StriKeVillain
Banned
I love Gus.
Sooo is Clay Davis supposed to be the most disgusting person on this show? Cus I hate the cunt
Just pretend it ended at four. Wish I could unsee 98% of season five.Season 5 of The Wire is the only season I haven't watched.
Season 5 of The Wire is the only season I haven't watched.
Narese is actually even more disgusting than Davis, it turns out. Fuck her and her whole crew (including Davis).
I would go 2, 4, 1, 3, 5 but I feel like it works better as 2, 1/3/4, 5. Season 2 stands on its own so well, while seasons 1/3/4 all work together in a way that they could have been a really good show on it's own with just those 3 season.
But fuck, season 2 is just good. Ziggy is the most underrated character in the entire show. Perfect execution of character development.
Its spoileryRecorded all of these and just wrapped up season 1. The hype is real and if season 2 is even better then damn.
Edit - how spoilery is this thread? I'd like to browse through more.
Its spoilery
HBO GO still has the old full screen editions right?
nope
16:9 only now
They did a really good job on the remaster. But there's always the DVDs for the purist if you so desire it.are you kidding me? ugh....
I hated HATED McNultys thing.I absolutely loved season 5, my second favorite behind 3. It's just so dark and it delivers on some unexpectedly great endings for basically every character. It also really heavily reminds of The Shield, particularly its last seasons, which is another plus.
So lemme get this straight
They shot on 35mm film, but used a technique to block out the sides of the frame (I don't know how/if this is done so I'm asking) and so the actual image negative itself is in a 4:3 aspect ratio.
So that means they can rescan the film as HD, but the 4:3 ratio is forced since the actual image information was never there at the sides by intention.
The Wire is shot entirely with Panavision cameras. David Insley let us know that, "These later episodes of the show are shot Super 35, 3-perf, and that saves a lot of money because that means we're shooting about three quarters of the film we used to. But we're only using the 4 x 3 part, so we're losing the edges of the 16x 9, but it's less than we were using when it was 4-perf, so (the image is) somewhere between a Super 16 image and a standard 35 (mm) image."
And perhaps the final contrast to the rest of high-end episodic television, The Wire for each of its five seasons has been produced in good old fashioned 4 x 3 standard definition. DP Dave Insley recalled, "The reason the show has stayed 4x3 is because David Simon thinks that 4x3 feels more like real life and real television and not like a movie. The show's never been HD, even 4x3 HD and that (SD) is how it is on the DVDs. There is no 16x9 version anywhere." As a viewer with an HD set I will point out that like much of SD television that makes its way to HD channels, it appears that HBO utilizes state-of-the-art line doubling technology. It may still be standard definition, but line doubled it looks considerably better on a high definition set than it would on a standard definition set.
Insley explained, "When the show started 2001 / 2002 they framed it for 16 x 9 as a way of future-proofing. Then a couple of seasons ago, right before Season 4 began shooting, there was a big discussion about it and after much discussion -- David, Nina, Joe Chappelle, the Producers, the DPs -- and we discussed what should be the style of the show. David made the decision that we would stay with 4x3. The DPs pretty much defined the look to be what it is now. And it's been consistent for the past two seasons."
More fundamentally, there were still, upon our review, a good hundred or so scenes in which the widening revealed sync problems with actors who would otherwise have remained offscreen, or even the presence of crew or film equipment. These scenes, still evident in the version that HBO originally intended to broadcast several months ago, required redress. The high-definition transfer also made things such as Bubbles dental work, or certain computer-generated images vulnerable; other stuff held up pretty well in the transfer.
This is no poor reflection on HBOs initial efforts. In traversing 60 hours of film, the HBO production team had done a metric ton of work painting out C-stands and production assistants, as well as solving a good many sync problems. They felt they had protected sufficiently to air the drama in HD and widescreen several months ago. However, for myself and Nina examining even a small portion of the whole and finding light flares and sync issues that could be better corrected we were confirmed in our need to slow the process and take a last, careful look.
Unfortunately, as we have spent the fall in production for HBO, there was no chance we could find time enough to attend to a complete review of the entire series. That fell to a film editor in whom we place great trust and who knows the The Wire well from his service to it over the years. Matthew Booras took the notes and concerns of the surviving filmmakers into an editing suite and began making hard decisions about what we might live with, what we might improve, and which choice did the least violence to the story when a scene became vulnerable. Narrowing the workload for Nina and myself, he made it possible for us to focus on the handful of essential problems in every episode. The hard work here on our part should actually be credited to him.
At HBO, Rosalie Camarda managed the synthesis of our late notes with the film edit, and long before Matthew weighed in on the remaining problems, Laurel Warbrick capably performed the lions share of the transfer, going scene by scene through the cuts and resizing and painting away problems throughout. The two then worked with Matthew, Nina and myself on the remaining issues, and we are grateful for their patience and commitment to the process.
Trying not to read spoilers. How did this turn out? Can it be safely cropped back to 4:3?
I'm still wondering this myself... What is it that Amazon has up right now?I didn't get a chance to DVR this. Are they in the same format on Amazon or was this re-air the definitive HD way to watch?