• Hey Guest. Check out your NeoGAF Wrapped 2025 results here!

Movies you have seen recently?

Status
Not open for further replies.
The Losers............................. MEH and lame.

Yes Man - i was like "fuck me, this dude is me!" with all the no and im doing something else. Good laughs.

Observe and Report - good.

Cop Out - had some good bits.
 


Decided to watch this finally, given the time of year and all. Terrible.

I actually thought the first remake was decent, maybe a little drawn out but felt better than most of the Halloween sequels. This one didn't seem to have any direction at all.

The worst thing is that Zombie didn't seem to care about any of the complaints from the first...I mean, how are those girls STILL so fucking annoying after nearly EVERYONE complained about that "Suck a cock, be a whore like me babe" talk that was in the first? It's in here again. And rather than take the opportunity to ditch all the "family elements" that people disliked last time, he decides to basically shove the bullshit in here again, in what looks like a move to give his wife something to do.
 
ChoklitReign said:
I'm 37 minutes in Dances with Wolves and I don't like it. Should I stop or does it get going soon? I basically just met the Indians.

Avatar is better.

Anyway, I just watched A Bittersweet Life.

Holy fuck, that was a great film. Quite possibly the best Korean film I've ever seen. Lee Byung-Hun (who some of you may know as Stormshadow from G.I. Joe) is absolutely fantastic. The directing is superb throughout, filled with amazing shots from start to finish. And it has an action sequence that I think beats the hallway fight in Oldboy.
 
Adaptation - Finally watched this after someone made a LTTP thread here, what a great film! Found it really satisfying to watch, but I'm not sure exactly why. I'm really not a big Cage fan, but I thought he was great in this movie. Kaufman is batting 1000 for me, but I haven't yet seen Synecdoche, NY yet which I've heard pretty mixed things about.

Bittersweet Life - This was good, but not nearly the amazing film the hype here had built it up to be. This might be one of those movies that I really start to appreciate the second time I watch it. I do really like Lee Byung-hun, though, he's just so cool in everything I've seen him in.
 
We watched Shaun of the Dead last night for the halloween spirits, and it worked like it always does. Fantastic and hilarious. Still cut a bit too quickly for me, but maybe that was to hide the budget and keep the run-time down. Or maybe that's just how they managed to inject so much comedy into a concept that isn't - always keep you guessing/moving forward.
 
Being that Princess Mononoke is one of my favorite movies, I felt like checking out Miazaki's other works. This was on Netflix streaming and despite passing out halfway through (long day at work : | ) I loved every minute I saw. Can't wait to go home and finish!

1088190.jpg
 
jon bones said:
Being that Princess Mononoke is one of my favorite movies, I felt like checking out Miazaki's other works. This was on Netflix streaming and despite passing out halfway through (long day at work : | ) I loved every minute I saw. Can't wait to go home and finish!

1088190.jpg

good man. Cagliostro is phenomenal. The Fiat 500 chase scene is probably one of the best action scenes, live or cartoon, I've ever seen. Fantastic work
 
HiResDes said:
City Island - I was initially turned when I found out its subject, given that there are tons of indie movies about dysfunctional families. However, I must say that it is one of the most interesting and vivid examinations of a dysfunctional family I've ever. Excellent performances all around, especially from the likes of Andy Garcia and Ezra Miller (he's quite hilarious). It's definitely a slow burner as it gets better and better as all of the little oddities and mannerisms of each character begin to come to fruition. 8/10

I just got done watching City Island. At first I was like, "meh", but the more I watched the better it got. By the end my face hurt from laughing... And holy shit the teenage "feeder". I think he was my favorite.
 
I'm in the middle of watching Bong Joon-ho's Mother. So far this movie is pretty great. I'm really liking it. Can't wait to see the direction it takes.
 
Scott Pilgrim vs The World

eh.. it was cool but honestly it was a little too bit in your face with the effects and such. I mean it was cool but eh.. I liked Kick-Ass better really :lol

Although there were some good jokes from Cera, he is ugly as fuck and a terrible lead imo.

Also checked out The Other Guys which was pretty awesome.
 
Scott Pilgrim

I thought it was average, don't get all the praise, I didn't find it that funny. The effects were cool though. Maybe one of the reasons I didn't like it was because I'm not into rock, and the type of people in the film aren't the type of people I really hang out with, I just don't get them.
 
