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GAF-Hop |OTXVI| Build a Wall (of Better Top 20 Albums)

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A

Adam Sadler

Member
Koozek said:
Actually the first Future song I've heard was Paradise off Pluto. Didn't follow him after that, though, until Move That Dope became so huge.

https://www.youtube.com/watch?v=JBKJzTpL8QI


It's still mind-blowing to me that he was part of the Dungeon Family back then (though, yeah, only the 2nd Generation, but still). Didn't expect that connection. Future sounding like André here, lol:

https://www.youtube.com/watch?v=0L5p96rnqiQ
Click to expand...
Sounds more like he part of Goodie Mob than Andre
 
V

Vorheez

Member
Yeah, gonna echo the idea about sun's tirade being great when I went back to it. I've had it on rotation for a while now, great stuff.

You wanna know where that doesn't apply though? Run The Jewels. That shit is garbage man, I just don't get it. It's actually grating to listen too. I feel physically ill.

Fuxk run the jewels
 
H

HiResDes

Member
Adam Sadler said:
People seem to really love it but I really wasn't a fan of it. It lacks all the polish his first release had. I even like all the leak songs more than what was put on the album or at least most of em. Everything just sounds so b side ish to me.

Just seems like all the songs where recorded in a time where he didn't know how to proceed on with life and while sometimes that produces great albums. I don't think this is an example of that happening.
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I don't know man tracks like stuck in the mud seem just as polished and well rounded as the stuff on Cilvia. People seem willing to give Frank the benefit of the doubt and listen to Blond thirty times until it clicks even though a third of the songs are snoozers but wouldn't dare extend that kind of faith to any rapper other than maybe Kendrick. It's kind of a bummer to me.
 
A

Adam Sadler

Member
HiResDes said:
I don't know man tracks like stuck in the mud seem just as polished and well rounded as the stuff on Cilvia. People seem willing to give Frank the benefit of the doubt and listen to Blond thirty times until it clicks even though a third of the songs are snoozers but wouldn't dare extend that kind of faith to any rapper other than maybe Kendrick. It's kind of a bummer to me.
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When I say that I mean even down to his vocals recording and him no longer doing adlibs the same way. Idk if it was a stylistic choice to me or what. The album just feels too heavy for me. I've listened to it many times this year and last hoping it'd click for me, and on Apple music so he at least still getting some money out of these attempts, but it just doesn't do it for me. Also, despite people saying his flow remind em of Kendrick I feel like he shows shades of 8ball and MJG.
 
P

Psychological Intellect

Banned
Adam Sadler said:
People seem to really love it but I really wasn't a fan of it. It lacks all the polish his first release had. I even like all the leak songs more than what was put on the album or at least most of em. Everything just sounds so b side ish to me.

Just seems like all the songs where recorded in a time where he didn't know how to proceed on with life and while sometimes that produces great albums. I don't think this is an example of that happening.
Click to expand...
Same. CD is a level above TST.

I've played it like 100 times so I definitely give it multiple, muiltiple spins because I was really hyped for it.

It's​ still a good album while I thought CD was great.

There are still some great songs on there though. I liked 7 out of the 17 tracks.


Here's my "best of" playlist on Spotify. It also includes Nelly and Smile.

https://open.spotify.com/user/orphicwhip/playlist/72g9Y1v3j626NHFAWWaxyo
 
K

Kopite

Member
Yeah I didn't get the hype over Future, even made a post on here. Then I really liked Mask Off and that got me listening to DS2 again and I appreciated it much better this time around. I think the production does most of the heavy lifting though.
 
T

torre_avenue

Banned
Psychological Intellect said:
Music is one of those art forms where I find reviews almost completely worthless especially considering the lack of investment needed to give an album a listen.
Click to expand...
Normally, I'd agree, but I find reviews to be a decent barometer for whether or not an album is worth checking out.

There's really only been one project I can think of that's been critically classified as meh, but is honestly really good, and that's SebastiAn's "Total". Other than that, I find myself either aligning with their praise or find it underwhelming.
 
