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Anime from the 80's and 90's were the best. Look here for some recommendations.

Blackage

Member
Anime Nostalgia, the thread.

I think everything shown in this thread was in my Blockbuster video's "foreign" animation section.

There are also a few that Sci-Fi showed during that period where every year(For just 3-4 years I think) they had a week where they'd show a new anime movie never seen before in the US like: 8-man After, Devil City something, Guyver, etc.
 
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Agreed with lots already mentioned. Rurouni Kenshin: Trust & Betrayal, Ghost in the Shell, Patlabor, Irresponsible Captain Tylor, Legend of the Galactic Heroes, Trigun, Cowboy Bebop, Hunter x Hunter, You're Under Arrest, Macross Plus, Serial Experiments Lain, Crest of the Stars, Berserk, Akira, City Hunter, Golden Boy, Outlaw Star, Gunbuster, everything Ghibli or Satoshi Kon, ...

Special mention to Kare Kano, it's very much worth at least watching the beginning. Yukino is great.

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Xe4

Banned
Here's an obscure one. Penguin's Memories: Shiawase Monogatari (A Tale of Happiness). I don't really want to spoil the film, so I'll just say it's a really good 1985 anime that could have been a lot better, if not for some circumstances. It's damn good for a commercial, at the very least. I don't know where you can find it subbed, but there's a raw version on youtube. If you do ever find a subbed version, you can shoot me a PM, that'd be great.

Here's a picture that gives you an idea of the animation style without giving too much away.
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Rydeen

Member
Crusher Joe is rad.

Anybody got any more recommendations similar to it (besides Venus Wars)

Series or OVA will do.
Glad you liked it. Just so you know, Crusher Joe DID get two OVA follow-ups in the late 80's, which were included on the U.S. dvd release of the movie. Their titles are The Ice Prison and Ash: The Ultimate Weapon.

This!

I so want him back in the game to do another Ninja Scroll.

Kawajiri wants to as well. He even made a few teaser shorts to drum up investor interest, but no one is biting. More proof anime just isn't what it used to be anymore. :(

https://youtu.be/TvAsKZAYEak
 

taimoorh

Member

I think the first one is Macross, which one though?
2nd is clearly GITS, and maybe 3rd image is too?
But what are the last 2 GIFs from??? Never saw this in Initial D...

Also, for anyone who loves sci-fi, or even Interstellar, please watch Gunbuster (Top wo Nerae).
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And that visually cool transition from 80's to 2000's anime art style (which is also dated by today's standards), Diebuster (Top wo Nerae 2).
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Both are also available in Bluray format (Gunbuster vs Diebuster).
 

ckohler

Member
But what are the last 2 GIFs from??? Never saw this in Initial D...

Those are from You're Under Arrest. Kōsuke Fujishima Is crazy about cars and motorcycles and can draw super authentic mecha.

Watch the opening to the OVA series I posted a few pages back.
 
Peeps need to be watchin' some Gunbuster. Which is all available, for free, on youtube, RIGHT NOW. NO EXCUSES.
My girl Noriko invented feels and bouncing breasts all in one 6 episodes series
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Incorrect. Modern anime looks better, has better characters and stories, better music, and is so much cuter!



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Yeah, Modern anime looks better indeed.

In all seriousness, there are a number of series recently that are quite enjoyable. I think saying one generation alone "had it best" is wrong. However, discrediting everything pre-2000 is doing yourself a massive disservice. 80's anime was the shit.
 
For people saying modern anime is better on everything, can you recommend shows that display fetishistic levels of detail on vehicles and other little mechanical doo dads like here? Redline, and what else? Genuine asking for recc's, not being dismissive or whatever.

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Another one also directed and also written by Yasuhiko is Venus Wars. If anybody watched Sci-Fi Channel's Saturday Anime as a kid in the 90's, you'll remember this. About a gang of bike racers who get caught up in a civil war on colonized Venus. The mono-bikes they race are very cool, the animation is really smooth, and has a great earthy / gritty 80's look and feel to it. Definitely check it out, it's in print on dvd from Discotek currently.

https://www.youtube.com/watch?v=rXY1Otlu0NY

I'll come back and highlight more so this post isn't a mile long.

