Also Behind The Candelabra if that counts. And Contagion.True Grit.
Also Behind The Candelabra if that counts. And Contagion.True Grit.
My god, that looks like crap, Lucas had all the money in the world and it still came out like garbage.
When you present it as a Windows 98 render it becomes impressive once again. It's pretty amazing how far CG advanced in such a short time period. Avatar or even Davy Jones from pirates CG are almost indistinguishable from real life. And those were created less then 10 years after those prequels.that's 1998 technology (film came out 1999, but was filmed in 97, and the computer farm built in 1998)
True Grit.
Also Behind The Candelabra if that counts. And Contagion.
These films better be fucking fantastic. So much time and money.
Imagine if the first movie in this new series floppes?
Bro, how do you flop the word flop?
Its 4:15AM. LEAVE ME ALONE
To answer your question,
if Avatar 2 made 1.4 billion worldwide, you would still have internet movie forum experts calling it a flop for only making half of what the first film made.
So I guess it depends what you consider a flop.
In a world where directors get fired from big franchises for looking at the producer wrong, Cameron is a true anomaly. He has spent years doing no one knows what on a franchise nobody really seems to care about and yet he still has the full backing of Disney.
I think you mean floppe.To answer your question,
if Avatar 2 made 1.4 billion worldwide, you would still have internet movie forum experts calling it a flop for only making half of what the first film made.
So I guess it depends what you consider a flop.
I think you mean floppe.Just kidding
In all seriousness has Cameron ever had a movie flop and was critically panned by normal movie goers? I personally can't think of any examples but I'm sure there's something.
That's kind of what I thought. In my mind he's probably one of the safest bets in Hollywood.Critically, no. Budget-wise, he came close with The Abyss, but it eventually broke even.
And no, he didn't direct Pirahana II. He worked for less than a week on that film before getting fired, like the director before him.
Critically, no. Budget-wise, he came close with The Abyss, but it eventually broke even.
And no, he didn't direct Pirahana II. He worked for less than a week on that film before getting fired, like the director before him.
You'll be interested to know that at the time they were made, Terminator 2, True Lies and Titanic were all the most expensive movies ever made at the time.
When you think about it, the visual effects should be completely ridiculous. By the time ABADAR2 drops, eleven years will have passed since the first movie. That's like two game console generations. Ten years before Avatar, this was the state of the art in CGI:
?
There's barely any CGI in that shot.
what the hell is a standalone sequel?
They are sequential. But there won't be any cliffhanger shit. There won't be any 'find out next time!" Episodic shit.Standalone doesn't really tell us much. Are they sequential? If they are there will still be an EPIC ENDING hyped up by marketing for the final film right?
what the hell is a standalone sequel?
In a world where directors get fired from big franchises for looking at the producer wrong, Cameron is a true anomaly. He has spent years doing no one knows what on a franchise nobody really seems to care about and yet he still has the full backing of Disney.
Bro, how do you flop the word flop?
All of them are being filmed back to back, people.
4 films shot concurrently.
I see you.Probably the same way you flop this:
Those don't mean the same thing.
Are you sure you're thinking of the right guy? Basically everything here is wrong.
Cameron is the producer. He wrote, directed, and produced Titanic and Avatar. In the case of the latter, he even put up a lot of his own money into developing the tech used on the film. Those two movies made almost $5b, more than most movie studios usually make in a whole year with their entire release slate. Nothing at all usual that he's basically been given a blank check at this point.
Avatar is Fox, not Disney.
And you're kidding yourself if you think nobody cares about Avatar.
When you think about it, the visual effects should be completely ridiculous. By the time ABADAR2 drops, eleven years will have passed since the first movie. That's like two game console generations. Ten years before Avatar, this was the state of the art in CGI:
Code:[IMG]http://i.imgur.com/dXGpQ0a.jpg[/IMG]
Gah.
Maybe there's a method to Cameron's madness. Eternally delaying these things just to be capable of blowing our minds again.
I guess because Fox doesn't have their own theme parks. Universal's parks have Harry Potter and King Kong, WB properties.Avatar is Fox? Huh, I never knew. Why then is Disney World building an Avatar Park?
Anyway, I understand why Cameron is given a blank check, but it's just that he's a real anomaly. Most directors (even big ones) aren't given blank checks anymore, because big studio's want to evade exactly these kind of situations where a director seemingly stagnates and just locks himself away with his passion project for years (or even decades) and will probably cost the studio more money in the end than they will make.
That's because nobody has helmed more difficult shoots than Cameron.I guess because Fox doesn't have their own theme parks. Universal's parks have Harry Potter and King Kong, WB properties.
I think the difference with Cameron is that once he actually starts shooting, he's an animal. Pretty notorious workaholic and seemingly handles these huge productions with relative ease. You got guys like Joss Whedon talking about how stressful it is to shoot two Avengers movies, meanwhile Cameron is like "hold my beer."
I guess because Fox doesn't have their own theme parks. Universal's parks have Harry Potter and King Kong, WB properties.
I think the difference with Cameron is that once he actually starts shooting, he's an animal. Pretty notorious workaholic and seemingly handles these huge productions with relative ease. You got guys like Joss Whedon talking about how stressful it is to shoot two Avengers movies, meanwhile Cameron is like "hold my beer."
After shooting those two films, Shooting all 4 Avatar on a gigantic Soundstage must be child's play to Cameron.Behind the scenes of Abyss and Titanic are insane! Dude is fucking nuts.
I'm still waiting to hear which composer they'll bring in and if Horner did some additional stuff before he died.
Ten years before Avatar, this was the state of the art in CGI:
Code:[IMG]http://i.imgur.com/dXGpQ0a.jpg[/IMG]
Gah.
Standalone doesn't really tell us much. Are they sequential? If they are there will still be an EPIC ENDING hyped up by marketing for the final film right?
I love the way were doing them, were kind of doing 2 and 3 simultaneously and its going to work very well
Theres a very good reason why it turned out to be four sequels, she tells EW of the sequels planned for James Camerons 2009 sci-fi drama Avatar. Having read all four of them, I think theyre absolutely extraordinary and worth the wait.
Weaver calls the follow-ups, which will star Game of Thrones alum Oona Chaplin, a big, big story that examines the same issues around race and the environment the original did. These films are very much about the peril of this beautiful planet, and [Cameron] is continuing the same themes of greed and callousness of the corporations and plight of the indigenous people
A lot of the heavy lifting has already been done in 1, opening up the world and the characters and everything and I think that Jim has had a wonderful time writing these four, and its going to be very exciting bringing them to life.
Its the most ambitious project by far Ive ever been involved in, and the most moving, the most astonishing, beautiful, she adds, pointing out that movie technology has once again advanced since Avatar ushered in an age of 3-D filmmaking. I think all of us who get to be a part of it are just in awe when we see the artwork. Its just incredible to be living now when we can bring this kind of film experience to the public. Because I think as much as Avatar changed what people want in a film experience, this goes a hundred times farther.
What about Coppola and Herzog?That's because nobody has helmed more difficult shoots than Cameron.
Except maybe the director of ROAR! lol
HnnnngOona Chaplin
What about Coppola and Herzog?
Never underestimate the yüngle.