KAL2006 said:
Scott Pilgrim

I thought it was average, don't get all the praise, I didn't find it that funny. The effects were cool though. Maybe one of the reasons I didn't like it was because I'm not into rock, and the type of people in the film aren't the type of people I really hang out with, I just don't get them.
:lol :lol :lol

This is the best review ever.
 
This past week I watched The Grapes of Wrath. It has some of the best cinematography I've ever seen. At first I didn't like it, then I realized it was because of how depressing all of the shots were. It did a great job depicting the depression IMO.
 
Ondine - excellent dreamlike first 2/3rds. Atrocious ending.

Holy Rollers - one of the many standard indie movies that just passes by without any fuss. Jesse Eisenberg is great like always.

I know its a TV show, but finally finished The Wire. Jesus, best drama ever.
 
Watched The Bourne Identity. Twas alright I guess...

Gonna watch Supremacy tomorrow night. I hope it get's better than the first film.
 
Rewatched Toy Story 1 & 2 on blu-ray in anticipation of the Toy Story 3 blu-ray release. So nostalgic. Can't wait for TS3 on blu; it will look beautiful.
 
Saw 'The Town' last night. Too long, easily could have shaved about 20 minutes off that movie. Love story was kind of unbelievable. Basically I found at the end of the movie I didn't really give a shit about what happened to any of the characters, which is always a bad sign.
 
Just saw Moon without having known anything about it. Amazing and impressive, can't believe i hadn't seen this yet.

I'll be putting the Bluray for this on my to-buy list, I've heard it's transfer has some impressive blacks.
 
Expendable. said:
Ondine - excellent dreamlike first 2/3rds. Atrocious ending.
The first 2/3rds really were fantastic. Loved it. There was just no good way to wrap it up after that. Also, and this just in, Christopher Doyle is the shit
 
So, I watched Monsters (Gareth Edwards 2010, IMDb).

This mini-review is loaded with spoilers. Only continue when you already have seen the movie or when you're pretty sure you're not going to watch it anyway. Also I was smoked a bowl or two when I watched this movie so take that as you will.

First of, this movie is absolutely mistitled. Really, there aren't that many monsters on-screen. A more accurate title would've been 'travelling through areas sorta affected by aliens while talking about relationships and other stuff that matters' but yeah that's definitely less marketable.

The thing with this movie is, it's incorporating all these themes from real-life conflicts and issues without any subtlety. Corrupt war-torn country official (Iraq) asking way too much money for travelling? Check. Ineffective, PR-driven measures to combat a virus/outbreak (SARS)? Check. Border issues (Mexican immigrants)? Check. Giant wall proving ineffective (US-Mexican border again, or, if you will, West Bank Barrier)? Check. Vague pseudo-philosophic babbling about wether the end justifies the means (Iraq)? Check. But with aliens. Now this could've worked splendidly were it not for the fact that it's all just thrown into the mix without any depth or backing.

So, we watch the main protagonists encounter simple but noble, friendly locals, corrupt officials, dabble a bit in human trafficking, watch them getting ripped of during the process, get their envoy chopped up, re-enter the states (remarkably easing despite a friggin' HUGE wall on display), watch the aliens mate - after which the female lead promptly develops maternal instincts and finally gives in to the male lead who's been craving it for the better part of the movie but had been ACCESS DENIED' until said moment. During all this every now and then sparkling oversized octopi pop up to display an appetite in car batteries, gasoline and fighter jets. Oh, and they poop out electric mushrooms that stick to trees.

Highlights of the movie were the ongoing realization that, supposedly, the movie was made with less than a million. Yeah, the CG planes and choppers look shit. But the monsters weren't that bad and the world-building was decent with wrecks, ruins, notifications and gasmasks being the producer's favourite way of telling us the restricted zone is pretty FUBAR. Best part of dialogue in the movie: chick: doesn't it kinda bother you, that you need something bad to happen, to profit from it? Photographer dude: (pauses) you mean, like a doctor?

Monsters falls flat because of a weak script. With the limited budget they did a great job and the set designers deserve work for life for what they did. The leads aren't too bad either. But the hamfisted way in which the movie deals with modern-day themes combined with just a whole lot of nothing happening make it heavy in atmosphere but lightweight in story.
 