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The golden age, when they drew their vehicles/mechs and it looked glorious

For me, the pinnacle of late 80s/early 90s near future anime for me was Patlabor -- especially the movies. The simple fact that Mamoru Oshii directed and Kenji Kawai produced the soundtrack makes for a simply kickass movie, but the art design by Hajime Katoki combined with that buttery smooth high budget animation just... it makes the movies absolutely wonderful.

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This two minute clip captures the mood of the second movie very, very well. It also has dat wonderful ethereal Kawai vibe to it: https://www.youtube.com/watch?v=1dmlwhaEEgE

Great to see some love for Cybercity Oedo 808, and I just want to say that right now you can score the DVD for under 5 bucks on Amazon. Well worth it indeed.

Other recommendations:

Hades Project Zeorymer

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Hyper Psychic Geo Garaga

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Amon Saga

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Detonator Orgun

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Genesis Survivor Gaiarth

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Metropolis

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knkng

Member
oh i love this genre when was younger

would you know of this anime where the protagonist was a lil princess and she had a scepter and could change costumes / disguises to solve the episodes? her father is stocky and chubby and the king.

it was super cute amg

You're probably thinking of Magical Princess Minky Momo. It's actually one of the shows (if not the show) to pave the way for the "magical girl transformation" of the Sailor Moon variety. As you said, she would basically turn into an adult and have different costumes/jobs each episode. Her father was the king in the Kingdom of Dreams (I believe that's what it was called), who was a small chubby character, but I think she lived with foster parents while on Earth (again, I can't quite remember).

Here is the opening and ending credits.

The show is also somewhat notorious for it's ending, in which Minky Momo gets run over by a truck and dies.
Check it out!
 
Utena was cuuuuuuuuuuuute too ^_____^

What was cute, the part with Nanami and the kitten?

Of all the assertions I disagree with in this thread (like the premise that anime in the 80s and 90s was somehow better than in any other era largely because you have a peculiar nostalgia for it), for some reason, this is the one that stood out to me the most. Utena is many things, but "cute" is about one of the last words I'd use to describe it.

On topic, that's my favorite series of all time and it came out in 1997, but on the whole I find that decade rather weak, and could probably name more shows that I liked from either of the surrounding decades. Am I gonna ignore or shit on the many great productions that came out of that decade just because I don't draw a lot of personal favorites from it? Hell no. The 80s sure had a lot of terrific stuff, but so did the 00s, and even the current decade. I would take The Flowers of Evil or Ping Pong or Yamato 2199 or Hyouka or a handful of other things, at least, over everything listed in the OP except for Akira (which was really a one-of-a-kind film event, to be honest) any day of the week. None of which are moeblob shows, all of which vary wildly in tone and style.
 

PKrockin

Member
I saw a ton of Kimagure Orange Road recommendations. I read some of the manga a long, long time ago. What was so great about it? Literally all I can remember about it is a love triangle and the guy is cursed or something.
 
I saw a ton of Kimagure Orange Road recommendations. I read some of the manga a long, long time ago. What was so great about it? Literally all I can remember about it is a love triangle and the guy is cursed or something.

Madoka designed by Akemi Takada and Shiro Sagisu's soundtrack. The manga has aged awfully - the anime series a little less so.
 

TriAceJP

Member
Original run 1969-71.

All downhill from there.


Also -Akira sucks.

I'm spoiled by the manga. The movie is so terribly stripped and rewritten that it completely misses the point. I know people who love it though and to each their own.

I'm not into recent anime (I fell off the anime fan train half way through the 00's and haven't found a series that had interested me since) but loved a lot of stuff from the 90s and before.

I think it's mostly to do with the style and genre. I liked the hand drawn look and was really into western fantasy shows. Stuff like Ophen, Record of the Lodoss War, Arc the Lad, El Hazard and The Slayers was what caught my attention. I was also into cyberpunk and some space stuff (The Irresponsible Captain Tylor and Cowboy Bebop were great).

There was a lot of those. They just don't make stuff like that anymore, at least to my knowledge.

Scrapped Princess was alright, that's probably the most memorable thing after the 90s I can think of. Everything else was based on manga (Monster, Fullmetal Alchemist, Parasyte).

