to the why-are-we-even-having-this-discussion comments.
 
Let's imagine what a POC's experience would be in The Witcher, the series that explores racism and it roots (in Eastern European flavor). What a hypothetical Zerricanian merchant would say about his life in Novigrad? Not much probably. He would complain how strange people dress, what silly customs they have and how annoyed he is by those looks he gets every time he walks the streets. Some hostility, but mostly curiosity and ignorance, as the Northerners have no ill history with Zerrikania, no old resentments. Even if some jerks and racists would pick on him, it would be only because they generally hate everything that is different. It wouldn't have complicated backstory that Humans and Non-humans share in this universe. Such portrayal would reflect on what people with different skin-color are perceived in Poland, modern or medieval.

Great post, this part is especially crucial.

I wouldn't say a mixture of white groups. Many Mediterranean and Balkan phenotypes can look non-white to Americans.

Americans are ridiculous when it comes to race. Italians, Spaniards, Syrians, Turks, Greeks, and Serbs are all white, even if there's a proportion of Americans who're likely to categorize anyone with olive skin as Mexican.
 
Geralt is the whitest man that ever existed (I mean really, did you look at how white he is? Wait, what? What was that? You said Geralt, the title character, the Witcher, Geralt's a Vedma--Vedma-what? Oh, a "Vedmak?" A male witch? A figure in Slavic mythology? Vidmak in Poland? What? Myths don't need sources? That's why they're myths? Naw, man, you makin' that shit up. That's nonsense.) equals racist game and Slavic folklore for a reason isn't mythology is what I'm gathering here. That all checks out fine.

Welp. Post of the thread.

Luke's whole article is worse than just bad - it's complete and utter nonsense.
 
Imru’ al-Qays;166700897 said:
Americans are ridiculous when it comes to race. Italians, Spaniards, Syrians, Turks, Greeks, and Serbs are all white, even if there's a proportion of Americans who're likely to categorize anyone with olive skin as Mexican.
Quarter Greek here, can confirm that there is a frightening large proportion of people who think I look "Mexican."
 
These articles do not say the Witcher 3 is racist (including the original from Polygon). 90% of people that are using that strawman seem to not know shit about Poland either. Anyway, just something else to add: I agree with the conclusion the OP article made as well as the polygon article (This coming from someone that loved all 171 hours of playtime I've had in the Witcher 3. Seriously, this game is amazing).
 
Has anyone seen the "love letter" from an Elysian Shadows dev? Short but great read.

Love Letter to Person Who Demands Racial Quotas in Witcher 3

Patryk Kowalik said:
Now that we understand the sentiment Poles have to their culture, as well as Witcher's place in it lets see how racial quota demands look like in this context. To people from multiracial countries, demanding racial diversity in video game might seem like something good, a progressive thing. However the game is not just any game, it’s Witcher. Game made in country which battled through history to maintain it’s own heritage and language, game which builds upon slavic mythology and promotes it internationally. You're trying to shoehorn foreign elements into their culture, enforce your own standards onto theirs. In case I haven't hammered my point down strongly enough: you have people of a minority culture that were persecuted and discriminated against in last 250 years, who made this awesome work of art that represents them, and you're telling them to change it because it's not American enough.


Patryk Kowalik said:
Do you see the subtle - yet incredibly important - difference? I speak of expanding and building upon established lore to tell more stories. To add and built upon, to create. You want to change existing works and story to cater to what you want.
 
Has anyone about the "love letter" from an Elysian Shadows dev? Short but great read.

Love Letter to Person Who Demands Racial Quotas in Witcher 3


Thanks for sharing.

Why must everything cater to American sensibilities and culture? Why can't we celebrate diversity - the true diversity of having global market with works of art from all around the world?

This reminds me of how ridiculous it was when people called Resident Evil 5 racist because the zombies were black...
It was set in Africa for Christ's sake!
 
Magical semi-immortal cat eyed monster hunters? Totally fine!
A person of color? Historical accuracy says they don't exist!
 
Magical semi-immortal cat eyed monster hunters? Totally fine!
A person of color? Historical accuracy says they don't exist!


A better comparison would be if people called Never Alone racist because it doesn't contain black characters. The game's story is based on Alaskan indigenous folklore, who cares if it only contains Inuit people?
 
I think there's plenty of diversity in W3. And a lot of minority representation.
Not non-white representation obviously, but surely there is more to the word "diversity" than just including people that aren't white?

For example, doesn't the skellingers - that are obviously derived from norse culture - count as diversity just because their skin is white, even though their culture is completely different from the Nilfgardian culture? I really don't see how it doesn't.
 
Thanks for sharing.



This reminds me of how ridiculous it was when people called Resident Evil 5 racist because the zombies were black...
It was set in Africa for Christ's sake!
That's not what people were complaining about in RE5 though. You were literally fighting zombies in grass skirts throwing spears while wearing mask.
 
That's not what people were complaining about in RE5 though. You were literally fighting zombies in grass skirts throwing spears while wearing mask.

To be fair that wasn't until later, the controversy was there as soon as the reveal hit before we even saw that stuff.
 