Alpha_eX said:
I watched Son of Rambow last night. Wasn't sure what to expect, it's a charming film that kept me entertained throughout.
Funny, I just watched it last night too. I enjoyed it a lot. It's nothing to write home about, but it was a really cute movie.

Last night I also watched two movies titled "Dear ____" It was a complete coincidence, seriously.
First I watched Dear Wendy. Really ehh. Just seemed a little pointless and awkwardly made. I can't even put my finger on what I disliked. Maybe it was the way the movie seemed realistic but had such implausible elements and weird situations that I couldn't accept it.

Then I watched Dear Zachary. Fantastic. It's a dark documentary, and it's truly scary seeing how badly the legal system failed. But it also has immense heart, and you can't help but love so many of the people by the end. Simultaneously shows people at their best and worst.
The poster for it is great too:
dear-zachary-poster-fullsize.jpg
 
Mystery-white-boy said:
I haven't seen too many on that list, but of the ones I have seen I'd definitely recommend these:

City of Life and Death -- Fantastic war film, very powerful.

x2. Was "lucky" enough to catch this the other night.
 
Was watching Into The Wild earlier this evening, but it was too deep for the mood we were in (seems really well done I think), so we decided to start watching Darkman instead.
 
The Thin Red Line - First time watching it in five or so years, so it might as well be the first time. A terrible, bloodsoaked ode to humanity's capability. Didn't agree with Whitt's philosophy, and was
glad to see Penn's reality-based existence took the final place, despite the send off from the dream/wishes of Whitt. Probably to show that the intangible everything is swallowed up in death and there is one world, and this is it.
I have to admit, I almost didn't breathe during the
seven men attack on the machine gun nest and subsequent ambush on the hilltop, where they fought back to back from the low side.
Couldn't respect Mallick or those involved more for this one - serious cohones on the creative talent responsible.

IP Man - There is a charm and elegance to this movie that I can't describe. But the violence and its reasons were well told and I loved it.

Pierrot le fou - Finally, a new wave film I completely adored. I don't know why, but this struck a chord much more with me than Jules et Jim or The 400 Blows. I think it was the lack of complete slapstick, or the insane mesh it seems to represent. I laughed out loud MANY times. I don't know. It's hard to say. But I have faith renewed, and will proceed onto Alphaville.

Full Metal Jacket - Kubrick, mah man. :D

The Crazies (Remake) - Competent and well done, which was a surprise. Maybe it was the lack of expectations that gave me such a warm impression. Really, it's by the numbers, but the film moves so damn quickly and with enough surprises and style you don't notice. Also, I definitely liked the leads, and they actually wrote secondary characters that were worth a damn. Color me impressed. Could have used more gore though! Lots of cutaways. :lol
 
Thin Red Line's easily become my favorite war film now, with Letters from Iwo Jima and Generation Kill (miniseries) just behind it.
Those three make one fuck-ton of a set. Even with the wonder of Thin Red Line though, nothing touches Apocalypse Now in my mind. Generation Kill gets the benefit of its time allotment, but that only serves it well (talk about connecting to characters.... Jeez.)

Edit: There's a lot of war movies, obviously, but I'd add Paths of Glory and Waltz with Bashir and Come & See among this ohsofine list. :lol
 
I finally sat down and watched Batman: Under the Red Hood. I must say, I was thoroughly impressed. The voice acting, the animations, and the overall story were all just great. Definitely recommended for anyone who like Batman: TAS.
 
Rei_Toei said:
So, I watched Monsters (Gareth Edwards 2010, IMDb).
monsters seems to almost evade criticism as everyone just responds with 'but they made it for 15k!' and that just kinda puts you in a, well shit, for 15k that was pretty sweet, kinda mindset. for better or worse i guess
 
I've watched a shitload of horror films in the past few weeks:

Carnival of Souls - A beautifully shot, yet horribly acted film with a long-drawn out plot that offers very little payoff at the end. Although, somehow maybe because of the sheer beauty of the female-lead or her exuberant expressions I found myself entranced in the film from time to time. 6/10

