survivor said:70 is creepy, 80 and 90 are disgusting, 00 and 60 are alright
PdotMichael said:although Nobody's Girl killed the World Masterpiece Theater animes, because of low ratings.
It's a very well directed show with memorable, even relatable characters and an interesting hook. It also has great mechanical animation --pretty much anybody who was somebody worked on it.Ookami-kun said:I'm just saying that it really didn't do much and that the show isn't something special.
Aigis said:It's a very well directed show
I think most of the love of those series is directed toward the Takahata directed ones anyways. I rarely see the other ones mentioned anywhere.icarus-daedelus said:Isn't it a little tacky watching them just recycle Western literature in the World Masterpiece Theater stuff? I can see the fascination for a Japanese person, I guess.
Apparently Heidi, Girl of the Alps is incredibly popular and I had planned on watching at least a bit of it because Isao Takahata directed it in his younger years.
icarus-daedelus said:Isn't it a little tacky watching them just recycle Western literature in the World Masterpiece Theater stuff? I can see the fascination for a Japanese person, I guess.
Apparently Heidi, Girl of the Alps is incredibly popular and I had planned on watching at least a bit of it because Isao Takahata directed it in his younger years.
Finaika said:^ You have fine taste.
Also Perrine.
PdotMichael said:although Nobody's Girl killed the World Masterpiece Theater animes, because of low ratings.
icarus-daedelus said:Isn't it a little tacky watching them just recycle Western literature in the World Masterpiece Theater stuff? I can see the fascination for a Japanese person, I guess.
Apparently Heidi, Girl of the Alps is incredibly popular and I had planned on watching at least a bit of it because Isao Takahata directed it in his younger years.
Aigis said:It's a very well directed show with memorable, even relatable characters and an interesting hook. It also has great mechanical animation --pretty much anybody who was somebody worked on it.
Your grudge against Gainax and their works is certainly something. We get it, you know about Ideon and Zambot 3. There's no need to whip them out every time Eva gets mentioned in a positive light.
RedSwirl said:Guess I'm gonna have to be the one to represent:
I mean, this is like, empirically wrong. Even if we're just talking popularity, what it did clearly worked.Ookami-kun said:...I think you're the one missing out my gripe. I'm not arguing EVA isn't popular, I'm just saying that it really didn't do much and that the show isn't something special.
Complaining about someone making a broad brush generalisation, and then making a broad brush generalisation is a bit hypocritical.Ookami-kun said:Because you know, all of Tomino's works are the same! FYI he's only partially involved in Zambot 3[...]And yes, the age thing does matter because the main "praise" Eva gets is that "it does it first".
Regulus Tera said:Is there an actual golden age of animu or are people just posting stuff from their childhoods?
End of the 80's till the start of the 90's are pretty golden age like no?Regulus Tera said:Is there an actual golden age of animu or are people just posting stuff from their childhoods?
I would like to point out that this is factually incorrect. He was suffering from depression while working on Nadia: Secret of the Blue Water.Krev said:[Evangelion]. The director was going through depression as he was working on it, and his attempts at expressing his feelings at times overcome the narrative. I think his directorial style has been very influential for modern anime.
No, there isn't really a 'golden age'. You can talk about good years, and good periods, but I'd be hard pushed to apply the 'golden age' label too liberally, especially if you're not mentioning all the excellent shows from the 2000's.Regulus Tera said:Is there an actual golden age of animu or are people just posting stuff from their childhoods?
Jexhius said:I mean, this is like, empirically wrong. Even if we're just talking popularity, what it did clearly worked.
Complaining about someone making a broad brush generalisation, and then making a broad brush generalisation is a bit hypocritical.
Regulus Tera said:Is there an actual golden age of animu or are people just posting stuff from their childhoods?
Regardless of what 'lots of people' may or may not say, I think it's much more constructive to directly address points ranged by actual members on this forum, as opposed to blaming SEELE.Ookami-kun said:And yes, it's ignorant not to acknowledge that fact - a lot of people do say that it "deconstructs" a lot of things or "tried things first".
Well, when these World Masterpiece Theatre shows are directed by Isao Takahata, with the help of Hayo Miyazaki and others you end up with, in my experience, some of the finest anime television series that I've ever seen. This is hardly surprising when you consider the talent that went into making these things.icarus-daedelus said:Isn't it a little tacky watching them just recycle Western literature in the World Masterpiece Theater stuff? I can see the fascination for a Japanese person, I guess.
MrHicks said:teknopooooooower!!!!!!!!!
fuckyea
Why do you keep bringing up this imaginary "lot of people" who have nothing to do with this discussion instead of addressing points made by people that are actually a part of the discussion?Ookami-kun said:And yes, it's ignorant not to acknowledge that fact - a lot of people do say that it "deconstructs" a lot of things or "tried things first".
Aigis said:Why do you keep bringing up this imaginary "lot of people" who have nothing to do with this discussion instead of addressing points made by people that are actually a part of the discussion?
Ookami-kun said:It's more on the noisy fans actually. I really don't care much about Gainax's stuff. The only thing that remotely made me interested is His and Her Circumstance, and that's because they didn't do their batshit scenes in the show.
icarus-daedelus said:I have not even seen Macross or Nadesico but you, sir, are a person of fine taste.
