It's more or less the same with a better budget.
I want to see though whether the horror scenes feel more organic in how they play out compared to here where they just feel like another setpiece.
It's more or less the same with a better budget.
I understand that there is a certain expectation of a high body count for a horror movie, but it seems like some people feel that a certain amount of bloodlust must be fulfilled or else the movie isn't scary
If an empty bolt pisol can harm Penny they better practice their Yuyu hakusho spirit gun.
and didn't rely on jump scares to make the movie creepy (although they use them at the right times).
I want to see though whether the horror scenes feel more organic in how they play out compared to here where they just feel like another setpiece.
I didn't find Get Out scary either tbh. I found it to be much more reminiscent of a black comedy than a straight up horror film.I think what sets this movie, and Get Out apart from most of the recent horror movies Hollywood has been churning out is that they took the time to get the characters right, casted perfectly, and didn't rely on jump scares to make the movie creepy (although they use them at the right times)
I wish they could have ramped up the scare-factor a bit on this one, but I'm definitely pleased with the end result and put it right up there with Get Out as my favorite horror movies of the last few years.
I guess I understand the complaints that the body count is a little low, but I think Georgie's death was enough to establish how dangerous Pennywise was. As an older brother, his death was heartbreaking. The death of one young, innocent little boy was enough. If it had gone any further, it would have felt like torture porn to me.
I understand that there is a certain expectation of a high body count for a horror movie, but it seems like some people feel that a certain amount of bloodlust must be fulfilled or else the movie isn't scary. Seeing child after child die is something that belongs in an exploitation film, and this movie is better because it didn't go there. I don't know what happens in the book, but seeing the Losers beat the shit out of It in the end was such a great scene because they all came together in the end to face their fears. Maybe that's not the story some people were expecting, but it sure as hell resonated with me.
Yeah I noticed it but it got better after the first few minutes for some reason. It was hard to hear the dialog in the opening and school scene but after that it was good.Btw did anyone else feel like the sound mixing was kinda off? I'm not sure if it was my theater or not.
Yeah I noticed it but it got better after the first few minutes for some reason. It was hard to hear the dialog in the opening and school scene but after that it was good.
IT in the book is pretty terrifying, and part of the reason for that is we see it kill quite a bit. It's too reductive to say people who found that element missing just have bloodlust for dead kids. That is NOT the argument being made.
What we wanted was to be afraid of It, and the body count is one of the ways that could be achieved. Another, which I touched on above, was to make it a more serious threat to the Losers rather than just have it appear and screw with them (such as Mike's encounter). To take it seriously, It can't just be something that shows up to go "Boo!" It should have been seriously going after them in each encounter. I think if they did that but kept the body count the same, it would have helped.
This whole movie was jump scares, lol.
Btw did anyone else feel like the sound mixing was kinda off? I'm not sure if it was my theater or not.
It's not a debate. It's taken straight from the book. In the book, George is scared of going in there because he imagines what kind of monsters could be down in the cellar, but there isn't anything. This comes back around to the "Pennywise in the storm drain" moment happens because King says how what George sees is worse than anything he could ever imagine in the cellar and his sanity shatters at the sight.Georgie is scared of the basement because it's a spooky basement and he's a little kid. Stan is freaked out by the painting because it's a freaky painting.
Pennywise only JUST got up at the start of the movie for his next 27 year cycle. This is shouted out in the film itself. Stan is scared of that painting long before Pennywise shows up, and Georgie doesn't like that basement before Pennywise says hi in the sewers, too.
At no point was offended by the directors choice of when to put in a scare. This movie earns them, something I can't say about 95% of the horror movies I watch these days (and I watch them all)
This movie is filled to the brim with jump scares even at times that are unnecessary.
This movie is filled to the brim with jump scares even at times that are unnecessary.
This has been specifically called out by the people arguing it (myself included) as not being the case, and then explained further to show how it's not the case so I'm not sure how you're arriving there.
And yet he says it doesn't rely on them, lol.
So were the kids rescued? Never read the book.
I guess I just don't remember them then? Name off a few that were particularly egregious. Is it really a jump scare when they spend the first few minutes building it up? That's called a payoff.
I guess I just don't remember them then? Name off a few that were particularly egregious. Is it really a jump scare when they spend the first few minutes building it up? That's called a payoff.
They work more than they don't. If you can make a jump scare fun then I don't really have a problem.
The missing kids? They're dead.
This. A jump scare becomes payoff when it's the capper to a sequence of extended tension or dread. That's how jump scares are supposed to be used effectively; they aren't inherently bad. Pretty much all the best and classic horror movies have jump scaresI guess I just don't remember them then? Name off a few that were particularly egregious. Is it really a jump scare when they spend the first few minutes building it up? That's called a payoff.
They were noted as "floating down" so I thought maybe they'd wake up or something.