The Tingler - Although it is definitely not the best horror film I've ever seen, The Tingler might very well be one of the most entertaining. It's biggest problem is almost the exact opposite of Carnival of Souls in that there are simply too many plot elements at play, which could turn people off into thinking that it is nothing more than a series of M. Night worthy twists. However, there is definitely a deeper level of meta-communication going on with the film dealing with our obsession with terror or what Kant would call the "sublime." The acting is cheesy, but you can tell its purposefully cheesy adding plenty of hilarious moments to a horror film that is completely aware of itself and its genre. I personally think its a cult masterpiece. 8/10

Suspiria - Contains some of the best use of sound, color, and frame to create atmosphere that I've ever witnessed. And although the plot isn't the strongest, the entire film is so stylish and well directed that whatever it lacks in complexity it makes up in cohesion. Suspiria is a wonder to look at and maybe even more pleasing to the ear. Pure, unadulterated glass candy. :lol 8/10

....More to come
 
Watched Lawrence of Arabia for the 1st time yesterday, it had an interesting story, great acting and the production value is crazy for when it was made with the exotic locations and all the horses, camels and extras , but in the end it didn't leave the impression of a cinematic masterpiece that I've heard it praised as. I felt the storytelling and plot fell apart badly in the 2nd half and it didn't have much of an ending (even counting the events in the opening scene). Worth a watch but ultimately didn't live up to the hype for me. 8/10
 
trick+r+treat.JPG


Wow I must admit I enjoyed this film. I think much of it was due to the fact it's like what many say about, it's the perfect Halloween film. There are plenty of classic Christmas films that really get you into the spirit, but overall very few Halloween films focused on getting you in the Halloween spirit. This has it all as it pokes at urban legends, mythical beasts, crazy treat givers, and what have you. I was originally weary when I found it it was one of those films that told multiple stories at once, but it handled it very well.It's very enjoyable and I can't believe it went straight to home video and skipped the theater release. There's nothing "direct to DVD" quality about it.

Also the 22 year old
"virgin"
girl was so hot.

The-Thing-movie-poster-1-387x600.jpg


First off, damn do I wish anamatronics were still used in modern film. Seriously the "things" looked fantastic. Far more impressive than most CGI beasts in films today. I personally find CGI creatures a little too "animated" if you know what I mean. Even ones that look exactly like the real thing such as King Kong in the modern "King Kong" felt way too animated. But the creatures here literally moved life like.

Anyway after boasting that, overall this film was pretty good. It obviously has its campy parts but that's what makes it great. I really enjoyed the main characters (and myself as well) trying to figure out who was the thing and who was still human. Also the ending was solid.

bamboozled.jpg


This film was just bad. The directing was bad, the acting was bad, the writing was bad, everything was just bad. I hardly even know where to start. So I'll just start off at random.

The fact that the show they made was a run away hit was ridiculous. I mean don't get me wrong TV definitely has its fair share of shitty hit shows (I.E. Family Guy) but this is ridiculous. How would people find this entertaining? A old school minstrel with stereotypical blacks? Wha? The other thing that comes to mind is how stereotypical and 1 dimensional many of the characters were. The white vice president of the company was just stupid, do I really need to explain why? I also found it ridiculous as the film didn't show any internal conflicts of the characters. With the exception of the writer (which even then it's brief) you don't see any of the characters battle with themselves over what they are doing until right when they commit their actions. Isn't this what the film is suppose to focus about? Not to mention I just found the film to be a bit paranoid. I mean would that many people in modern America really find huge enjoyment of a hit show? Finally I don't get why the show decides to go back in time 50 years to make a point of racism in media. Why couldn't they show the transparent stereotypes and offensive portrayals of modern times? What's the point of diving through half a century and bringing up offensive portrayals of African Americans through the vault of time? Why not bring out something recent that people will not only connect with but also would make much more sense for the film? Not to mention that I found it a bit ironic as I found this movie to contain some offensive portrayals of both blacks and whites, or is that one of the"points" of the film that I missed?

Anyway this film blows.
 
A couple of friends decided to rent "Don't Look Up" at a Redbox for Halloween. I was expecting it to be a good horror film but it disappointed me so much. The story didn't make sense, the acting was horrible, and there was no scene that could be considered scary at all, considering I rarely watch horror films. I want my 98 minutes back now.
 
I watched "Good" starring Viggo Mortensen.

I thought it was pretty decent although the ending was kind of abrupt. Viggo gave a good performance.

