Future PhaZe
Member
Oh man the end game is clearly near.
Next episode looks like it'll be incredible.
Next episode looks like it'll be incredible.
ahoyhoy said:Seriously no one else can comment?
B.K. said:Hera was drawing stars early in the episode. I wonder if she's going to draw a map to a habitable planet for the fleet to live on.
Verdre said:The stars ended up being the song Kara played
Freshmaker said:After all that, all the Cylons needed to? Why didn't that do that ages back?destroy Galactica was one close proximity jump
NimbusD said:Does anyone have a link to a clip of the Opera House? I feel like playing detective. Wasn't Baltar the one taking Hera away?
Also, how long does it usually take for the podcast to be put up? I only started watching them like 2 weeks ago.
Freshmaker said:After all that, all the Cylons needed to? Why didn't that do that ages back?destroy Galactica was one close proximity jump
That was the whole point of all the repairs starting. I guess Adama should have chipped in last week with the work instead of just walking around. :lolIAmtheFMan said:Galactica's taken much worse; it's gotten railed by nukes, assaulted head on by base stars on New Caprica, etc. I think that the jump near the ship was really the straw breaking the camel's back.
CcrooK said:Galatica is the dying leader. Someone called it before and is dead on about this. It has to be.
IAmtheFMan said:Galactica's taken much worse; it's gotten railed by nukes, assaulted head on by base stars on New Caprica, etc. I think that the jump near the ship was really the straw breaking the camel's back.
I bet you it is true.Kak.efes said:Unsubstantiated, and to be honest, stupid, if true.
Damn, seeing that reminds me just how bad the show has gottenCcrooK said:
B.K. said:When she was playing that song, I was expecting it to unseal Tigh and Tory's memories.
Also, if you didn't catch it, the tape of Starbuck's dad playing said it was a live show at the opera house.
CcrooK said:Capirca Six was the one who took Hera. Baltar was with her when the doors shut. Athena and Roslin were chasing after the girl.
ahoyhoy said:fix'd
Yeah. Don't know what role Baltar + The Head Six have to play here.
But Athena experienced the vision along with the other two.CcrooK said:Well...maybe. I think it's Boomer because in the vision, she's in her flight suit. And she (Boomer) escapes with said flight suit. And judging by next weeks episode, maybe. I mean it could be a twist to the vision if that is the case. Just tossing out theories.
Fuzzy said:But Athena experienced the vision along with the other two.
maharg said:Kara being Daniel's child still makes no sense to me, and I don't see how this episode 'proves' it in any meaningful way. Maybe if her father's tape had had the Watchtower music on it. Still say Kara just plain is Daniel to conserve the One Hybrid Law they seem intent on enforcing.
KHarvey16 said:But what are the chances the song her father taught to her would be the same song that led to the reveal of the other cylons?
Jack Random said:doubt she's dead, just passed out, no?
PS: im getting tired of KFC
maharg said:What I doubt is her having a childhood at all. If she were a cylon, she'd have planted or generated memories, just like the rest of them. The memory shots of her father were all in an indistinct bright white room and we never saw his face.
...While, perhaps, the content of No Exit or Deadlock will make a difference in the end, neither episode in and of itself added up to something profound, something progressive, or something that gives us some peace of mind that the show knows where its most powerful material lies as it heads towards its finale.
But this week this all changed under the guidance of Bradley Thompson and David Weddle, delivering their last episode with a deft sense of pacing and momentum. It is an episode that leans heavily on the past to demonstrate the power that it has over us, and then allows that to play out in the present in a way that is simultaneously revelatory and, more importantly, diversionary from the laidback, almost nonchalant path the show has been on since the end of the mutiny. The result is a clear path to the future, centering its storyline on the two major unanswered questions and using both of them to drive us into something approximating a climax. More importantly, though, the actions in the episode are ones which actually have broad implications for almost everyone: while the most recent drama has remained far too isolated to one side of humans and Cylons, here we finally have something that everyone can get really frakking pissed about.
And, well - finally.
Counting tonight's show, the time we have left with "Battlestar Galactica" adds up to five hours over four weeks. And I'm guessing that some of you -- maybe most of you -- aren't going to be happy that we just spent a good chunk of one of those hours on Starbuck re-learning how to play the piano.
And I might be troubled, too, if I didn't consider the characters -- especially people like Kara, Tyrol and Boomer, the center of this episode's two storylines -- weren't at least as important to me as the mythology and the dogfights, and if I didn't feel fairly confident that the writing staff are explicitly saving the remaining seismic events for the Ron Moore-scripted finale.
Tonights episode of Battlestar Galactica is the most musically innovative score Ive yet produced. My role as composer evolved far beyond merely providing underscore for the scenes. This time, I was intimately involved in every step of the episodes development: from the earliest draft of the script by David Weddle and Bradley Thompson, through the production, directed by Michael Nankin and throughout the editing, scoring and final sound mix.
My experiences on Someone to Watch Over Me were so profound that my typical blog format would not suffice. Rather than focusing solely on the episodes score, Ive written a mini-memoir, chronicling my journey on this episode.
darkiguana said:Ok, did I miss something? From what some other posters are sayingI totally missed that if that happened.the piano player wasn't there when Tigh and the others confronted Starbuck about 'the song? Meaning that he was all in her head?
JayDubya said:Yes, the piano player was not physically present; you only see them together when they're alone or practically alone as a function of it being late at night in the bar, with hardly anyone around and certainly no one to care if some drunk blonde wants to talk at a piano.
Starbuck now has a Head Seven.