Fancy Clown
Member
It definitely left me wondering what could have been if Fukunaga was still attached to it.
It's Nightmare on Elm Street by way of the Conjuring in terms of content and execution.
Fancy Clown, how many bum rushes can we expect in this film? Trailers show 2 instances I believe.
I could care less about the jump scares. I'm in it for the relationship between the kids. If this movie has good writing to make that work then you can do whatever horror trope you want.
This sort of haunted house ride approach to horror where it's built around telegraphed "scare scenes" that feel like disjointed online short films (think the inspiration shorts for Mama and Lights Out) doesn't affect me much.
As I'm reading the book currently, it does feel like a "kitchen sink" approach to horror. Every character gets their scenes and rarely are they thematically similar. Some time is spent with the kids even wondering how their encounters are connected and if that even connects to the kid killings. The rules of the creature are nebulous and ill-explained, how bullets won't faze it but sneezing powder can stop it, how it haunts some places more than others, how the orange pompoms are the only visual that connects its appearances.Well, to be honest, that's the book right there. I always said that the book actually seems like a collection of short stories involving Derry, IT and some character(s) connected by the Losers Club. If they took this approach, they were just following the book.
Take for instance Mike Hanlon's encounter with IT in the abandoned factory, where IT shows up in the form of Rodan. That whole chapter could be a short story on it's own.
As I'm reading the book currently, it does feel like a "kitchen sink" approach to horror. Every character gets their scenes and rarely are they thematically similar. Some time is spent with the kids even wondering how their encounters are connected and if that even connects to the kid killings. The rules of the creature are nebulous and ill-explained, how bullets won't faze it but sneezing powder can stop it, how it haunts some places more than others, how the orange pompoms are the only visual that connects its appearances.
And ultimately the small pictures form the larger picture, but on their own they are almost stand-alone horror vignettes sandwiched between the kids bonding and adult reunions.
As someone who usually enjoys Stephen King but hasn't read the book or seen the Tim Curry miniseries, I wasn't sure what to expect from this one.
The audience reaction spoke for itself. It was one of the best theatrical experiences I've had in a while - everyone was laughing and screaming, sometimes in the same scene. The kids were all pretty good, even if some were underused, but Mike from Stranger Things absolutely stole the show as the group's raunchy smartass Richie.
Good mix of jump scares and unsettling dread (the show playing on the TV gives me goosebumps just thinking about it). Pennywise is appropriately horrifying with a twitchiness in his movements that never failed to creep me out, and the special effects were effective without being too over-the-top.
The two-hour running time meant they had to paint in broad strokes, which you can definitely tell as characters like Mike and Stan are barely fleshed out beyond "black kid" and "Jewish kid." But it also kept things moving and didn't get bogged down in mythology.
Overall I'd recommmend it, especially in a packed theater on a Friday or Saturday night. Refreshingly fun movie experience after a pretty "blah" summer.
I was at a screening as well tonight (Washington, DC) and while I'm not praising the film as highly as the OP here, it was a solid film. The acting from the main children was the best part for me. Some scenes of them appropriately reminded of Stand By Me a bit. I was surprised by how good the all were. Richie almost steals the show and steals quite a couple of scenes.
I wish we had gotten more scenes of Pennywise as it felt a bit lacking here. And the CGI used is...pretty meh to me. I also concur on not getting enough of Mike and Stan.
Not many of the jump scares really worked for me so I wish they had gone all in on the creepy atmosphere, which we really only got small moments of.
Here are my thoughts on the movie (no spoilers):
There's something very wrong with Derry, and it's not just the thing that looks like a clown. Is it a malignant presence within its people? Is it the place itself? History is brought up frequently as an important element of the plot, but IT never feels all that interested in exploring its most interesting narrative conceit beyond perfunctory exposition. It doesn't seem all that interested in a cohesive narrative structure either, and its attempts at using the characters as mouthpieces for its themes are...cumbersome, to say the least. No, IT's interests really lie in making a gang of losers you enjoy watching, and in throwing a barrage of horrific vignettes assaultive enough to make a crowded theater lose their collective shit. If my crowded preview screening was evidence enough, it succeeded handily in those aims.