I looked it up on Rotten Tomatoes and it has a 33% rating :lol
 
Flying_Phoenix said:
bamboozled.jpg


This film was just bad. The directing was bad, the acting was bad, the writing was bad, everything was just bad. I hardly even know where to start. So I'll just start off at random.

The fact that the show they made was a run away hit was ridiculous. I mean don't get me wrong TV definitely has its fair share of shitty hit shows (I.E. Family Guy) but this is ridiculous. How would people find this entertaining? A old school minstrel with stereotypical blacks? Wha? The other thing that comes to mind is how stereotypical and 1 dimensional many of the characters were. The white vice president of the company was just stupid, do I really need to explain why? I also found it ridiculous as the film didn't show any internal conflicts of the characters. With the exception of the writer (which even then it's brief) you don't see any of the characters battle with themselves over what they are doing until right when they commit their actions. Isn't this what the film is suppose to focus about? Not to mention I just found the film to be a bit paranoid. I mean would that many people in modern America really find huge enjoyment of a hit show? Finally I don't get why the show decides to go back in time 50 years to make a point of racism in media. Why couldn't they show the transparent stereotypes and offensive portrayals of modern times? What's the point of diving through half a century and bringing up offensive portrayals of African Americans through the vault of time? Why not bring out something recent that people will not only connect with but also would make much more sense for the film? Not to mention that I found it a bit ironic as I found this movie to contain some offensive portrayals of both blacks and whites, or is that one of the"points" of the film that I missed?

Anyway this film blows.

Well, first of all, the movie is a social satire, and similar to films like Blazing Saddles, you're going to have to sift through piles and piles of unrealistic foolery to get at the film's underlying message. Not unlike other black people within the United States, Spike Lee is disappointed with the modern representation of black people within television/movies, as well as the current state of the industry as a whole.

Mantan is basically an incredibly exaggerated representation of actual black television, which outside of a select few shows, is basically restricted to the comedy realm of the medium (Fresh Prince of Bel Air, Family Matters, Sanford and Son, etc). There is certainly nothing with these types of shows, but a problem arises when comedic roles make up the overwhelming majority of your ethnic group's depictions, considering characters within comedies tend to be archetypes and hardly what anyone would call flattering. In the older days of Hollywood, the black American's role in film outside of servant roles was the comedic relief, people like Steppin Fetchit or Mantan Moreland (!), who basically embodied socially held stereotypes about black people for a cheap laugh. And this is the coorelation that Spike Lee is ultimately trying to get at, the fact that while black representation is leaps and bounds better then it had been prior to the 60s, it hasn't actually progressed that far from its origin.
 
robor said:
Watched The Bourne Identity. Twas alright I guess...

Gonna watch Supremacy tomorrow night. I hope it get's better than the first film.

New director. People complain about the shaky cam and quick edits, but haters gonna hate.

Supremacy was my favorite of the three due to the low tempo and the plot with Bourne's attonement. Really brought out a new level of character to Bourne.

If you're into the big action, then Ultimatum is by far the best of three when it comes to action.
 
Jason's Ultimatum said:
New director. People complain about the shaky cam and quick edits, but haters gonna hate.

Supremacy was my favorite of the three due to the low tempo and the plot with Bourne's attonement. Really brought out a new level of character to Bourne.

If you're into the big action, then Ultimatum is by far the best of three when it comes to action.

You'll be interested to know that I met Doug Liman the other night at a bar in LA and promptly informed him that he made the best Bourne film.
 
Scullibundo said:
You'll be interested to know that I met Doug Liman the other night at a bar in LA and promptly informed him that he made the best Bourne film.

Did you ask him why he made Bourne grab onto a dead fat guy and jumped off god knows how many floors surviving?

The plot, fight scene, car chase, and music are superior than Identity.
 
Jason's Ultimatum said:
Did you ask him why he made Bourne grab onto a dead fat guy and jumped off god knows how many floors surviving?

The plot, fight scene, car chase, and and music was superior than Identity.

There was a fight scene and car chase in one of the sequels? I can't remember. It was all a blur, yet I don't remember drinking.

GET IT! BECAUSE THE CAMERA WORK WAS TERRIBLE! LOLOL!
 
Status
Not open for further replies.
Top Bottom