I think there's plenty of diversity in W3. And a lot of minority representation.
Not non-white representation obviously, but surely there is more to the word "diversity" than just including people that aren't white?

For example, doesn't the skellingers - that are obviously derived from norse culture - count as diversity just because their skin is white, even though their culture is completely different from the Nilfgardian culture? I really don't see how it doesn't.
Yeah, there's a lot of cultural diversity in the game. Skellige, the Northern Realms and the Empire are all culturally different and these differences seep through their interactions. They're all loose analogues for parts of Europe and all the names give that away too.
Cultural diversity among human groups is a large part of the indepth world building done in the game. I'd argue there are very few games that integrate this diversity so much and so well.

Racism and segregation are also central to the political environment. They've been there in all three games and a lot of major choices asked Geralt to not sit on the fence. The games unequivocally condemn these but never shy from representing crude racism and its vilest effects. The thing is that they're using non-humans to carry this discourse.

With that in mind, I think the Witcher games (and I assume the books) go very far in representing these issues in their generality and CDPR should be commended for that, but I can still understand why it's not unreasonable to say "well, throw a couple of southern traders in Novigrad or at the imperial court, that would explain where these exotic goods come from". I don't think it would achieve much beyond some world building and a bit of colorful representation but it wouldn't hurt either. I mean, there's some organic room to have other human minorities there, like you could actually find some in trading cities.

Where this kind of demand becomes a losing battle is that it could be counterproductive: I don't think the people asking for this representation would feel easy seeing these foreign merchants on the receiving end of the casual racism this world displays. I think the last thing anyone wants is real world racial slurs thrown at human characters.

That's my version after a few days to collect my thoughts on it while finishing the game. At face value, I still feel this deserved to be discussed in good faith, and I'm all for better representation and inclusiveness but I feel this is a terrible hill to die on for the author of the original article.
 
How is this an issue? Next we are gonna have people complain that Dynasty Warriors only has Asian people in it. Now if GTA V had only white people in it I'd have a problem, but not this.
 
Has anyone about the "love letter" from an Elysian Shadows dev? Short but great read.

Love Letter to Person Who Demands Racial Quotas in Witcher 3

Perfect article.

You're trying to shoehorn foreign elements into their culture, enforce your own standards onto theirs. In case I haven't hammered my point down strongly enough: you have people of a minority culture that were persecuted and discriminated against in last 250 years, who made this awesome work of art that represents them, and you're telling them to change it because it's not American enough.

Makes the "slavic mythology isn't actually real" even more hilarious.
 
Racism doesn't have to mean what it means in America. Polish discrimination against Slavs or Germans, Japanese discrimination against Koreans, Ethiopian discrimination against Sudanese, or Brazilian discrimination against Peruvians is still racism.

So they weren't exactly wrong with using the "even racism" part in the vid, even if the idea of using it kind of just comes off as trying to be edgy. Americans may not be nuanced in more localized forms of racism and discrimination but the rest of the world is.
 
Is this a thing? Why can't artists create their own vision, if it offends anyone they're free to vote with their wallets

When people voted with their wallets, Silent Hills got cancelled in favor of pachinko machines and mobile games. Obviously this situation is slightly different, but voting with one's wallet has not helped the games industry as a whole because most people actually want microtransactions and all the things people on GAF hate.
 
Racism doesn't have to mean what it means in America. Polish discrimination against Slavs or Germans, Japanese discrimination against Koreans, Ethiopian discrimination against Sudanese, or Brazilian discrimination against Peruvians is still racism.

So they weren't exactly wrong with using the "even racism" part in the vid, even if the idea of using it kind of just comes off as trying to be edgy. Americans may not be nuanced in more localized forms of racism and discrimination but the rest of the world is.

And if we go by the world of The Witcher games then CDPR handles it perfectly. It feels real, layered and nuanced. Sure, they have the same skin tone but people from Nilfgaard, Temeria, Redania and other areas all have something to say about each other and even more about non-humans like dwarves. Novigrad has become a breeding ground for Mage pogroms and even alchemist are burned at that the stake for just having a limited knowledge of potions. I think CDPR handles diversity very well. Just because it's not all literally black and white doesn't mean there is a lack of it.
 
It's their fucking game. And ya, if you live in a predominantly white populated country full of white people that may mean your creative works feature white people too. Shocker!

Diversity is great. Dragon Age is all about that. But shaming developers to check off all the boxes on your agenda is fucking stupid. It's their game, and they can make it how they want. If that's a universe full of white people, then so be it.
 
As a "person of color" myself, I feel guilty that I don't care about the lack of brown/black/dark skin tones in the world's NPCs & characters. I'm too busy being immersed in the world CDPR has built and role playing as Geralt.

Of course someone could argue that I've been programmed and desensitized by society to accept the lack of representation of colored people's in video games.

But, eh, it doesn't bother me with NPCs and pre-defined characters like Geralt.

Yet if I were to play game with a character creator (Skyrim, Mass Effect, Splatoon, etc) and I could not give my character dark brown skin; I'd be very upset and would simply get rid of the game.

How are you enjoying this fantasy world if you don't feel represented in it's make believe story though? lol

It's just ridiculous whining.

