It's his best movie though.Except Enemy.
Sicario is by far his worst, but I haven't seen Polytechnique and Maelström, so they could be worse I guess.
It's his best movie though.Except Enemy.
It's his best movie though.
Sicario is by far his worst, but I haven't seen Polytechnique and Maelström, so they could be worse I guess.
Seeing Sicario compared (especially) with Se7en hurts. For me Se7en is like the prototype of a modern thriller and is as such definitely in my Top10. Everything about this masterpiece just bursts with creativity - unlike Sicario, which offers a dragged out storyline with generic characters and a boring "fighting illegal activities with illegal methods" theme. It was utterly boring for me - not exaggerating btw - and I was at the verge of leaving the theater, but at least the second half was better.I highly disagree. Sicario is right up there with Silence of the Lambs and Seven as one of the best thrillers of all-time. As much as I like Prisoners, it's definitely his weakest film imo.
Outside of Suicide Squad, Jared Leto is a pretty solid actor. He's a much better actor than he is a musician.Jared Leto. Oh no. Why.
Sicario and Arrival aren't forgettable nor are they hollow and they both received huge critical acclaim. So.. if you think he's just an okay director, that's your beef and there's no meeting a middle ground or convincing you since most critics seem to think he's a great director. I mean, I'm not usually the type to point to rotten tomatoes and go "you're wrong," but predicting that this film will get decent to average reviews and then be forgotten because he has a history of receiving middling reviews seems like a disingenuous premise. If you wanna say he's overrated then that's fine and you're entitled to that. But to say that his films receive decent to average reviews is false. His english language output has been above average.counterpoint to all you have faith in Villeneuve bros
why?
he makes pretty decent films, that look good, well written and sound good but ultimately feel hollow and boring to me and I never will bother to re-watch...
Ridley totally fluked into making this and Alien as all time classics but their weirdness and greatness are totally products of their time.....I don't buy the argument because DV "understands" what made the film better than Ridley will result in a great or even average film. This will look nice, get decent to average reviews but ultimately be forgettable. I hope I'm wrong though....
Sicario and Arrival aren't forgettable nor are they hollow and they both received huge critical acclaim. So.. if you think he's just an okay director, that's your beef and there's no meeting a middle ground or convincing you since most critics seem to think he's a great director.
Personally I'm excited to watch a big budget Villeneuve-directed 2.5 hour cyberpunk film.
Outside of Suicide Squad, Jared Leto is a pretty solid actor. He's a much better actor than he is a musician.
I totally understand you're argument and I get people who like Villeneueve films even if I find him pretty boring.....
but again...everything about blade runner is just such a bizarre and unique film that I just think its a fools game to try and a make sequel to it...
I have friends who have found Blade Runner boring and came out of it even hating it because they had their expectations set so high from its cult status. At the end of the day I guess they're just two different brands of boring. You could like Ridley's brand of boring more than Villeneuve's brand of boring.
Watch this movie be better than the original.
There's something wrong with the interior scenes too. The opening one for example. Looks oddly dry.
Why do the sets look so empty?
Still looking too clean, like it's ignoring what made the aesthetics in the first so memorable. Needs way more grit
Latest trailers give impression of a very simple and straightforward story.
All of them.
Find me a comparable trailer, because I can't.
Frankly each trailer makes this movie look worse.
Thought that was better than Arrival tbh
The interiors are really plain compared to Ridley's movies. I mean look at this, it's like a painting:
Here's a modern apartment with a futuristic gadget on the wall:
Maybe more smoke would help /s (because the exteriors have it and they look good)
It's kinda crazy how there's absolutely zero redeeming qualities to be seen in that trailer: music, visuals, plot, acting, art direction... all look mediocre at best.
I know it's fun to use hyperbole, but mediocre is absurd imo.
Lackluster?
I mean, I can see this looking disappointing to you if it doesn't fit the original and you want that so yeh, lacklustre is better. I'mm probably being needlessly pedantic here though...
Personally I think it looks great from the trailer, but it's a trailer...
I love the gothic look of the original, but I'm open to something a different.
I know it's fun to use hyperbole, but mediocre is absurd imo.
Does anyone outside of the internet or GAF see this as being a big hit? Because I don't know anyone that even knows it exists. Sure anecdotal and all but what's this tracking at? 25-40 OW?
And how good the trailers have been.Well it doesn't look good. So far the apparent hype for this movie is getting by on only two things: the IP and Villeneuve's track record.
And how good the trailers have been.
Ubiquitous advertising was a recurring visual feature of the original ”Blade Runner," and Villeneuve picks up that motif in this scene, as Gosling's Officer K gazes at (and is gazed at by) an immense holographic ad. ”We constructed the bridge on the set, filled the stage with rain and fog, and we projected the actress on that gigantic screen," Villeneuve says. ”So the impact of the light is all real — it's not something created by a computer."
Officer K walks past cramped boxes in which some of the city's poorest residents live, an idea inspired by real-life Hong Kong low-income housing units called ”coffin cubicles." ”Part of L.A. is in ruins and doesn't have power anymore, and there are a lot of refugees coming from eastern Asia and Russia," Villeneuve says. ”To have your own apartment is a big luxury, and there are a lot of people living in boxes."
In the original ”Blade Runner," Ford's Deckard was constantly soaked by rain, but in the new film, the weather is much less predictable. In the intervening years, the climate has gone berserk due to rampant pollution, turning Los Angeles into a chilly, desolate place. ”As much as the first movie had an atmosphere of constant rain, in this one it would be colder," the director says. ”Basically, you could say that the first movie was made by a man from London, England, and the second one was made by someone from Montreal, Canada."
With the new ”Blade Runner," Villeneuve wanted to carry forward the neo-noir aesthetic of the original film, with stark, dramatic lighting as in this scene featuring Gosling and Ford. ”It's a world that is quite bleak and dark and claustrophobic, but I tried to find an equilibrium with explosions of color that would express some emotions and some themes," he says. ”The color yellow is very important in the movie and is linked with different aspects, story-wise. "
It's the best movie I've ever made, I think. But I know it's going to be compared to the first one. And I'm nervous. I'm still waking up sometimes in the morning, thinking to myself, ”Oh God! I just made a sequel to ‘Blade Runner!' What the [expletive]!?"
FORD It comes up somewhere around the end of the second drink. It always comes up somehow. When we were making the first film, the conversation really was only for Ridley and myself. Somehow it got into the general conversation, because people were curious about that, and I think that's a good thing. The story, I think your options ... are somewhat preserved, for the audience.
SCOTT Deckard is a [expletive] replicant. Harrison can't disagree now, because the whole premise of this new plot is based on the fact that he's a replicant. I'm more amused by this than anything.
In an NYT feature, Denis Villeneuve says he considers Blade Runner 2049 the best film he's made.
Also covered in the interview is the Ridley Scott and Harrison Ford feud and the replicant debate.
SCOTT Deckard is a [expletive] replicant. Harrison cant disagree now, because the whole premise of this new plot is based on the fact that hes a replicant. Im more amused by this than anything.