But hey if you know of something that you think I'd like, feel free to suggest it.
 

Boss Doggie

all my loli wolf companions are so moe
Yu Yu Hakusho captured the tournament fighting theme so well that I feel like others are mimicking that than DBZ.

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I recommend G Gundam and Turn A Gundam for a "different kind of Gundam" if the original / UC timeline makes you feel bored or convulted.

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Sailor Moon S is easily the best Sailor Moon arc, and introduced two of my favorite characters in the franchise.

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Magic Knight Rayearth is a very different kind of magical girl that it felt like testosterone was added to it.

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With that said, too much nostalgia in this thread, ESPECIALLY 90's anime. Seriously, if you think 2000's anime has same face syndrome, you guys haven't seen 90's anime.

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them chins
 

javac

Member
So much good shit posted in here, Giant Robo, Royal Space Force, Patlabor, Gunbuster, GITS, some real good shit in here. I wrote a little review for a little film called Do Yo Remember Love, I guess I'll post it here in case anyone is interested in it :)

Macross: Do You Remember Love?
Do You Remember Love is a movie adaptation of the phenomenal 1982 Super Dimension Fortress Macross series, with the movie being released back in summer of 1984 to a huge marketing campaign. The film is without a doubt a defining pillar of anime, one that set the stage for things to come with its foundations still being used today. From the phenomenal soundtrack to the awe-inspiring visuals, Do You Remember Love is without a doubt an all-time classic and a must watch for anyone who has a love for animation and all things anime.
To know more about the film, you have to go all the way back to October 3rd 1982 with the release of the original series itself. The original Macross series is without a doubt one of my all-time favorites. It’s a show filled with an amazing, engrossing cast, a captivating soundtrack and a beautiful story. The series was notable for its combination of action, Sci-Fi and romance, all held together with its core theme of music, a combination it pioneered and a combination that is still used today in the world of anime. Epic fights in space with a Japanese pop song playing in the background, all choreographed with finesse…what’s not to love? The music in Macross is truly a defining element of the series, and was embraced by fans all around the world, with its popularity transitioning Mari Iijima, the voice actress for one of the main characters into a mega hit sensation overnight.
Originally inspired by the hit series Mobile Suit Gundam, which had released a few years prior and was already setting the world on fire, it’s fair to say that Macross had a troubled start. Originally conceived as a 48 episode series, the original sponsor’s ideas of a comedy focused series clashed with Studio Nue’s ambition to create an epic space opera. With the original sponsor soon out of business, Macross was left without a sponsor, until an advertising agency named Big West approached the studio with the intention to branch out and agreed to sponsor Macross. With reservations in regards to how popular Macross may end up being, the episode run was cut down to 27 and the budget reduced. With the debut out of the way however, it was clear that Macross was a huge success and Big West was finally convinced to give the thumbs up to extend the series to 36 episodes, which would allow the studio to end where they had originally intended. This of course is without going into the whole ordeal that is Harmony Gold and their stranglehold on the series outside of Japan, but that’s another story. I want to keep this positive.
So with that out of the way, let’s get to the main event, Do You Remember Love? We’ll call it DYRL from here on out since it shorter. DYRL is as mentioned above a film adaptation of the classic series, and without a doubt the best way in which I’ve seen this concept handled. Unlike say the Gurren Lagann movies which splices a little bit of new footage with the show, in an attempt to recreate and stick to the fidelity of the original series, staying true to the original script, or the Gunbuster/Diebuster movies that just cut content from the original OVA’s, thus removing key plot points and characterization in order to fit into a smaller run time, DYRL is lovingly reanimated from the ground up and takes liberties with the story while still treading familiar ground. This accumulates to what I can only describe as the best looking animated anime film I have ever seen. In case anyone is wondering, I watched this on the 30th Anniversary Blu-ray Box, and boy does this film look and sound stunning.
Taking a near 16 hour series and condensing it into an hour and 55 minute film is no easy task and less so when a template for doing so hasn’t been invented yet, so the task is doubly daunting. Taking this all into consideration, I am more than pleased with the way in which they tackled the task; in fact I am enthralled by the resulting film. People often ask “Which one did it better?” and “What should I start with first?” Well in my opinion, the answer is pretty obvious. If you want to get into Macross, (which if you haven’t already you really should!) the original 36 episode series is the definitive way to go about it. It is the quintessential Macross series, and DYRL is heightened by its viewing as it is the animated embodiment of the term nostalgia. Looking back at the world and characters that you know and love in a new light is enthralling and fun, and quite honestly you’d be hard pressed to see me without an ear to ear grin on my face while watching this and it would be just as hard to see my eyes dry while doing so. Never have I been so pleased with an animated film, and never has an animated film looked and sounded this good. Everything is familiar if you’ve seen Macross, and yet everything has more life to it and more energy. Details everywhere, Macross has never looked this good, and it never will. From a visual standpoint, you’ll be hard pressed to beat the fidelity here. Everything and everyone has been recreated with love and care.