If they make a future game set in Zerrikania and there are no (or few) white people, you won't see me complaining. I'd just be fucking stoked there was another Witcher game. Or another example was one of my favorite games of a couple years ago, Sleeping Dogs. Almost no white people in that game. Did I complain about that? No, because that would make me a moron.

And finally, this guy is completely off on there not being any Slavic Mythology that we know of. Complete fabrication. As is his painting of Poland as ethnically diverse in the same article where he says CD Projekt Red lives in a country that is entirely white.



As has been reiterated numerous times, its not for the sake of checking a box. It plays a role in building the believability of the world and further selling the racism and hatred.

Yes, because Dragon Age with all its diversity and political correctness is just such a believable world right?

Witcher 3's universe stomps the living shit out of it in regards to feeling like a real, lived-in place.
 
Never had issue with the witcher for this even tho its is noticeable (I expected to see some Mediterranean character types).
Tbh I was only actually offended by some animes I was watching like "Gundam 00" the entire continent of Africa only had white people in it or it seems like all people of colour got wiped out by the titans in "attack on titan"
 
Never had issue with the witcher for this even tho its is noticeable (I expected to see some Mediterranean character types).
Tbh I was only actually offended by some animes I was watching like "Gundam 00" the entire continent of Africa only had white people in it or it seems like all people of colour got wiped out by the titans in "attack on titan"
Attack on Titan is a weird one since its like literally just white people left. All people of Asian, Latin, African or other descent are MIA. Dunno if the manga will ever get around to explaining that part.
 
And if we go by the world of The Witcher games then CDPR handles it perfectly. It feels real, layered and nuanced. Sure, they have the same skin tone but people from Nilfgaard, Temeria, Redania and other area areas all have something to say about each other and even more about non-humans like dwarves. Novigrad has become a breeding ground for Mage pogroms and Even alchemist are burned at that the stake for just having a limited knowledge of potions. I think CDPR handles diversity very well. Just because it's not all literally black and white doesn't mean there is a lack of it.
Yeah, that's a good example. There are so many ways the people in this game are "different" in how the deal with each other. The Nilfgaardian's view the North as "uneducated savages" and the North calls the Nilfgaardian's "The Black Ones".

And then you get the whole witch-burning crusades of the Holy Fire and the Redanian's discriminating against Temerian's and silently subjecting others it's just many many layers of "diversity" in this game that are much deeper than skin color. Though you can easily make the analogy to any race issue around.
 
The only real complaint I can make is that the one non-white character I've encountered
the succubus
is exoticized big time what with
being a sex crazed individual

But that's really about it. The world is much more believable than Dragon Age's politically correct fantasy. It's great if you want to build a multicultural world set in a middle ages-style setting where people are cool with you being gay or whatever, but it won't be believable, you will always be very aware this is a fantasy video game world. Whereas Witcher actually manages to feel like a real place. It's an astonishing achievement.
 
Really? whats with the japanese names like Mikasa then? I forgot all the details of the show.
This is getting way off topic, but as far as I remember according to the plot of the show and manga, Mikasa was
born to an Asian mother and European father. Her mother is one of the last pureblood Asians in the world. Mikasa is one of the rare few half Asians. That's how the whole plot of her parent's death occurs since they wanted to sell her and her mother for their "rarity." If you actually think about the names in the show, most are actually European. One line in the manga or story mentions something about "very few people being able to flee from the East to the West" which seems to imply that the Titan outbreak started in Asia. But like I mentioned, there are no minorities of any kind. Even European ones. And if you keep reading the manga, based on how the story goes, my guess would have to be something about the AOT walled in community is "engineered" so to speak.
 
This is getting way off topic, but as far as I remember according to the plot of the show and manga, Mikasa was
born to an Asian mother and European father. Her mother is one of the last pureblood Asians in the world. Mikasa is one of the rare few half Asians. That's how the whole plot of her parent's death occurs since they wanted to sell her and her mother for their "rarity." If you actually think about the names in the show, most are actually European. One line in the manga or story mentions something about "very few people being able to flee from the East to the West" which seems to imply that the Titan outbreak started in Asia. But like I mentioned, there are no minorities of any kind. Even European ones. And if you keep reading the manga, based on how the story goes, my guess would have to be something about the AOT walled in community is "engineered" so to speak.

The
Asians in Titan is hunted because they are somehow impervious to the King's brainwashing powers regarding the true history of the world.
 
The only real complaint I can make is that the one non-white character I've encountered
the succubus
is exoticized big time what with
being a sex crazed individual

But that's really about it. The world is much more believable than Dragon Age's politically correct fantasy. It's great if you want to build a multicultural world set in a middle ages-style setting where people are cool with you being gay or whatever, but it won't be believable, you will always be very aware this is a fantasy video game world. Whereas Witcher actually manages to feel like a real place. It's an astonishing achievement.
You keep bringing up Dragon Age as being "politically correct" when elves and dwarves in that world are subject to violent oppression and ghettoization. I find it difficult to believe you've actually played any Dragon Age game beyond reading the rantings of people who believe Bioware has some kind of agenda to ruin video games with communism or something.
 
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