After Nolan had struck pay dirt with "The Dark Knight," everyone in town was throwing juicy projects at the filmmaker's feet. "But Chris hadn't found anything that quite landed with him," recalls Robinov. "So he went back to working on 'Inception,' which he'd started seven or so years ago. When it was done, his agent, Dan Aloni, said that Chris wanted to offer it to us first, out of respect for the relationship."
In Hollywood, respect for the relationship is a two-way street, especially when the filmmaker has just directed one of the top-grossing films of all time. Robinov and Warners chief Alan Horn immediately read Nolan's script and met with the filmmaker. "We asked a lot of questions and he had answers for all of them," says Robinov. "We wanted to know whether people would be able to understand where they were--in terms of the different subconscious levels and dream states. But Chris knew exactly where he was going, narratively and digitally. We agreed on a budget and Alan greenlit the movie right there in the room."