Does DYRL hold up on its own two feet? Yes, but it’s very clear that DYRL is a love letter in and of itself, to the fans, to the world of Macross. For a film that released over 30 years ago, it holds up effortlessly, stomping on the face of newer films. The world of Macross has been given a new lick of paint, and it’s hard to ask for anything more than that. To have something you care for reconstructed with such delicacy is something any fan of a series should hope for if this is the result.
The audio is an important pillar that makes up the entirety of Macross, and I’m extremely pleased to say that it’s all in tact here. Presented in a DTS-HD HR 5.1 track, each of Minmay’s songs sound delightful. Most of the background audio are new renditions of tracks from the show itself, however many new tracks from the late composer Kentaro Haneda make their way onto DYRL and each and every one of these background tracks hit the right spot, and it feels oh so good to hear one of these tracks as Hikaru pilots his VF-1A Valkyrie through a barrage of missiles, dodging and weaving. Nothing beats this sensation, and if anyone knows Macross, you’d know that Macross loves to dish out those missiles. The soundtrack ranges from soft and sombre to sweeping and powerful with your healthy dose of Lynn Minmay classics thrown in for good measure. From 0-G Love to Sunset Beach. All of it comes together to make a film that will have you shuffling from side to side one moment, shedding tears the next, and laughing all the way as the visual onslaught blows your mind away.
The story does little to introduce you to the world of the Super Dimension Fortress itself and its crew and instead throws you straight into the skirmish. I loved that about this film if I’m honest, it goes in with the intention that the people watching are acquainted with the series, and that’s great. Get in there and give me a spectacle! That’s not to say that no exposition is at play here, because there’s certain scenes that exist just to explain what’s going on, but thankfully these scenes are either touched up and play out a bit differently to the equivalent scenes in the TV series, or are totally new scenes altogether so you’ve always got something to keep you on your toes plot wise.
The characters are a strong point of Macross, with an amazing female cast. It is dated, and simplistic at times, but earnestly so. Its heart is in the right place, and that’s what I love about Macross and DYRL. It’s punchy, overly confident and yet sincere. It’s a story about an alien race going in an all-out war with Humans and the inhabitants of the Super Dimension Fortress itself, with the power of love, music and culture being the ultimate deciding weapon in this war. It’s overly optimistic on paper, but the series delves into themes that include the effects of war on soldiers, dealing with lost and found love, all wrapped up in a complicated love triangle that inevitably leaves someone with the cold shoulder. The comedy hits the right notes, and knows when to stay away, and the serious moments have you fully invested as you care for its strong cast. The cast in the film is very week development wise compared to the stellar series, as everyone’s development on screen is compromised in order to strengthen the protagonists own development in the short period of time. Again, it worked for me since I was already acquainted with the amazing cast, but without seeing the series’ first you’d be hard pressed to know that certain characters are a couple at all!
I think it was the correct choice overall as you spend a vast majority of the time with a small subset of characters in DYRL anyways, which is a shame since I love everyone in Macross, with the TV series even managing to get me to care for characters that I hated which goes to show just how great the characters are in Macross are and just how great the voice actors play their roles with mastery. I’ve never really fallen in love with a character in an anime before, as I detest most females in anime, but man I was head over heels for Hayase, and I still am, and unlike the TV series, I actually cared a lot for Minmay herself, unnaturally so. Her eyes and her dancing man…infectious.
In terms of the actual Blu-ray itself and its transfer, let me say that screenshots don’t do it justice at all. The movie looks absolutely stunning in motion thanks to the juxtaposition of the dark, deep space and the bright explosions and neon lights that give each scene a sense of vibrancy and life. Colors pop and standout amidst the starry night sky. It’s true; the Blu-ray is faced with a myriad of issues. Its super grainy, and both dirt, tears and scratches are visible, with many scenes looking really blurry at times, and the ending credits (a scene from Macross Flashback 2012) looking like it was pulled from a VHS, and yet I still fell head over heels for this because at times the visuals do truly shine as you see each and every star in the sky sparkling and shimmering to the sound of Minmay. I think the DVD is a fine way to watch this, but man in motion I really loved how it looked on Blu-ray, and the sound quality was to die for, with the sounds of missiles ricocheting from to channel to channel. The previous voice actors reprise their roles here, but with the added bonus that both the Zentradi and Meltrandi, whom are the aliens in the film and series, have their own language in this film, which sounded pretty awesome! Yak Deculture!
So, in the end it’s plain as day that I’m head over heels for DYRL. Macross is without a doubt one of my favourite TV series of all time, and DYRL is a love letter to that series. Many things are skipped and changed but that’s fine because the changes they made were the right ones for the format. Instead of cramming everything into barley 2 hour film down from a 16 hour series, the story has been reconstructed in a way that makes sense for the time that they have. The reoccurring music is a delight to hear with the new visuals, and the new music being some of my favourites in the series. Like the TV series itself, DYRL is a happy, sad, emotional roller-coaster, one that I’m happy to ride on again and again and again. DYRL to put it simply is a 2 hour Macross Music video, beautifully choreographed and lovingly put together, a ride though memory lane. In the end, I remembered the love that I had for Macross, and got to experience it all over again.
10/10
 