The cast of young actors they assembled are clearly capable of being a likeable ensemble. Finn Wolfhard of Stranger Things fame has already proven himself on the small screen, and he gets all the best laughs here as the mouthy Richie. But besides their surface level ticks, the losers never really felt like characters to me. They have a lot of banter and the occasional tender moment, but while the movie takes its sweet time setting this gang up, in doing so it never bothers to tell us much about them beyond their surface ticks. That's because, much like The Conjuring series, IT treats many of its "scare" scenes as almost stand-alone sequences, that really less on eerie tension and more on grating noises and toothy creatures bum rushing the camera. That's not to say that neither the gang nor the scares work, because the best moments of the film come from some unexpected stylistic jolts as the group bonds, capturing their outsider status and endearing them to us at the same time, and the funhouse approach to horror leads to some really enjoyable sequences that are impressive not necessarily because of their craft, but in the gleefulness in which it chains together gruesome horrors in relentless fashion. The best compliment I can give the film is that at some point it flashes by a cinema marquee advertising a Nightmare on Elm Street sequel, and IT would feel right at home in that series (and not as one of the worse entries).
And of course I have to mention Bill Skarsgård's Pennywise. His performance has already garnered the lion's share of prerelease attention and it's not for nothing. His slobbering, gutterly gleeful take on the clown makes for a worthy mascot for the film, and though he doesn't get a lot of screen time he clearly makes the most of every minute.
Ultimately IT's heart is in the right place and will likely lead many an audience member to laugh and squeal as they sit through this haunted house ride of a movie. But I can't help but imagine what might have been if it spent less effort trying to get immediate and predictable reactions from a crowd, and more effort crafting a nightmare that lingers and festers in the dark spaces of your head like the thing that haunts Derry. Less in your face and more in the gutter. It's certainly good weekend fun, but a 27 year burn this is not.
I wonder if those impressions are including It's other forms as Pennywise or just considering the evil clown stuff.
In fact, does this movie dive into that aspect of It, or just mainly focus on Pennywise?
Where did you get this info from?=O
Yeah there was definitely going to be flaws with this one(some unexpected even), but it does sound like it may be a good time though. I should had known Bill would nail the role very well.Here are my thoughts on the movie (no spoilers):
There's something very wrong with Derry, and it's not just the thing that looks like a clown. Is it a malignant presence within its people? Is it the place itself? History is brought up frequently as an important element of the plot, but IT never feels all that interested in exploring its most interesting narrative conceit beyond perfunctory exposition. It doesn't seem all that interested in a cohesive narrative structure either, and its attempts at using the characters as mouthpieces for its themes are...cumbersome, to say the least. No, IT's interests really lie in making a gang of losers you enjoy watching, and in throwing a barrage of horrific vignettes assaultive enough to make a crowded theater lose their collective shit. If my crowded preview screening was evidence enough, it succeeded handily in those aims.
The cast of young actors they assembled are clearly capable of being a likeable ensemble. Finn Wolfhard of Stranger Things fame has already proven himself on the small screen, and he gets all the best laughs here as the mouthy Richie. But besides their surface level ticks, the losers never really felt like characters to me. They have a lot of banter and the occasional tender moment, but while the movie takes its sweet time setting this gang up, in doing so it never bothers to tell us much about them beyond their surface ticks. That's because, much like The Conjuring series, IT treats many of its "scare" scenes as almost stand-alone sequences, that really less on eerie tension and more on grating noises and toothy creatures bum rushing the camera. That's not to say that neither the gang nor the scares work, because the best moments of the film come from some unexpected stylistic jolts as the group bonds, capturing their outsider status and endearing them to us at the same time, and the funhouse approach to horror leads to some really enjoyable sequences that are impressive not necessarily because of their craft, but in the gleefulness in which it chains together gruesome horrors in relentless fashion. The best compliment I can give the film is that at some point it flashes by a cinema marquee advertising a Nightmare on Elm Street sequel, and IT would feel right at home in that series (and not as one of the worse entries).
And of course I have to mention Bill Skarsgård's Pennywise. His performance has already garnered the lion's share of prerelease attention and it's not for nothing. His slobbering, gutterly gleeful take on the clown makes for a worthy mascot for the film, and though he doesn't get a lot of screen time he clearly makes the most of every minute.