C

CrazyShady

Member
Psychological Intellect said:
Music is one of those art forms where I find reviews almost completely worthless especially considering the lack of investment needed to give an album a listen.
Click to expand...

Psychological Intellect said:
I still think DS2 at best is a 6/10 album.
Click to expand...

This killed me. But I do agree, beyond a few songs off DS2 I just don't personally see what Future does differently than all the other trap artists besides his velvet voice.

His show in TO (solo, not with Summer Sixteen) was hype as all hell tho.
 
V

Vorheez

Member
CrazyShady said:
This killed me. But I do agree, beyond a few songs off DS2 I just don't personally see what Future does differently than all the other trap artists besides his velvet voice.

His show in TO (solo, not with Summer Sixteen) was hype as all hell tho.
Click to expand...
he paints vivid pictures of pain and suffering
 
N

Net_Wrecker

Member
Contrary to most(?) here, I don't find myself giving albums many listens to click. There's just too much to do, and I'd rather go check off a box on my huge film watchlist than give an album 4-5 chances to work.

I do one full playthrough and a skim. If I'm really not feeling it after that, as in complete dislike/dissatisfaction, it's in the bushes. Some albums I don't love might get through the skim and kind of hover in this weird "I appreciate it" limbo, like MF Doom's work, but that's a rare thing.

I've never done a 180 on any album. If my first impression is completely negative, it's dead. I need something to latch onto to make me want to go back in.
 
K

Koozek

Member
Code: 
[IMG]https://pbs.twimg.com/media/C7AWv-wU0AA5aex.jpg[/IMG]

j7ICduY.png
 
V

Vorheez

Member
Okay

Part 2 of Vorheez "Top Ten Hardest Tracks Ever" series with another hardest track ever. This one here might be top 3, but it could also be bottom 3, depending on who you are (who cares). Either way, it's hard, enjoy.

https://youtu.be/0pcMCrKwrmk

Thanks for listening and don't forget to tune in next time
 
Andrew Korenchkin

Andrew Korenchkin

Member
Vorheez said:
Okay

Part 2 of Vorheez "Top Ten Hardest Tracks Ever" series with another hardest track ever. This one here might be top 3, but it could also be bottom 3, depending on who you are (who cares). Either way, it's hard, enjoy.

https://youtu.be/0pcMCrKwrmk

Thanks for listening and don't forget to tune in next time
Click to expand...

Now This I agree with being hard. Amazing song, one of G Rap's best. Both 1st and 2nd verses are in my top 50 verses of all time.
 
H

HiResDes

Member
Adam Sadler said:
When I say that I mean even down to his vocals recording and him no longer doing adlibs the same way. Idk if it was a stylistic choice to me or what. The album just feels too heavy for me. I've listened to it many times this year and last hoping it'd click for me, and on Apple music so he at least still getting some money out of these attempts, but it just doesn't do it for me. Also, despite people saying his flow remind em of Kendrick I feel like he shows shades of 8ball and MJG.
Click to expand...

Yeah been saying something similar for a while.
 
B

Bronx-Man

Banned
Chance really just admitted on Twitter that he took 500 Bandz from Apple to put Coloring Book on Apple Music and in the same damn tweetstorm he STILL calls himself "independent".
 
T

torre_avenue

Banned
Bronx-Man said:
Chance really just admitted on Twitter that he took 500 Bandz from Apple to put Coloring Book on Apple Music and in the same damn tweetstorm he STILL calls himself "independent".
Click to expand...
I mean, he still is. As long as he isn't signed to a major label, he is still independent.

Frank is independent and yet he still took Apple's money in exchange for "Blonde" exclusivity, "Chanel", and a radio show. Fuck, if I were in that situation too, I'd sure as hell take $500,000 for two weeks of exclusivity before I released the damn thing for free too. I mean, if you feel so inclined, you can now download "Coloring Book" on DatPiff.

My point is, Chance made a business decision that keeps him independent, helps him make back some of the cash he spent on "Coloring Book", and gives him something to spend on his future album. It's not a bad deal at all.
 
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