AC!D

Member
I wrote a little review for a little film called Do Yo Remember Love, I guess I'll post it here in case anyone is interested in it :)


I really, really want to see this, and the original Macross TV show as I *love* the original Gundam 1979 TV show. Being in stuck in the UK and due to the shitty licensing problems with Robotech I don't know how I can watch it. :/
 

HORRORSHØW

Member
i grew up on stuff like this:

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love that DYRL review. the movie does a fantastic job of encapsulating the essential parts of the macross saga.
 
Grimløck;161100424 said:
i grew up on stuff like this:

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love that DYRL review. the movie does a fantastic job of encapsulating the essential parts of the macross saga.

Silver Fang became a recent favourite of mine. Hilariously over the top in every episode.
 

Dio

Banned
I'm reminded of dadrock threads where people post that only rock music from the 70's is good.

From an animator's standpoint, I find going back and watching some parts of Lodoss (on bluray),

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Five Star Stories (you can feel the money burning off the screen):
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and Getter Robo Armageddon
http://f.oxipry.se/zjppch.webm
http://f.oxipry.se/nxsboi.webm
http://f.oxipry.se/kdpglq.webm

to be a real treat.




I love old stuff too, but some of the shit that's being done right now is crazy good too. Some of the animation that's being made at the moment makes me seriously impressed, especially since many of these were done on a really small budget relatively. The integration of CGI has actually been quite a boon for some shows, where it would have taken several times to budget to do things by hand and it still looks fucking awesome.

http://a.pomf.se/nvkdfo.mp4
Kekkai Sensen (airing RIGHT NOW)

http://a.pomf.se/gmppjd.mp4
http://sakuga.yshi.org/post/show/5528/animated-background_animation-debris-effects-fight
Tetsuwan Birdy Decode S2 (this scene was the inspiration for the final action scene of Man of Steel)

http://sakuga.yshi.org/post/show/14738/animated-debris-effects-explosions-fate-stay_night
http://sakuga.yshi.org/post/show/14712/3d_background-animated-cgi-effects-fate-stay_night
Fate/Stay Night: Unlimited Blade Works S1 (airing right now, too)

http://a.pomf.se/fvuluo.mp4
Wasurenagumo (from a couple years ago.)
 
I feel like a broken record, but anime wasn't better in the 80s and 90s, we just got a highly filtered version of it because there wasn't internet streaming. We pulled back the curtains and saw the old man operating the giant head.
 
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