Yeah I thought the same thing prior to watching Anne of green gables - but it's really wonderful in terms of execution due to takahata directorial skills, you can even see elements of his later work like only yesterday show up in it. Plus it's considered one of the most faithful adaptations of the novel, and probably the best one to!icarus-daedelus said:Isn't it a little tacky watching them just recycle Western literature in the World Masterpiece Theater stuff? I can see the fascination for a Japanese person, I guess.
What? I explained reasons why it's popular. It's well-made and has a great hook as well as characters that people remember/relate to/etc.Shouta said:But uh, you guys haven't really made any points. You're just saying "Nuh uh!" The only thing resembling a point that anyone has made is thta Tomino is a bad director, but then Anno is bad too so it's even.
This image makes me so happy.SoilBreak said:Patlabor
That is a crime!SaitoH said:No one mentioned Rose of Versailles!
As I understand it, his depression was a long-term thing. I'm aware of what he was going through when making Nadia, and how expressing himself through Eva became his way of 'not running away' from his problems or the rest of society (since he felt making anime was one of the only ways he was able to properly communicate with the world around him). He's stated that when he finished Eva he felt completely empty, like there was no more purpose to his life and no reason to go on living, and I recall an anecdote about him retreating to a snow covered island and spending days walking around, sometimes barefoot, in a kind of daze, before he was able to find the motivation to make The End of Evangelion. There was an NHK special from in 1998 where he teaches animation to school kids in his home town, and he shows a lot of signs of depression in that. It's not something that was limited to his time making Nadia.Jexhius said:I would like to point out that this is factually incorrect. He was suffering from depression while working on Nadia: Secret of the Blue Water.
Jexhius said:Regardless of what 'lots of people' may or may not say, I think it's much more constructive to directly address points ranged by actual members on this forum, as opposed to blaming SEELE.
Aigis said:Why do you keep bringing up this imaginary "lot of people" who have nothing to do with this discussion instead of addressing points made by people that are actually a part of the discussion?
Shouta said:Uh, there's some ridiculous stuff in Karekano.
Aigis said:Anno is/was (Rebuild is terrible, even if he's only the chief director of that I'll still blame him for it) a GREAT director and a middling writer.
Has nothing to do with the quality of his direction. There are few TV anime as well-directed as Eva TV is.Ookami-kun said:I guess if you consider making people bewildered by weird imagery as great?
Aigis said:What? I explained reasons why it's popular. It's well-made and has a great hook as well as characters that people remember/relate to/etc.
He thinks that the only reason people like it is because they think it's a DEEP deconstruction that did NEW THINGS, but thankfully Ookami-kun himself is here to enlighten us and tell us that it didn't do anything new so it really doesn't deserve its popularity, for some reason.
Shouta said:I'm not really going to get into Anno's directing because that's one helluva a long argument I simply don't have the time for. However, I will say that I don't think he is any better than Tomino.
Yes please do.RedSwirl said:Guess I'm gonna have to be the one to represent:
Aigis said:Has nothing to do with the quality of his direction. There are few TV anime as well-directed as Eva TV is.
You can't just say something like that and back out.Ookami-kun said:You mean as popular as how EVA is directed. I'd list examples but I can expect the reaction.
duckroll said:Wut.
Of course, depression/not being depressed is hardly a simple thing with on/off states, but from interviews I've read he was actually in therapy at that time and considerably better than when he was making Nadia.Krev said:As I understand it, his depression was a long-term thing. I'm aware of what he was going through when making Nadia, and how expressing himself through Eva became his way of 'not running away' from his problems or the rest of society (since he felt making anime was one of the only ways he was able to properly communicate with the world around him). He's stated that when he finished Eva he felt completely empty, like there was no more purpose to his life and no reason to go on living, and I recall an anecdote about him retreating to a snow covered island and spending days walking around, sometimes barefoot, in a kind of daze, before he was able to find the motivation to make The End of Evangelion. There was an NHK special from in 1998 where he teaches animation to school kids in his home town, and he shows a lot of signs of depression in that. It's not something that was limited to his time making Nadia.
Macross rules icarus~!icarus-daedelus said:Okay, okay, I'll watch Macross. Jeez you people are persistent.
I don't think that's right either. That's kind of like saying Gundam isn't famous for having Char Aznable and that he isn't a draw for the show. Is it likely that a work endures for 15 years just on the strength of being 'edgy' or a 'deconstruction'? If people can't connect to the work on some level, through characters or something else, I don't see it retaining it's popularity or appeal. That's not the same as saying the characters are 'good', just that they have a clear appear.Shouta said:But frankly, Eva isn't famous or popular for being well-made and having great characters because there's a lot of anime that's just as good if not better. Ookami's is relatively on point, much of the mindshare that Eva has is because of the perception that it did new things or was a deconstruction.
When given full creative and artistic vision, Tomino makes stuff like Garzey's Wing. Writes, directs, storyboards etc. It's a disaster. He isn't really great at cinematography, framing or any of the basics. Just as bad, or perhaps worse, he has zero understanding of pacing and editing. He, literally, can't direct, or write. Somehow he's remained this way for 30 years.Shouta said:I'm not really going to get into Anno's directing because that's one helluva a long argument I simply don't have the time for. However, I will say that I don't think he is any better than Tomino.