Ultimately IT's heart is in the right place and will likely lead many an audience member to laugh and squeal as they sit through this haunted house ride of a movie. But I can't help but imagine what might have been if it spent less effort trying to get immediate and predictable reactions from a crowd, and more effort crafting a nightmare that lingers and festers in the dark spaces of your head like the thing that haunts Derry. Less in your face and more in the gutter. It's certainly good weekend fun, but a 27 year burn this is not.
Next Tuesday is critics then, was hoping for later this week, but that's ok as long as it reviews fine.From Slashfilm. Here is the page and the quote.
"Well be back with even more early buzz when the review embargo for the movie lifts on September 5."
http://www.slashfilm.com/stephen-kings-it-early-buzz/
Also, how gory is this movie?
So much positive media. I can't wait to see this.
Almost finished reading the book. I'm pumped
Going to watch this with a group of 8 people. We never do this...but IT marked us for life when we were young. We're doing this together lol
oops tiredwayside
So I read some spoilers I'm not particularly happy about. One seems like it might completely change the second movie. Nobody seems to be talking about it which is sort of weird aside from just one Reddit post.
Honestly, Mike and Stan don't get that much characterization in the books as children and even then, only Mike gets character work as an adult. That's a problem with the book too as characters are thrown by the wayside.
Awww honestly dissapointing, i was hoping for all the contrary, the Derry town atmosphere had to be perfect but doesn't seem that was their focus at all.Here are my thoughts on the movie (no spoilers):
There's something very wrong with Derry, and it's not just the thing that looks like a clown. Is it a malignant presence within its people? Is it the place itself? History is brought up frequently as an important element of the plot, but IT never feels all that interested in exploring its most interesting narrative conceit beyond perfunctory exposition. It doesn't seem all that interested in a cohesive narrative structure either, and its attempts at using the characters as mouthpieces for its themes are...cumbersome, to say the least. No, IT's interests really lie in making a gang of losers you enjoy watching, and in throwing a barrage of horrific vignettes assaultive enough to make a crowded theater lose their collective shit. If my crowded preview screening was evidence enough, it succeeded handily in those aims.
.
Uuuuu spookyI have that copy and I let a coworker borrow it... He never returned it.
wayside
You're right, Stan Uris isn't really much of a character in either the 50s or the 80s, and Mike Hanlon, for as important as he is in the 80s, is just kinda... there in the 50s.
Someone said he was a goldfish or something???I believe one of Fukunaga's scripts had no Stan Uris
Maybe it could have worked bettet as an HBO(!) series
But this will give a big budget to watch on the theatre with family/girlfriend/boyfriend/friends
It definitely left me wondering what could have been if Fukunaga was still attached to it.
Honestly the Fukunaga It screenplay draft I read awhile back was pretty lackluster, fwiw.
It definitely left me wondering what could have been if Fukunaga was still attached to it.
I also thought of the two leaked screenplays (one pre-Fukunaga, one post-) the one that came after his departure was the better, not just as an adaptation of the book, but as a screenplay.
Honestly the Fukunaga It screenplay draft I read awhile back was pretty lackluster, fwiw.
I read a couple interviews with the director, and he mentioned that one of the first things they did to the script when he got on the project was restoreIT's' shape-shifting ability. I haven't read any of Fukunaga's scripts, did he just keep IT as Pennywise? Because that would be a pretty bad decision.
Yup, the Fukunaga script I read was pretty devoid of the shape-shifting elements.
Some specific questions for those who have seen it
- How is the friendship between the Loser's Club handled? That is, and should be, the core of the story; King did such a masterful job in the book at showing their growing bond and it really made the dread, tension, and threat of IT feel that much more potent
- Is IT done well? I always thought IT was just Pennywise the clown, but the book showed me that the creature is so much more than that. Hoping the movie does the creature justice
- Is the whole "Derry is a terrifying broken place and has been so for a long long time" part of the movie? After reading the book, I felt King's portrayal made Derry the best "town with dark secrets" I've seen in fiction, the ultimate American small town version of Lovecraftian hamlets or haunted folktale village
- Does the update to the 80s fit the story well?
So I read some spoilers I'm not particularly happy about. One seems like it might completely change the second movie. Nobody seems to be talking about it which is sort of weird aside from just one Reddit post.
I'll be seeing it Tuesday night at the press screening (not writing the review though, so I'll probably be in here later that night bullshitting at length instead of busting ass trying to turn a review around)
Is this a good movie even for a non-horror fan? Not really into the genre but the buzz and hype have me... intrigued.