I guess I just don't remember them then? Name off a few that were particularly egregious. Is it really a jump scare when they spend the first few minutes building it up? That's called a payoff.
Bev knocking her dad out and camera panning to pennywise choking her.
Leper guy coming out of nowhere in broad daylight.
Egg hunting IT sequence.
Shall I continue ?
I guess I just don't remember them then? Name off a few that were particularly egregious. Is it really a jump scare when they spend the first few minutes building it up? That's called a payoff.
I guess I just don't remember them then? Name off a few that were particularly egregious. Is it really a jump scare when they spend the first few minutes building it up? That's called a payoff.
The problem is that they used it in virtually every scenario possible and thus made it really predictable as to how a scene would play out.This. A jump scare becomes payoff when it's the capper to a sequence of extended tension or dread. That's how jump scares are supposed to be used effectively; they aren't inherently bad. Pretty much all the best and classic horror movies have jump scares
The problem for me, is that all those "payoffs" were extremely predictable.
It's true. Alien, Halloween, The Witch, The Exorcist all have jump scares. A jump scare is fine when it's being used as the exclaimation point, but you need the sentence beforehand to give that punctuation context and meaningYou know my man, you got a point there. I never thought of it like that.
Yeah when they where in the tunnel and that kid was outsideBtw did anyone else feel like the sound mixing was kinda off? I'm not sure if it was my theater or not.
but were they good though? I thought the projection one was great.
1.Georgie hitting his head on the Derry barricade. Doesn't really add anything to the scene.
2.Stan turning around and seeing the painting lady. It had already built up to the idea that she was in the room. Felt kind of cheap and boring to just do a jump scare there.
3.The balloon popping in Patrick's face. Really telegraphed and leads straight into another Pennywise bumrushing the camera scene.
The primary method of actually scaring the audience in this film was jumpscares. That might be why the projector scene works as well as it does, since the cuts correspond to the projector going in and out.
The problem is that they used it in virtually every scenario possible and thus made it really predictable as to how a scene would play out.
1. Could have happened anyway. The boat gets too much speed and Georgie can't keep up or just have him trip.1. Georgie getting hit in the head slowed him down and prevented him from not letting the boat float into the sewers.
2. It was to show us that Pennywise can turn your fears into living things.
3. That's not a jump scare. You see the balloon pop and he's there standing for 5 seconds before he rushes him.
How is 1 a "jump scare"? I've seen that scene, something coming at the screen doesn't automatically make it a jump scare.1. Could have happened anyway. The boat gets too much speed and Georgie can't keep up or just have him trip.
2. That could have still been done without the jump scare.
3. That's totally a jump scare. There's the sound itself then you see Pennywise.
IT in the book is pretty terrifying, and part of the reason for that is we see it kill quite a bit. It's too reductive to say people who found that element missing just have bloodlust for dead kids. That is NOT the argument being made.
What we wanted was to be afraid of It, and the body count is one of the ways that could be achieved. Another, which I touched on in my last post, would be to make it a more serious threat to the Losers rather than just have it appear and screw with them (such as Mike's encounter). To take it seriously, It can't just be something that shows up to go "Boo!" It should have been seriously going after them in each encounter. I think if they did that but kept the body count the same, it would have helped.
Sharp sound cues along with a big visual change, with the intention of scaring or jarring the viewer, is generally defined as a jump scare.How is 1 a "jump scare"? I've seen that scene, something coming at the screen doesn't automatically make it a jump scare.
And 3? Again, you're classifying the sound as a jump scare?
1. Could have happened anyway. The boat gets too much speed and Georgie can't keep up or just have him trip.
2. That could have still been done without the jump scare.
3. That's totally a jump scare. There's the sound itself then you see Pennywise.
Bowers was arguably more incompetent than Pennywise. Where was his knife? Why didn't he just push Mike into the well? He gave him so many chances to fight back.I do think showing IT only killing two children on screen was a mistake. It took a lot of tension out of the series of vignettes of each kid encountering IT and then the house sequence. I remember when Bill went to the basement and encountered Georgie and IT ran after him and all he did was run up the stairs while IT just kinda slumped over on the stairs. My girlfriend at the point was like "this clown kinda sucks at killing anything." I had more fear that mike was going to get killed by that bully than I did of IT killing any of the children at that point in the film.
Heard from a friend a unique comparison.
He compared the original mini series to breaking bad and the new movie to the fictional show in in the movie Idocracy 'Ow My Balls.'
'One makes you think while the other just serves entertainment on a platter. Dude the world wants less citizen Kane and more Ow My Balls right now.
This is a totally unearned, garbage jumpscare from Ammityville Horror (a movie I would recommend to nobody, unless you're drunk and think its funny how bad it is)
Did anyone see a new trailer for The Disaster Artist attached to IT?
I can't find the new trailer online anywhere yet. Was great though
How did the mom know that they were all in the mansion btw